
This collection is beautiful to read in hand. The poets and the poems are excellent. Some gorgeous haiga is included, too.
To order a copy: https://wildflowerpoetrypress.wordpress.com/current-titles/


This collection is beautiful to read in hand. The poets and the poems are excellent. Some gorgeous haiga is included, too.
To order a copy: https://wildflowerpoetrypress.wordpress.com/current-titles/



It’s a real honor to have three tanka and one haiku published in a favorite journal of mine, Blithe Spirit. My thanks to editor Shrikaanth Krishnamurthy for his support and encouragement.
Blithe Spirit, Volume 28, Number 1, Journal of the British Haiku Society, February Issue 2018
curtains billowing
in the warm spring air
each strand of lace
intricate, undecipherable
… like you
an early daffodil
frozen in a bed of snow
you left us
long before
we were ready
spooning dumplings
into chicken soup
I imagine my mother –
how I wish we had
another chance
milkweed pods
fading to nothing
as we age

Milkweed Pods by Lucie Veilleux aka 3dots

In Washington, DC, the winners and runners up of the Golden Triangle Haiku Competition are displayed in individual signs on downtown streets. Mine placed third out of over 1,675 entries from 45 countries and 34 states, and the District of Columbia. This was quite a nice surprise for me. This year’s contest theme was “Spring in the City.”
Here is a press release giving background of this competition:
Use this link to read all the haiku that are now on signs on Washington DC streets.
Click to access Golden-Haiku-2018-Signs.pdf

Photo by Theodor Horydcz, Tidal Basin with Cherry Blossoms, Washington, DC

Not mine, but this is an example of how all the haiku are displayed in the Farragut Square area of Washington, DC
The poem, “Flying Against the Wind” is the final poem in my chapbook, Erasing the Doubt, (c) 2015, Finishing Line Press. (The book is available for purchase from Finishing Line Press.)
Flying Against the Wind
Your thoughts drifted out to sea—riding on the wind
like wisps of breath lost on a freezing day.
.
With only the lighthouse for company and water all around,your steady feet were planted firmly on the point.
You looked as if you were an island isolated from the world,
but you were not.
The chill March air made even you feel cold.
You pulled the flapping wings of your jacket closed,
zipped it, and slid your hands deep inside the pockets.
Except for this, you never moved.
You stood there looking at the sea that went on forever,
searching the horizon for clues where it might end.
The wind stung your eyes as waves conjured up whitecaps,
then swept them away like mermaids lost and turned to foam
while currents pulled together and then apart.
A fierce gust blew through your bones, trying to topple you,
but you stood fast. Even sea birds hid behind steep cliffs,
not daring to fly against the wind.

“Arai: Whitecaps on the Ocean (Arai—Enkai hato),” c. 1848-1849, by Utagawa Hiroshige I

In the November, 2017 issue of Blithe Spirit, the Journal of the British Haiku Society, these tanka and haiku were published. All poems are (c) 2017 Mary Kendall.

Queen’s dollhouse—
we examine the tiny rooms
in barely a whisper
crowning—
the full moon pushes
through fog
his fingerprint
left under a cup
he made
her only way
to hold on

the slow uncurling
of the fiddleheads
one by one
learning to let go
is never easy