Sipping skinny lattés

 

Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue, 24, Spring 2018:

two senryu and one kyoka published

 

 

 

pulling a single

strand of silken thread …

her undoing

 

              …

 

sipping skinny lattés

they march against

world hunger

 

              …

 

a slight limp

on cold and rainy days

how easy it is

to fall out of step

with myself

 

 

orb weaver Robert Potts:Getty Images

Orb Weaver Web / Photo by Robert Potts/Getty Images

 

 

Noon… (a haiga)

 

 

 

 

 

Published in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue, 24, Spring 2018

 

 

Chopsticks . . . (a haiga)

 

 

 

Published in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue, 24, Spring 2018

 

Note on the art work for this haiga: When we lived in London in 2017, I was enjoying the beautiful Christmas windows at Fortnum and Mason. You can see what is obviously a part of a window display in this haiga but superimposed on it is a reflection of the buildings that were on the opposite side of the street.  It was pure luck (since I’m not much of a photographer and usually only use my iPhone) that the sun was right and I caught this interesting juxtaposition. Obviously it was perfect for pairing with a verse and this senryu seemed to fit the bill.

 

All I have left

The April 2018 issue of cattails: the Official Journal of the United Haiku and Tanka Society is out. Here is the link to the issue:

http://www.cattailsjournal.com/issues/cattailsApril2018.pdf

I have three poems included–a haiku, a senryu and a tanka.

 

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My thanks to the editors for selecting these poems to be published. 

Pooh sticks . . .

 

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In the November, 2017 issue of Blithe Spirit, the Journal of the British Haiku Society, these tanka and haiku were published. All poems are (c) 2017 Mary Kendall.

 

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Queen’s dollhouse—
we examine the tiny rooms
in barely a whisper

 

 

crowning—
the full moon pushes
through fog

 

 

 

his fingerprint
left under a cup
he made
her only way
to hold on

 

kimjpalmer_star_tribune.com_

 

the slow uncurling
of the fiddleheads
one by one
learning to let go
is never easy

 

 

 

Six in One

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Under the Basho is an excellent and unusual haiku publication. It is unusual in that submissions and acceptances continue on a rolling basis through the year while other journals have very strict reading periods. It is also unusual in that the journal is divided into various haiku subcategories such as “Traditional haiku,” “Hokku,” “Modern Haiku,” “One-Line Haiku,” “Concrete Haiku,” and “Poet’s Personal Best Haiku.”

This is the second time I’ve had the good fortune of having haiku in Under the Basho in three categories: Modern Haiku, One-Line Haiku and Poet’s Personal Best Haiku.

Here are my three in the Modern Haiku group:

UtB 2017 MK modern 2

I have two in the One-Line Haiku group:

UtB 2017 MK one liner 2

And I have one selected in the Poet’s Personal Best Haiku category. Poems in this group are haiku or senryu that have already been published:

UtB 2017 PPB MK 2

It is a wonderful way to end the year by having six haiku chosen to appear in this journal. My thanks to the editors for selecting these haiku.