Your dark self . . .

 

It is always an honor to appear in Pamela A. Babusci’s Moonbathing, a Journal of Women’s Tanka.  The high level of quality tanka in this bi-annual journal by some of the best women writers of tanka make it a journal to read again and again.

 

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Moonbathing, a journal of women’s tanka, Issue 17, November 2017 

 

 

 

your dark self—

that side

hidden

away like

a new moon

 

 

Pooh sticks . . .

 

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In the November, 2017 issue of Blithe Spirit, the Journal of the British Haiku Society, these tanka and haiku were published. All poems are (c) 2017 Mary Kendall.

 

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Queen’s dollhouse—
we examine the tiny rooms
in barely a whisper

 

 

crowning—
the full moon pushes
through fog

 

 

 

his fingerprint
left under a cup
he made
her only way
to hold on

 

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the slow uncurling
of the fiddleheads
one by one
learning to let go
is never easy

 

 

 

Speechless . . . (a tanka)

 

 

 

the statue of David
stands so tall in the gallery,
I am speechless
in the Italian
I never learned

 

 

Published in Ekphrasis: The British Haiku Society Member’s Anthology, 2017

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The statue of David by Michelangelo is in the Accademia Gallery in Florence, Italy. It was sculpted between 1501 and 1504.

Paper and dolls…(tanka)

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Two tanka of mine appeared in the last issue of Ribbons, the journal of the Tanka Society of America.

 

Ribbons, Fall 2017: Volume 13, Number 3

 

still collecting dolls
into her old age
a special name for each –
and one story
she refused to tell

 

Tanka Café, Fall 2017: theme was “paper”

 

a book propped
by the pillow on my knees,
page after page
I ease into someone
else’s life

 

 

Winter static … (one line haiku)

 

A one-line haiku published in

Acorn, A Journal of Contemporary Haiku,
#39, Fall 2017

~

winter static   the crackle of your silence

 

~

 

Six in One

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Under the Basho is an excellent and unusual haiku publication. It is unusual in that submissions and acceptances continue on a rolling basis through the year while other journals have very strict reading periods. It is also unusual in that the journal is divided into various haiku subcategories such as “Traditional haiku,” “Hokku,” “Modern Haiku,” “One-Line Haiku,” “Concrete Haiku,” and “Poet’s Personal Best Haiku.”

This is the second time I’ve had the good fortune of having haiku in Under the Basho in three categories: Modern Haiku, One-Line Haiku and Poet’s Personal Best Haiku.

Here are my three in the Modern Haiku group:

UtB 2017 MK modern 2

I have two in the One-Line Haiku group:

UtB 2017 MK one liner 2

And I have one selected in the Poet’s Personal Best Haiku category. Poems in this group are haiku or senryu that have already been published:

UtB 2017 PPB MK 2

It is a wonderful way to end the year by having six haiku chosen to appear in this journal. My thanks to the editors for selecting these haiku.