A Repeat for Myth Lovers: The Second Lamentation of Demeter by Mary Kendall ~ (Poetry and Myth)

As a follow up to my last blog, I’m reblogging this second lamentation that dates back to November 4, 2014.

Which classic myth would YOU choose to write a poem about? What grabs your mind and heart both?

 

The Second Lamentation of Demeter

 

 

Narcissus, 1912 by John William Waterhouse

Narcissus, 1912 by John William Waterhouse

 

Persephone’s abduction by Hades is swift, violent and over so quickly that no one hears her scream except for Hecate, a goddess who helps Demeter find out where she has gone. Could there be anything worse for a mother than to lose a child? Demeter’s grief is profound. This is the Second Lamentation of Demeter.

 

The Rape of Proserpine, Hans Von Aachen, 1587

The Abduction of Persephone, Hans Von Aachen, 1587

 

To hear me read this poem, please click on the link below and wait a few seconds for it to begin.

 

 

 

The Second Lamentation of Demeter

 

The earth groaned, then opened briefly.
That’s all it took.

He appeared out of nowhere
Like a wild flume of fire,

The flickering golden chariot with
Four black stallions at full gallop.

He sprang upon her so quickly
That when the earth closed back

Upon itself like a wound healed over,
All that was left was a circlet of flowers

That she and the daughters of Oceanus
Had been stringing together. Irises, roses,

Violets, hyacinths, and the faded blossoms
Of sweet narcissus plucked by her hand.

The scar in the earth and grasses torn apart
Were all that told the story.

I always knew he watched her…
I sensed when he was around.

Clouds gathered overhead,
Shadows clothing him in darkness,

Hades,
To whom sunlight is a stranger.

My sweet Persephone is gone now,
Gone with him.

O, horror…
My sweet child is his.

 

circlet of flowers 2

 

 

Persephone’s abduction is well represented in art. It is my personal opinion that one need look no further than the magnificent sculpture done by Bernini in 1622. The details of the hands and arms as well as the force and resistance between their two bodies is powerful. Persephone’s tear stained cheek tells us more than any words can.

 

Gian Lorenzo Bernini, The Rape of Proserpina, 1622, Galleria Borghese in Rome

Gian Lorenzo Bernini, The Abduction of Persephone, 1622, Galleria Borghese in Rome

 

 

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Green . . . (Synesthesia in haiku)

Synesthesia in haiku ~

 

This haiku was recently published in Hedgerow, a journal of small poems ~ #130, Winter 2020

 

 

spring…
hearing green
and only green

 

 

 

 

 

 Haru = Spring

Wild apple (some senryu)

Three senryu and one haiga appeared in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue 25, July 2018.

 

wild apple–
one bite is all
it took

 

inertia–
a thin coat of dust
on his burial urn

 

cloud cover–
darkness brewing
in daddy’s words

 

 

the sudden diagnosis haiga

 

My thanks to editor, Steve Hodge.

 

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Cover Art: Happy Monk by Jerry Dreesen

 

Paper and dolls…(tanka)

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Two tanka of mine appeared in the last issue of Ribbons, the journal of the Tanka Society of America.

 

Ribbons, Fall 2017: Volume 13, Number 3

 

still collecting dolls
into her old age
a special name for each –
and one story
she refused to tell

 

Tanka Café, Fall 2017: theme was “paper”

 

a book propped
by the pillow on my knees,
page after page
I ease into someone
else’s life

 

 

A sudden glint … (tanka)

 

staring skyward
at the meteor shower
I brush away two fireflies–
a sudden glint
of new found love

 

~ Mary Kendall

 

Presence, Issue 58, July 2017

 

My thanks to the editors of Presence for publishing this tanka.

 

All the blame… (a tanka)

My thanks to editor and poet, Pamela A. Babusci for publishing this tanka in Moonbathing, a Journal of Women’s Tanka, Issue 14, June 2016

To listen to me read this tanka, click on the link below:

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Marching on…

 

Two tanka and one haiku were published
in  A Hundred Gourds 5:2 March 2016

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~~~

A Hundred Gourds 5:2 March 2016
http://www.ahundredgourds.com

Woodsmoke…

This haiku has just appeared in The Heron’s Nest, a distinguished journal of haiku. For me, as a first time poet in this journal, it is a truly great honor for which I’m thankful.

My poem is on page 11 of The Heron’s Nest:  http://www.theheronsnest.com/March2016/haiku-p11.html

 

winter night—

the curl of woodsmoke

takes flight

 

woodsmoke

 

I hope some of you will click the link to The Heron’s Nest to read the full issue of wonderful haiku from around the world.

 

pen divider

Note: photo is in the public domain (found linked with many sources online)

Bits & Pieces

 

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I had three haiku published in issue #61 of hedgerow, a journal of small poems last week. 

 

old nest box…                                    
a flurry of blue birds
before the snow

 

(hedgerow #61)

 

roasted chestnuts–
how could I forget
your laughter?

 

(hedgerow #61)

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my dog leaps
into still night water
to fetch the moon

 

(hedgerow #61)

 

 

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Small Poems for a Cold Winter Day

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In my last posting here,  I put up a new haiga that was just published in cattails, January 2016, the journal of the United Haiku and Tanka Society, but I was really very fortunate this time round in having three other poems published in the same issue: a haiku, a senryu, and a tanka.

 

cattails, January 2016, haiku, p. 8:

 

winter—
each day closing in
on itself

 

cattails, January 2016, tanka, p. 4: 

 

chased away
by a gang of crows
the red-tailed hawk—
being different
is never easy

 

 

cattails, January 2016, senryu, p. 9:

 

black Friday—
the vultures circle
round and round

 

Migraine (haiga)

Published in cattails, January 2016:

Kendall migraine haiga 1

haiku and photography by Mary Kendall (c) 2016

Charlotte’s Story: Haiku for Wilbur by Mary Kendall (ME, IN FICTION Poetry and Prose Series)

silverbirchpress's avatarSilver Birch Press

Charlottes-Web-Terrific-Garth-Williams1Charlotte’s Story: Haiku for Wilbur
by Mary Kendall

“My Words”

my words—
who knew what a story
we’d become?

“First Friend”

a friend—
something my kind
never knew

“The Unexpected”

new friend—
silken parachutes in spring wind
bestow surprises

“Silken Words”

silken words…
hearts woven together
in their own story

“Some Pig”

little did they know
how special you were—
some pig!

“Terrific”

a real friend
who accepted me as I am…
terrific!

“Radiant”

just knowing
you have a good friend…
this radiant heart

“I Told You”

out of nowhere
grows the best thing…
kindness of spirit

“Humble”

humble—
your kindness of heart
my friend

“The Fair”

harvest moon—
who knew how high
we’d fly?

“Templeton”

even a rat
can help a friend..
who knew?

“My Time”

time for rest
my voice a whisper
…alone now

“Good-bye”

no need to worry—
our memories will live on
in your heart

“Death”

View original post 261 more words

My Mother’s Voice…a poem of loss

Today, my favorite haiga was published in a favorite journal, Gnarled Oak. It is a lovely home for this haiga. Here it is along with the link to Gnarled Oak (check out all the great poetry in this journal). The editor, James Brush, releases one poem a day, a custom I love. It’s always a joy to see what each day holds. My thanks goes to James for accepting this piece.

My Mother’s Voice

 

My Mother's Voice haiga

 

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beautiful border for blog

 

This haiga was originally posted on this blog on June 14, 2015.

A Windfall of Tanka

This has been a lovely month for me in the poetry world with a bunch of things published. I’ll do this in several postings so viewing is easier. Early this week I had two tanka published in the Fall 2015 issue of Ribbons, the official publication of the Tanka Society of America. It is such an honor to have work appear in this journal. Two wonderful editors offer a wonderful chance for me to learn and grow as a tanka poet.

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p. 30 (regular part of Ribbons):

sometimes
it begins with a slight fissure
hidden inside…
still I wonder
why it had to end

Time-Can-Wait

p. 21 (in the Tanka Cafe)

fresh water
cleansing, nourishing–
letting the earth
grow green
once more

freshwater

Salted Feathers

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To listen to an audio of me reading this poem, just click on the link below. Give it a few seconds, and it will start.

salt shaker

Salted Feathers

I was four when you told me the story
that if someone wanted to capture a bird
they must sprinkle its tail with salt.

We went outside, salt shaker in hand,
not sure what we really planned to do.
In the end, it was a tiny sparrow foraging

for fallen seeds or tiny insects on the other
side of the chain link fence at the back
of the yard. You told me to go ahead and

sprinkle it. My hand would not fit through
the opening link square with the shaker.
Blindly I tossed a spray of salt that landed

more on you and me than any place else.
The little bird was spared, and he continued
rummaging around in the grasses, indifferent

to the plans made by two small girls who
had no real idea what it was to take away
the gift of flight. No salted feathers for him.

All I remember now is that I felt something
happen inside when the little bird looked
at me and, in the way of all birds, off it flew.

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A Poem for 9/11: Against the Evidence…

9/11 Memorial

9/11 Memorial

On September 11, 2001 I was far from retirement and very much still teaching in the Lower School. Sometime mid-morning, I had a short break and took a walk to the office where I heard the news that the first tower had fallen. We all know what happened next. We all remember what we were doing that morning.

Life changed then for all of us in this country. I recall the many conversations among teachers and staff about how to explain the horrendous news to the children (ours were grades 1-4), how to answer questions, how to help worried and anxious parents.

I remember the next day when we all gathered around the flag pole and watched as the flag was raised to half-staff, and some thoughful words we spoken and we shared our minute of silence and then sang the National Anthem.

I remember looking at the small children, tears finding their way down my cheeks (and those of all the faculty, it seemed) realizing the world of all these little ones was forever and irrevocably changed.

That night, after dinner, I sat outside in my garden. The weather was fine in the early September evening down in North Carolina. I watched the clouds float by in the sky, and I listened to the birds. I wrote a poem.

It is this poem I offer you today, fourteen years later. The poem is unaltered except for adding three lines to the second to last stanza later. I’m posting this on my blog on 9/11/15. Fourteen years after that horrible day, and our world feels far more out of control, far more filled with hatred and distrust of all who “aren’t like us” both here and abroad. The news has been filled with the tragic pictures of refugees, especially the unforgettable picture of the small toddler whose dead body lay on the sand at the edge of the water. Again we all wonder why it is men and women can’t live in peace.

Here is my poem. It won’t change the world. It won’t do much of anything in fact. Very few will ever read it. Yet, still, I offer it to you and hope that each of us can, in our own way, pray for peace today and every day.
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If you care to listen to me read this poem, please click on the link below and wait a few seconds for the recording to begin.

 


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In Memoriam, September 11, 2001

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Against the evidence I will continue
to hope when there is no reason to hope.
Against the evidence I will continue
to search for life among the piles of rubble.
Against the evidence I will continue
to believe there is goodness in hearts when it seems
all else lies corrupted in darkness.

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For in the hours that held madness,
in the hours of chaos and death,
as the billowing smoke darkened the skies
and the hearts of all people, there came
the night sky with air blowing clean,
revealing the stars that sit in their cold thrones
watching all of this without judgment.

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Against the evidence I will continue
to find beauty in the dusky slate-colored sky.
Against the evidence I will continue
to find reasons to offer hope to a young child who cries.
Against the evidence I will continue
to look past the senselessness and try to find meaning
where there is none right now.

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For in the days ahead there will be scenes
that the heart can simply not fathom,
sounds that ears would rather not hear,
sights that shatter our innocence
and feelings of inviolable space.

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And the stars sitting in their cold thrones
watch down on us and now begin to weep
for the sadness of what man can do to man.
And the stars, as they see us, continue to burn,
their own surfaces fired with blue-flamed explosions,
the heat of their hearts now filled to bursting
as they watch, as they sit, as they shine
from those thrones so distant, so far above

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Against the evidence I will continue
to find brilliance in the soft silvered stars.
Against the evidence I will continue
to look for their fiery tears falling down
on a world filled with terror and pain.
Against the evidence I will continue
to believe that one day it will all end.

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Written on September 12, 2001 by Mary Kendall

Dove photo by Merlune

Dove photo by Merlune

Summer’s End

Photo by Gary Brichford, (c) 2015

                                                Photo by Gary Brichford, (c) 2015

Today’s poem is a slight detour down the road that leads to summer’s end. I’ve chosen to present an acrostic poem, a form I always enjoyed using when writing with children during my years of teaching. Acrostic poems are delightful and often funny, but as shown here, they can be serious and even tender.

You can hear me read the poem if you click on the link below and patiently wait a few seconds for the recording to begin.

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Summer’s End

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Sunflowers bloom tirelessly all summer long

Unwavering in their deep devotion to the sun

Multiplying day by day, the fields grow yellow

Making everyone stop to look

Elegant with their tall, swaying stalks

Regretting nothing, they give themselves to this season

Surrendering ripe seeds to the redbirds and finches that gather round

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Photo by Betty Risotto, (c) 2015

Photo by Betty Rizotti, (c) 2015

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Even summer must come to a close

No one is ever spared the final moment

Depleted of seed, sunflowers begin to bow their heads in sleep

Photo by Jan Monson, (c) 2015

     Photo by Jan Monson, (c) 2015

Photo by Gary Birchford

Photo by Gary Birchford, (c) 2015

Photo by Gary Brichford, (c) 2015

Photo by Gary Brichford, (c) 2015

Photo by Gary Brichford, (c) 2015

Photo by Gary Brichford, (c) 2015

Several photographers are responsible for the beautiful sunflower photographs in this blog. The two with the goldfinches are shared by Betty Rizzoti (middle right photo) and Jan Monson (middle left photo). Many thanks to each of them for these great captures. All the rest of the photographs are by Gary Birchford whose photographs, when posted on FaceBook last month, inspired this poem as a goodbye to summer. Thank you Gary for your ever generous heart in allowing me to use these pictures.
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Photo by Gary Brichford, (c) 2015

Photo by Gary Brichford, (c) 2015

One final note: Gary Brichford took this set of sunflower pictures from an interesting source. They were on the side of a major highway in central North Carolina as part of a government project. Please see the picture below for details. Isn’t it great to know that our Department of Transportation is involved in Pollinator Habitats. What better place could they find. Imagine how many people drive past and smile at the ever beautiful sunflowers.

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Photo by Gary Brichford, (c) 2015

                             Photo by Gary Brichford, (c) 2015

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Who Am I?

32-2015-04-05 15.23.45

Who Am I?

I am just a wisp,
a vision caught
at the edge of your eye.

I am just a thought,
a touch on the arm
you almost don’t feel.

I am just a memory
pulled back down to earth.

I am just an image
of what could be
but is not.

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To hear me reading this poem, simply click on the link below. Wait a few seconds for it to begin.

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This poem originally appeared in The Aroostook Review, May 2006

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Note: the rainbow picture is my own, but the beautiful purple flower is by Yolanda Litton, one of my favorite photographers.

 

 

 

Sonnet: The Meteor Shower (Get Ready for the Perseids)

Perseid-Aug-12-2013_UT

“Multi-photo composite showing Perseid meteors shooting from their radiant point in the constellation Perseus. This year’s Perseid shower will peak on August 12-13 (Wednesday night-Thursday morning) with a meteor a minute visible from a dark sky.” Credit: NASA

Excellent information source : http://www.universetoday.com/121599/kick-back-look-up-were-in-for-a-great-perseid-meteor-shower/

“Every August, the night sky is peppered with little bits of comet debris in what we call the annual Perseid meteor shower. In 2015, the Perseids will peak on Aug. 12 and 13, with up to 100 meteors per hour possible for observers with clear, dark skies, according to NASA. The Perseids are bits of the comet Swift-Tuttle and often create the most amazing meteor shower of the year.”  (www.space.com)

Perseid-radiant-mine-generic_edited-1

Now that you know all about the great Perseid Meteor Shower of 2015, get your blankets ready, and go out before dawn on August 13.

My poem in honor of this spectacular celestial show is a sonnet called, “The Meteor Shower.” Written a few years back, it has never been published. I thought it would be nice to post it this week and share it with a few readers other than myself. 

The sonnet form I chose was the Spenserian sonnet form, invented by poet Edmund Spenser:     

a b a b     bc b c     c d c d     e e

I’ve provided an audio clip below to listen to with the poem or while you look at the beautiful pictures above or the lovely one following the poem.  (Note: audio takes a few seconds to begin after you press the play button.)

The Meteor Shower

 

But who can hold the stars? Let us look then,
Let us hear what songs the skies are singing
As we lie here on the dewy grass when
The Perseids start their wild summer dancing,

And we are so enraptured, not thinking
Of anything but this heavenly sight,
Unable to look away from shooting
Stars that sprint and leap, now left, then right.

Beneath this show, on such a timeless night
As life stands still, we glance at every star
In wonder that pieces of debris might
Create syncopated movement from afar.

Such beauty holds us quiet, but these thoughts
Betray the silence hidden in our hearts.

perseid-shower

Summer Poem 2 ~

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dragonfly wings

My thanks to my dear friend and photographer, Yolanda Litton for allowing me to use her beautiful picture of the Provençal countryside.

Pearl ~ a haiga

One of my earliest postings on this blog was of a haiku on a pearl. Having begun creating haiga, a combination of a haiku and a piece of art or a photograph. I reworked this poem, and this is the result. It is now finally finished. I only wish I could give full attribution to the original photographer, but I could find none after searching for quite a long time. I did alter the color to suit this poem. My thanks to all fine arts photographers who always inspire.

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Pearl Haiga

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On Growing Older…

On my pillow haiga 2015

June Haiku 3

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in the rushes—

standing so silent

a lone blue heron

tranquil water

The photograph of this Great Blue Heron is anonymous, sadly. I could not trace this internet picture to a specific site or photographer. Whoever you may be, I thank you for creating a beautiful picture of this gorgeous creature.

fallen petals… (haiga)

My Mother's Voice haiga

In Luxembourg Gardens, Paris

Chairs in Luxembourg Gardens, Paris by Mary Kendall

Chairs in Luxembourg Gardens, Paris by Mary Kendall

In Luxembourg Gardens, Paris     

A stairwell of shadows invites us to sit.
Empty chairs bask in the late spring sun,

Waiting for readers who choose to sit,
slipping into the borrowed lives of books.

Waiting for lovers to pull two chairs aside,
stealing time away from the world.

Waiting for an old man with a limping dog,
passing time away from his silent rooms.

Waiting for the widow who longs for the sun,
savoring the warmth like a delicate embrace.

Waiting for the disheveled girl who waits,
sipping a café crème with a guarded look.

Waiting for a businessman to eat his lunch,
savoring silence, no rumble of demands.

Waiting for the grandpère missing his children,
wondering what it is they do continents away.

Waiting for weary tourists who sit and rest,
whispering in languages you don’t speak.

Waiting for a tumble of clouds to sweep the sky
just as this sweet day slips into the waiting night.

Time passes.
People pass.
Memories pass.

Another day will come.

Acceptance

Acceptance, photograph by Iosatel (c) 2015

“Acceptance”  Photograph by Iosatel (c) 2015

Should you wish to listen to the poem, click on the link below. It will take a few seconds to begin.

 

Acceptance 

There—on the far side of memory’s window—
You stand there on the outside looking in.

Distanced, safe from the rawness of our lives,
You are given a choice whether to judge us

Now or see if we try to make amends, to heal
The hearts that have been torn at the edges,

Frayed by the refusal to forgive, and let others
Move on, a final repentance, a simple lesson

Of learning to forgive our own mistakes, our
Choices or the decisions we came to regret.

Life is not all black and white, but endless shivers
Of grey, silver, and ebony; hues of cream, ivory

And moonlight, and beautiful colors begin to bleed
Into our fabric when we accept others as they are.

Paths get worn by walking, grass just wears away.
Road crosses road, briefly intersecting, and then

Leading to new and unexplored places where
There might be answers if we put aside our slanted

Views and look well beyond our differences.
Beneath this fragile shell of life we are the same.

Why is this simple lesson so hard to learn?

 dove and monkey

Note:  The main photograph (at the top of this page) used with this poem is a beautiful piece by the photographer, Iosatel. It appears on his photography blog, The Obvious and the Hidden, http://theobviousandhidden.com.

His black/white pictures are both beautiful and mysterious. Along with the intriguing pictures are his titles, which never fail to interest his many followers. This photo was entitled, “Acceptance.” It was this that began this poem. My warmest thanks to Iosatel for allowing me to use this photograph with my poem, ‘Acceptance.’

Once

Old home in Eland, North Carolina, photograph by Gary Brichford (c) 2015

Old home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

Once

The door is ajar, waiting for someone to come in,
But no one comes now except for you, you who
Climbed through overgrown grasses circling the house.

Wanderers like you come sometimes, looking for things
They once knew, remembering those they have lost, and
Places that they once loved, places they called home

Once this was home. Families lived here, died here.
Brides moved in and babies came, some were lost,
But most grew into fine young folk. Wars came, and

With them a generation of men might disappear. Yes,
Sickness came but so did love. Life was full then. Every
Home is made of lumber and nails, people and dreams.

Once the fire would have been lit on short winter days,
Keeping us warm, the heat drying wet wool mittens and
Mended socks. Flames burning so hot that our cheeks

Grew red while ice-cold winds knocked on the walls.
Flames burned down to chalky ashes during the night,
While we slept two to a bed and sometimes three.

Father was up early to stir the embers, add hickory logs,
Small broken branches and sticks the children gathered.
From this, he coaxed new flames to burn again all day.

You stand here now today, a cold Saturday in March,
Camera in hand, waiting to capture something, but
What that is you don’t know. Not much is left to share.

Once there were so many stories about the families—
Brothers, sisters, cousins, uncles and aunts. Their
Stories are gone for good but once they were here.

Without warning, memories of your own childhood
Rush into these walls, so real you can almost feel them,
They come so fast—an unasked for surprise.

If you listen hard enough, you hear children laughing
At the three young pups who are worrying the chickens,
And momma running out to chase them with her broom.

But it’s the inside of the house that pulls you back.
Looking up at broken rafters, you study the timbers:
Was it was fire or ice that brought down the roof?

Look hard and you might see momma sitting there near
The fire, the flames giving her light to do her mending.
Here she would sit and work. Sometimes she sang,

Her voice a clear soprano, ours a mix of everything else.
Daddy might take down pawpaw’s fiddle, and begin
Tuning it slowly string-by-string, note-by-note.

If you were the lucky one that day, he might ask you
To rosin the bow for him. Those were the good days
When they’d play our favorite songs or hymns.

But the best part was always the last, when they played
Old timey tunes, foot tapping music we loved.
We’d start dancing together, our shoes pounding hard

Like wild thunder on the old wooden floorboards.
It would echo so loud, we’d dance even faster
And then, exhausted, we finally had to stop.

A small redbird perches up on the open eaves,
Straw in its beak. It is nesting here in the house.
Can you hear its mate singing an ode to early spring?

If you listen to the silence, you might hear the whispers.
Or maybe it’s nothing, lost memories, old stories and
Wind blowing through the open roof, the broken floor.

~ ~ ~

Old Home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

Old Home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

Photographs by Gary Brichford © 2015

Note of Thanks to Gary Brichford, I am honored that you’ve allowed me to use your beautiful photographs of this old house that still stands in Efland, North Carolina. Your pictures make the past so real. Many thanks, my friend.

Old Home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

Old Home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

 

 

cardinal nesting

Frozen Moments

Frozen Moments (c) 2015 Harald Illsinger

                                             Frozen Moments (c) 2015 Harald Illsinger

FROZEN MOMENTS

It doesn’t matter that your words were shouted
In a peal of sparking anger, anger spewed
In moon-white flames tinged with flicks—
Sapphire blue and poppy red and yellow.

Burning so hot and fast, those thoughts
Consumed themselves and all
Nearby, including what remained
Of hope
For change…
Your change,
Your transformation.

And when the fire burned down,
All that was left were the ashes of your anger.

Small chars of memories…
Frozen moments of who you were…
Once—
Long Ago.

Unable to forgive—even yourself,
You are locked in the ice of stagnation,
The ice of inner struggle.

Frozen fire—
No thaw,
No shift,
No change.
No redemption.

Frozen
Moments
Forever.

old_pocket_watch_buried_1774093

Note: Many thanks as always to Harald Illsinger for the use of his exquisite photograph, Frozen Moments (c) 2015. His work always serves as such wonderful and unexpected inspiration.

Dark-Eyed Juncos, a Tanka

I’d like to share a tanka that is currently appearing in Ribbons, Tanka Cafe, Winter 2015

Junco, photo by Kathy Adams Clark

Junco, photo by Kathy Adams Clark

winter light 

shadows linger low

behind us—

dark-eyed juncos

scurry past our feet

Juncos, photo by Brian Cunningham

Juncos, photo by Brian Cunningham

This poem appeared in Ribbons, Tanka Cafe, Winter 2015
This is the publication of the American Tanka Society,

Spring Equinox (haiga)

spring equinox kendall haiga

Haiga by Mary Kendall

This was written for a prompt on the spring equinox for a favorite small poem poetry group I belong to called “seize the poem.” I’m enjoying creating this mix of haiku and photography, and I think I finally got the words correctly balanced on the picture, so I’m sharing it here as well. The photo is my own taken in the sculpture garden of the Rodin Museum in Paris this month.

Meditation on the Moment

The following poem of mine, “Meditation on the Moment” was originally published in a book called, True Belonging: Mindful Practices to Help You Overcome Loneliness, Connect with Others, and Cultivate Happiness (c) 2011 by Jeffrey Brantley, MC, DFAPA and Wendy Millstine.

Dr. Jeffrey Brantley was my first meditation teacher in the Duke Integrative Medicine MBSR program. His wife, Mary Brantley, introduced me to the practice of Metta (Loving Kindness). Through both of these teachers my life was forever changed in a most beautiful way. I wrote this poem for Dr. Brantley and he first used it in meditation classes and later asked to publish it in his book. This was an honor I will always hold very close to my heart.

137163__rain-the-glass-drops_p

Meditation on the Moment

When I am ready,
I close my eyes
and focus on the breathing;
awareness of air
passing through the nose
down through the body;
the belly rises, falls,
rises again ~
its slow rhythm
setting the tone.

Next, focus on the body,
accepting it for once
as it is right now,
here in this moment,
for the moment
is all we have.

Breathing in,
breathing out,
shoulders soft,
no striving
to get somewhere
for there is no place
to be but here.

No judging of self,
simply letting it be
in the moment
for the moment.

Rain pounds against the glass
this February evening.
The image begins with sound
transforming into a thought.

Raindrops falling,
each one perfectly formed
but then releasing,
allowing itself to lose
what it was alone,
becoming instead
part of something more.

167929__the-rain-drops-the-branch_t

Poem by Mary Kendall, 2007

Haiku for today…

IMG_7621

barely spring–

rowers churning water

 silver slips away

610980-bigthumbnail

Sky the color of hyacinths…

waves swell then break

~ ~

I’m still very new as a haiku poet, so it is with caution that I’ve ventured out to try an actual haiga. A haiga combines art and a haiku. Since I lack all painterly skills, I’m combining my haiku with a photo that I love. I’ve done this in a slightly similar way on my blog with tanka and some autumn haiku. However, I consider this to be my very first true haiga.

~~

What is Haiga?  

Haiga is a Japanese concept for simple pictures combined with poetry, usually meaning haiku. In Basho’s time, haiga meant a brushed ink drawing combined with one of his single poems handwritten as part of the picture. In our day and age, haiga can be watercolor paintings, photographs or collages with a poem of any genre that is integrated into the composition. Sometimes the poem is handwritten or it can be computer generated, depending on the artist’s taste.”  (This definition of haiga is by the poet, Jane Reichhold on her website,  Ah Ha! Poetry.)

~~

Note on Photograph:

This beautiful photograph is by an Icelandic photographer known to me only as KariK on Flickr. It was posted and thus copyrighted in (c) 2011. It has been posted thousands of times online and almost never with an attribution to him. By doing a ‘backward’ image search I was able to find him on flickr. His photographs, most of nature, are magnificent.  This is what he wrote for this particular picture (translated from Icelandic):

Reykjanestá:  This location is unique for the fact that there can see the ocean ridge walk on 1 and, Mid-Atlantic Ridge, which separates the prefabricated North America and Europe.

KariK, (c) 2011

On Growing Old Together, a Love Poem

water-beautiful-clouds-sky-macquarie-lake-sunset_121-71208

This love poem was written for my husband. We met in 1974, forty years ago. It really does seem like  last year. Growing older together has been a gift to both of us. We have shared so much and grown so much. Love is the one constant in the equation we call life.

This poem is dedicated to my beloved husband and to all who have loved and been loved.

 

The link below will give you the option of hearing me read the poem. Click on it if you wish to listen. (It takes a few seconds to begin.)

 

 

On Growing Old Together                                                 

Will you scatter me over water
or throw me to the winds,
letting me float away?

Will your ashes mingle
with mine one day
when you too are gone?
Ashes to ashes…

Will you take my hand again
and hold me close against the wind?
Will your eyes always smile with mine?
Dust to dust…

Will our hearts travel as one
no matter where that might be?
Will our love be forever?
Ashes to ashes, Soul to Soul.

Two Hearts Beat as One by Alexandru 1988 (Deviant Art)

Two Hearts Beat as One by Alexandru 1988

Dream Time 1

610980-bigthumbnail

I’m working on a series of poems based on dreams. The draft is tentatively titled, Dream Time.

For years I didn’t dream. Oh, I know I did. Science can prove we dream. I just didn’t remember them at all. When my doctor put me on a new medication, a surprising side effect was very vivid dreams. Colorful dreams, strange dreams, confusing dreams, and beautiful dreams. I loved this unexpected gift, and so I have been working on cultivating how to recall dreams. We all know that dreams are quickly lost upon awakening. If they aren’t written down or recalled consciously, they float back to where they came from.

I’d like to share one of these dream poems today. This poem is loosely based on a very strange dream I had about chasing a bus. It was very disorienting to say the least. Of course, I checked dream meanings online, and I read that to dream of missing a bus is a very common dream. It tells of someone not sure of the path in which they are headed or if they missed an opportunity by hesitating, or even perhaps that they are faltering in a relationship. But none of these fits my dream of being lost in a city I know but looking totally different. A city in which no one can tell me its name or the direction in which they are heading. Please remember the poem is not a literal retelling of the dream as a journal would do. It is a poem and thus a product of the imagination.

The Missed Bus

Dream Time 1  ~  The Missed Bus

The missed bus
pulls away
from the curb,
picking up speed
faster than I can run.

In my sleep I am able
not only to run fast
but shout loudly enough
in a stranger’s voice
that might be heard
if only the driver
would catch
a glimpse of me
in the mirror
as I chase
the departing bus
on a street
I don’t know,
in a direction
of which
I am unaware.

Running so fast,
shouting
until my voice
gravels to a rasp,
my legs and arms
feather darkly
and suddenly lift up.

I am flying
above the bus

waiting for it
to stop or even slow,

but it speeds on
its course.

Sailing down
I see it is empty,
hurtling fast
somewhere,
nowhere,
unguided, and
with lowering wings
I fly into the open
side window,

my fingers emerging
from dusky feathers

I grasp the wheel
in desperation,
my foot able
to hit the break.

The stop is sudden,
my head rolls
forward fast
into the glass.

Only silence,
and absolute
stillness
now,

the wind
speaks of
something
I can’t
quite hear.

I awake
in my bed, heart
pounding,
head throbbing,
dizzy,
relieved.

Outside,
in the tall tree
the crow
watches
from his branch.
Even he is silent
for once.

Morning starts
to erase the night,
and the mist
begins to thin
in parts.

A new day
is waiting.

 

The Crow by Oana Stoian, (c) 2010

The Crow by Oana Stoian, (c) 2010

Longing for the Winter Sun

Photograph by Harald Illsinger (c) 2015

                                                          Photograph by Harald Illsinger (c) 2015

Ever since I began this blog in late July, 2014, I’ve noticed how often I am inspired by beautiful photographs I come across. Word Press photography blogs are some of my favorites, but photographs appear elsewhere, too. Harald Illsinger’s beautiful nature photographs never fail to dazzle his fans and friends, and that includes me. This picture above is one he labeled, ‘Longing for Winter Sun Light.’

Mid-winter can be dreary, dark, depressing for so many of us. This picture is the antidote to all of that. The colors are so brilliant that our eyes can’t stop looking at this picture without murmuring something about how magical it is or how much like a painting it is. This is one photograph I would love to have sitting before me at my writing desk. Thank you, Harald, for allowing me to use this brilliant picture. Your elegant Viennese light is very special indeed.

Longing for the Winter Sun

river running roughly
winter chill set in

deep, deep
into the bones

waiting for warmth,
cold winter light

sun frozen in place,
color splashed

across the water;
the swans are quiet,

now nestled deep
in the grasses,

this simple knowing
when land offers

respite, relief
from wild waves

and frigid ripples,
river running deep

old_pocket_watch_buried_1774093

Many thanks to photographer, Harald Illsinger, for allowing me to use his beautiful photograph, ‘Longing for Winter Sun Light’ (c) 2015)

Remembering Winter Wash Days

Laundry Day  by Andrew Wyeth

Laundry Day
by Andrew Wyeth

How many of you readers remember the scent of clothes and sheets dried outside in summer? That fragrance is something you never forget. All the fabric softeners in the world can’t duplicate it. In our busy world clothes dryers are something we all use. I can’t imagine hanging clothes out to dry at my stage of life. However, while we are living in London, our flat has a nice washer/dryer combination unit. British machines are very difference from American ones. This one is smaller and takes much, much longer to run a cycle. The dryer often leaves clothes slightly damp. Luckily the flat is well equipped and we have two small folding laundry hangers where I can hang things out to finish drying. I don’t mind doing this at all. It reminds me of my childhood when we always hung laundry outside out of necessity. Even in cold, cold weather.

The following poem was written a few years back for a prompt on PoetsOnline (see http://www.poetsonline.org) about laundry. While several poets chose the metaphorical allusions of hanging one’s laundry out or dirty laundry, the prompt evoked in me a sharp image of having to scramble to pull half-frozen clothing off the line before the snow came.

laundry in winter

ON WINTER WASH DAYS

On winter wash days, those on the cusp
of warmth, we hung out the clothes
with numb fingers, feeling the curtain
of clouds closing in.

Those were the days when the sun
often hid, and the cold never left at all.

Fabric froze hard, and dresses
and shirts grew solid and stiff.
Rows of sheets, towels and clothes
waved wildly, like pages of a book
flapping in the wind.

In late afternoon, we took it all down,
clothespins snapping shut as each piece
was pulled, placed in the wicker
basket and taken inside.

The darkness closed in early
those mid-winter days, the
evening star sometimes rising
before the icy moon.

(c) 2009, Mary Kendall

wicker laundry basket

Burnt Toast

Marcel Proust had his fragrant shell-shaped madeleine and linden flower tea. I have my burnt toast.

How often have you found that a simple smell can carry you back in time or far away? It happens to all of us, the sense of smell being strongly linked to evoking memories. Scientists can now prove this through brain scans, but artists and psychiatrists have long noted how taste and smell work with long-past memories far more than other senses. Proust says it so eloquently:

“When from a long distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.”

For Proust, it wasn’t simply the beautiful shape of the madeleine, but the smell and taste of the madeline dipped in the linden flower tea that brought back a flood of memories.

lovely madeleines and tea

The other morning as I waited for two eggs to boil, I made some toast. It was lovely whole grain bread bought in a farmer’s market here in London. I cut the slice a bit unevenly, and I think it was this that caused the bread to stay down too long in the toaster. I smelled it before I noticed the smoke. The bread was burnt. Feeling annoyed that I hadn’t caught this in time, I grabbed a knife and began to scrape the charred layer from the toast. You can guess where I am going with this, can’t you? In a split second or two a long forgotten memory came flooding back from my early childhood. The poem, “Burnt Toast” was written later in the week. Interestingly, as I wrote each draft, I imagined the smell of the burnt toast over and over.

burning toast

Burnt Toast

I burnt the toast.
The butter knife
rasped across
the too dark toast.
Sooty crumbs
flurried down
into the sink,
and the smell
of blackened bread
brought back memories
of momma doing this,
scraping the bad away.

Hazel eyes twinkling,
she’d tell us the burnt part
would whiten our smiles,
and we’d always laugh
at this silly joke,
never quite sure
if it might not be true.

But one lost slice
was one less meal,
and she was unwavering.
We would never
know the hunger
that hovered close by.

Even to this day,
I have a strange fondness
for slightly charred bits of food,
my mother always standing there,
at the edges of my memory.

burnt_toast430x300

Winter Moon Haiku

full moon clairmont courier

Winter Moon Haiku

These haiku were first published PoetsOnline in response to a prompt for winter haiku. In the summer of 2011, I was contacted by the American composer, Paul Carey, who asked permission to use the haiku for a commissioned composition. These were used as lyrics for “Winter Moon” by Paul Carey, a piece for women’s chorus in 2011. The work was premiered on December 8, 2011 by the Clark College Women’s Choir (directed by April Duvic).

Sadly, I’ve never gotten to hear the musical piece since I’m on the east coast and Clark College is in Vancouver, Washington. It would be my dream to get a download of that performance, but enough time has passed that I believe that won’t happen. Still, it was a true honor to be asked to use my haiku in a composition.

I’ve decided to post these haiku today because yesterday was the first full moon of the new year, 2015. Often called the Wolf Moon or Old Moon, the full moon is always a magnicent display for us to observe. I have always felt I could write more freely and easily during a full moon, though I have no proof of that. It’s just a gut feeling of a single poet.  Because these were published as part of a composition, the haiku won’t appear in any journals, so I’d like to share them with the readers of this blog. Otherwise they lie dormant in my poetry folder along with so many of their friends.

I offer good wishes to each of you for the new year. 

tsuki-moon

      

night snow

boughs dreaming

of first blossoms

Winter

Fog filled woods~

even the winter moon

has lost its way

WOLF_MOON_CANU-2015JAN05_022145_923.jpg

a winter walk

footprints

tell no tales

Full Moon

       

the blue moon

silently closes the door

upon the year

End

                                      

A Simple Love Poem

snail clock

Since my last posting, my husband and I have flown across the Atlantic and are settling into the faculty flat in Winston House, Bedford Square, London. Quite a beautiful place to live for four months ago. Some of my readers know all about this because they followed my travel blog (Bedford Square + 2), which will continue on a non-Word Press platform. If you are curious, you can find it through this link: http://marykendall2.blogspot.co.uk

We lived here two years ago, spending the spring term and following it with five weeks on the continent. This time ’round we will be here for four months. The flight was, for once, not too bad way back in coach class. The pilot surprised us all by taking off exactly on time and arriving at Heathrow Airport 50 minutes early. For real.

Jet-lag is something that seems to get worse with age, and both of us fell fast asleep at 10 pm on New Year’s Eve. At the stroke of midnight we both woke to what sounded like an awful ruckus. It took only a few seconds to figure out it was the fireworks along the Thames. From our windows we couldn’t see the fireworks directly. What we did see was the sky turning beautiful shades of pink, green, purple, white…and flashes of sparkling white rockets. By sticking my head out the window I figured out that I could see some of the fireworks and those were dazzling enough to me in my exhausted state.

(we didn't see this from our window, but the sky was quite similar)

(we didn’t see this from our window, but the sky was quite similar)

After about 12 minutes of this sound and light show in this ancient city, my husband quickly fell back to sleep while I remained wide awake for an hour. It gave me some quiet time to make a cup of tea, sit down in the darkened living area and think about our many visits to the UK and to London in particular.

Our first trip to London and England was back in 1977 when we were young and energetic enough to walk absolutely everywhere. Another summer we spent about a month in London following a month in Oxford where R. did research, and I enjoyed exploring parks, museums, shops, streets. In 1989, we brought the first group of students over on this Honors London program sponsored by my husband’s university. We lived in Hampstead that year, and we loved it. Our son was in nursery school, so I made friends of some spectacular women. The Heath was there for daily walks and our local library was next door to the Keats house. After we checked out our books, my little son and I would go sit in the garden of the Keats House and read stories together. It didn’t ever get better than that for me. Sometimes simple acts or simple gestures are better than anything.

In 2013, we returned to London and were housed in beautiful Winston House that now is home for this London Honors program. It was a very wonderful time for us and for the students. We’ve kept in touch with many of them. And now, in 2015, we are unexpectedly back again for four months. A new group of students will arrive on January 10th, and the term will have begun.

I will continue my travel blog if anyone is interested. Since this blog is devoted to my poetry writing practice, I thought I’d begin the new year with an old poem. I published it in 2013 in my Bedford Square + 2 blog as a Valentine’s gift to my husband. Since his teaching and research have given us both so many wonderful stays in this beautiful country, I’d like to share a very simple love poem I wrote for him. Love is not tied to a single day or week or year, and sometimes simple things like strolling in a beautiful place help you reaffirm your love and relationship.

couple walking arm in arm

If you might like to listen to me reading the poem, simply click on the link below. It takes a few seconds to begin.

 

Taking Your Arm

I took your arm for the first time in so many years.
Was it the cold damp air that made me reach out?
Was it the need to feel safe in the noisy city streets?

Slipping my fingers into the crook of your arm,
the warmth of your soft wool coat was comforting.
I felt grounded and balanced by your strength.

Through the busy London streets we walked,
much of it in silence, a silence built on
knowing that words aren’t always necessary.

I glanced down at our booted feet. Our steps
kept time, first left, then right, left, then right,
finding the rhythm of these unknown streets.

my new pen 1

For RDK, London, February 14, 2013
Originally published on Bedford Square + 2
http://marykendall2.blogspot.co.uk/2013/02/a-simple-valentine-for-one-i-love.html

 

This Sacred Place

bare woods

THIS SACRED PLACE

There is a place near here I like to sit,
a place where the slanted rays of winter sun

warm the bare trees; where water drips
into the pond trickling notes of a wordless song.

Sitting with silence, the mind begins to quiet and
breathing settles. Thoughts come, then disappear,

and equanimity envelops me with a healing spirit,
the soul of this bare winter woodland.

 

Wild Water ~ Three Tanka

wild water

 

Wild Water: Three Tanka

 

1.

throughout the long day

the wild water crashes

again and again—

memories of you silently

slip under water

 

 

2.

as evening comes

the tide begins to swell

in the empty sound,

one lone boat

longing to set sail

 

 

3.

foghorn rasping

deep and low—

a bleak song

of ships surrendering

to savage waves

 

 

Moments of Gold

(Photograph © 2014 by Harald Illsinger)

(Moments of Gold  © 2014 by Harald Illsinger)

flapping

five times twice

he hovers

over the pale swans

in a shimmering dance

golden feather 10

My thanks to photographer Harald Illsinger for the use of his beautiful picture, “Moments of Gold” (c) 2014

Frosted Rosebud

(Photograph © 2014 by Harald Illsinger)

(Photograph © 2014 by Harald Illsinger)

Frosted rosebud
caught in the night,

Awakening to the fog
of a December dawn.

This sweet pale rosebud
delicately iced over,

Thin slick of frost
lightly brushed on

As if an angel chose
to paint, capturing

The morning’s canvas
where season changes        

To season, autumn
turning into winter,

Short days giving in
to long nights of silence

As your fragile calyx
gives you up to the day.


old_pocket_watch_buried_1774093Many thanks to photographer Harald Illsinger for allowing me to use his beautiful photograph, ‘Frosty Morning,’ (c) 2014)

Small Poems of Grief

Grief, by iosatel, (c) 2014, The Obvious and Hidden blog: http://theobviousandhidden.com/2014/11/04/grief/

Grief, by Iosatel, The Obvious and Hidden blog, (c) 2014

1.

only the bereaved know
they needn’t speak in whispers,

grief is never
completely silenced

 

2.

rush of water
a broken branch drifts by
what will be left?

 

3.

Unending days of darkness
that never let you forget.

 

4.

Saturated, as if the clouds
had wrung themselves out
all at once, watching what
would then ensue

 

5.

sitting at the window
watching the rain
despondent days
of unexhausted sadness
trying to let go

 

6.

forgetting you
was never an option

 

7.

grief exhausts
but holds on,
rain continues
to fall

 

8.

thirty-five years and still I mourn you,
sometimes waking and imagining you there

 

 

9.

darkness deepens
into the black of night

lightning signals
thunder cracks,

but it is the loss of you
who took your life
that makes me ask
why it had to be

 ~~~

My Note of Thanks to the photographer, Iosatel, for his beautiful picture, Grief, which was first posted on his blog, The Obvious and the Hidden on 4/11/14. This photograph is copyrighted (c) 2014 by the artist himself.

I Wish I could Undo…

"Broken Mirror" by Edward Van Helgen @ deviantart.com

“Broken Mirror” by Edward Van Helgen @ deviantart.com

For quite a few years now, one of my favorite poetry sites online has been POETSONLINE (see http://poetsonline.org). This site introduced me to presenting poetry online for others to read and it also taught me what fun it can be to write to a specific prompt. The site’s administrator, Ken Ronkowitz, has several blogs, several of which focus on poetry. His prompts are always very well thought out, amply illustrated with poetic examples, they never fail to offer a good challenge to both an experienced writer or someone new to writing poetry. This past summer, Ken presented an interesting prompt that began with Carl Sandburg’s poem, “Mag”:

“The prompt this time out was to write a poem about a negative wish (or wishes) – a wish to undo, wishes that change the past. Those are the wishes that pull you right back to the present and have you thinking about the future.”

The poems written in response to the prompt were published this fall. I wanted to share mine here on my own poetry blog to reach a broader audience. I think the problem is poor self-esteem and distorted sense of self-worth isn’t uncommon in women in America. I struggled with it all my life and just when I think I’m in control, something might happen and make me backslide. I’d say that 97% of the time, my rational self is in control and keeps that negative thinking in check. I do regret having wasted so much of my life feeling inadequate or not worthy of being valued in so many ways. I know I’m not alone. I hope any person reading this poem will think about it and someone they know who struggles with this issue and perhaps, do something to help her (or him) learn to embrace their own self-worth.

Self-portrait in colored pencil

Self-portrait in colored pencil

 

If you’d like to listen to the poem, click on the link below and wait a few seconds for the audio to begin.

 

I Wish I Could Undo…

All the time
I wasted waiting for life to happen,
As if there would be a perfect moment
When the stars aligned just so,
Or my sails swiftly caught the wind,
And the ivory moon was full.

I thought it would just happen.

All the time
I wasted loathing who I am:
Never good enough, smart enough,
Thin enough, clever enough,
And if that weren’t already enough,
I somehow felt that if I said it enough,
I really might be transformed,
Emerging a butterfly and not a moth.

I would be smarter, beautiful, wittier,
And I’d dance with agile grace.
At last it became quite apparent:
I would never be ‘enough’ for me.

All that time
I wasted wishing myself away.
If only I could undo all of that,
And take back time…and use it well.
I’d whisper a simple incantation
To my younger self:

You were enough, more than enough
In your very own way.

Apple in Mirror

Apple in Mirror

First published on PoetsOnline.org under “Negative Wishes,” August 2014


“I Wish I Could Undo…” (c) 2014, Mary Kendall

Donut Dog ~ a Visual Poem

Katy, my donut dog, deep in sleep.

Katy, my donut dog, deep in sleep.

One of the great joys in life is owning a dog you absolutely adore. For me that is my sweet seven year old yellow Labrador retriever, Katy. We got Katy as a one year old rescue dog from the wonderful rescue group, Saving Grace, in North Carolina. She surprised us by chewing just about everything including more than one down-filled pillow. (Did you know that a down pillow contains a million and a half down feathers? Neither did I until I had to clean up the ‘snow filled’ house on several occasions.) Seriously, we quickly found out that this bundle of energy needed really long, hard exercise. For Katy, this came in the activity of fetching. Even today she still runs so fast that people comment on it. And she fetches until you stop throwing the tennis ball. My neighbors are used to dropping off bags of used tennis balls, all for Katy’s pleasure. She definitely has her fans. Who can resist a lovely, very silly dog who won’t live without her beloved tennis ball?

This poem is my tribute to my dear Katy. As you can see from the picture above, she loves to curl up like a donut (what dog doesn’t love this position?).

Donut Dog by Mary Kendall

Donut Dog by Mary Kendall

Eye on the prize!

Eye on the prize!

A ball is always close by.

A ball is always close by.

Even old tennis balls need a nap.

Even old tennis balls need a nap.

Due North: A Winter Poem

Due North © 2014 by Isotell

Due North © 2014 by Iosatel

There are nights in the winter
once the leaves have fallen away,
when sometimes I wake in the dark,
hearing the distant, plaintive sound

of a single train a few miles away
as it crosses over a country road
or maybe it’s to warn off deer
that pause too long on the track.

The train travels due north,
and in the blackness of the night
the train’s dark sounding
brings back fragmented images
of my childhood life up north.

North, where winter’s silver skies
are layered in clouds most
of the year, and where snow
begins to fall early and deep.

North, where my family lived
in the rust belt of Lake Erie,
where strong winds raced across
the lake with bone-chilling cold.

The lake effect meant snowstorms
that went on for hours, even days
on end. Times when all of us gathered
together happily, knowing school
would be cancelled the next day.
Night was peaceful back then.

In the morning, we’d make our
way through the thigh high snow
and help shovel the walk, leaving
tall tunnels of snow on either side.

Our boots would crunch on frozen
snow, fingers painfully cold, but
that never stopped us from a snowball
fight or playing king of the mountain,
or sledding, tumbling, rolling in snow,

or making lovely snow angels
all over the yard. Those were the
carefree days of childhood, when
we didn’t worry about time or the
future or much of anything.

And for a while the thick snow
continued to fall, covering the tracks
of cars, birds and anything else
that dared to wander outside
on those interminable winter days.

Now, no longer in the north,
I lie in bed remembering such
simple times, times of being together
as we coasted down the snow hills,
all six of us tucked in tightly together

until halfway down when the toboggan
shifted and just after the pull to the left,
we capsized, all of us scattered down the hill,
laughter ringing out so loud as we fell,
each of us ready to give it a go again.

Tobagganing in the Snow

Tobagganing in the Snow

My thanks to the photographer, Iosatel, for use of the photograph, Due North, which appeared on his blog, The Obvious and the Hidden, 03/11/2014

Water Song

water_texture2379

Water Song

Water, the color of night,
so very still
not even a wave
breaks the glass surface.

Fear is sometimes
like this, submerged
so far it is hidden
from the conscious self,
safely buried
and unable to rise
to the top again.

Dark thoughts swim
against the current
of common sense, but
they meet no resistance
that far down.

The Second Lamentation of Demeter ~ (Poetry and Myth)

Narcissus, 1912 by John William Waterhouse

Narcissus, 1912 by John William Waterhouse

Persephone’s abduction by Hades is swift, violent and over so quickly that no one hears her scream except for Hecate, a goddess who helps Demeter find out where she has gone. Could there be anything worse for a mother than to lose a child? Demeter’s grief is profound. This is the Second Lamentation of Demeter.

The Rape of Proserpine, Hans Von Aachen, 1587

The Abduction of Persephone, Hans Von Aachen, 1587

To hear me read this poem, please click on the link below and wait a few seconds for it to begin.

 

 

 

The Second Lamentation of Demeter

The earth groaned, then opened briefly.
That’s all it took.

He appeared out of nowhere
Like a wild flume of fire,

The flickering golden chariot with
Four black stallions at full gallop.

He sprang upon her so quickly
That when the earth closed back

Upon itself like a wound healed over,
All that was left was a circlet of flowers

That she and the daughters of Oceanus
Had been stringing together. Irises, roses,

Violets, hyacinths, and the faded blossoms
Of sweet narcissus plucked by her hand.

The scar in the earth and grasses torn apart
Were all that told the story.

I always knew he watched her…
I sensed when he was around.

Clouds gathered overhead,
Shadows clothing him in darkness,

Hades,
To whom sunlight is a stranger.

My sweet Persephone is gone now,
Gone with him.

O, horror…
My sweet child is his.

circlet of flowers 2

Persephone’s abduction is well represented in art. It is my personal opinion that one need look no further than the magnificent sculpture done by Bernini in 1622. The details of the hands and arms as well as the force and resistance between their two bodies is powerful. Persephone’s tear stained cheek tells us more than any words can.

Gian Lorenzo Bernini, The Rape of Proserpina, 1622, Galleria Borghese in Rome

Gian Lorenzo Bernini, The Abduction of Persephone, 1622, Galleria Borghese in Rome

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When a Heart Breaks

I’m not sure where this poem came from. It just happened. I was thinking about the sad loss of butterflies this summer and what that might mean to our environment, our gardens, our enjoyment of nature. Somehow, from that line of thought to the poem…well, how does one explain where things are born? I hope you enjoy this poem.

An audio of me reading this poem is available at the link below. Give it a few seconds to begin.

 

 

unraveled heart

When a Heart Breaks

 

Did you ever consider a heart is like a chrysalis?
Perfectly wrapped round and round, silken strands
layered one upon the other, locked together
in a solid embrace of fragile fibers.

This is what the heart is.

When a heart breaks, no one picks through
the fibers trying to separate the strands.
Yet it can be undone so easily.

Words can unravel it so quickly that it spins
like a frenzied top, leaving behind a trail
of weakened strings, no longer useful to anyone.

Icarus II (Poetry and Myth)

feather-lake-russia_71645_990x742

Swan Feather, Moscow by Veronika K. Ko (c) 2013

If you care to listen to me read the poem, just click on the link below and wait a few seconds for it to begin:

 

 

Icarus II

The hardest part was letting you go,
knowing  that once you sailed so high
it would be impossible not to try again.

With each pass you made, you soared
higher, more effortlessly; sweet-scented
beeswax noticeable as the air grew warmer.

Arms outstretched as if embracing the sun,
you changed course and flew even closer
before you shifted abruptly, a quick turning

of wings, now fighting the unexpected wind
with young muscles tensed and determined
to hold the course.

The descent was swift.
A feather fell
and then another.

Icarus I, poem by Mary Kendall (Mythic Poetry Series)

 

Click on the link below if you’d like to hear me reading this poem. Give it a few seconds to begin.

silverbirchpress's avatarSilver Birch Press

640px-Herbert_Draper_-_The_Lament_for_Icarus_-_Google_Art_Project
ICARUS I
by Mary Kendall

September was ready to slip into October
and autumn skies were filled with color

Clusters of clouds
suddenly dissolved
and let the sun peer through

I imagined you as Icarus taking a risk
and trying to fly high above your depression,

gliding for a while like a broad-winged hawk,
the cool air making you unaware

of just how close
to the sun
you flew

NOTE FROM THE AUTHOR: The story of Icarus has always fascinated me. I think as long as people have lived, some have always wished they could fly like the birds. There are so many beautiful paintings and drawings of this classic myth, but in my mind’s eye I see only the simple picture of water with a feather floating on it—a reminder of how easily a dream and a life can come to an end. My Icarus poems were written when…

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Daybreak (2)

 

Yes, this is the second time you’ve seen this picture in my blog. It was posted with a poem, Daybreak, in late August and now it reappears to accompany a second poem it also inspired, Daybreak II. A single picture on paper, on the screen or in the memory has a powerful, persuasive control of our imagination. This beautiful photo by my friend and photographer, Yolanda Litton, has done just that.

 

Early Morning at Bagnegrole (Photograph by Yolanda Litton)

Early Morning at Bagnegrole (Photograph by Yolanda Litton)

I’ve included an audio clip of me reading the poem. Click on the link below and wait a few seconds.

 

 

Daybreak  (2)

 

Waking up in at daybreak in the south of France
Is as if I were stepping into someone else’s life.

So far from my own home, this wistful morning fog
Rises slowly to reveal a house of soft honeyed stone.

The slope of a sharply pitched roof holds a tall chimney
Where the swifts are now resting after a long evening hunt.

Somewhere a rooster crows with the energy that only
The young can bring to a new day. Out of nowhere,

A soft gray cat tip-toes by, looks up at me and blinks
Its eyes in that inscrutable feline way and disappears.

I stand here leaning on the windowsill, wondering
What my life would be like had I been born here.

The smell of freshly brewed coffee wafts up from
The kitchen below. One lone church bell rings

Calling its faithful to prayer. But nature’s beauty
Is my religion, my serenity, my salvation, my Eden.

 

 

 

An Autumn Long Gone ~ a Reverie

An Autumn Long Gone ~ a Reverie  (prose poem)

 

An audio of me reading this prose poem can be heard by clicking the link below. It will take a few seconds for the sound to begin.

 

 

It was the year we lived in London, some 25 years ago, when autumn began like any other autumn. The fall, the changing, the color shifting, the soft breezes, the sporadic thick fog and the leaves dancing, even floating upward at times. What I hadn’t anticipated, being so far north for the first time, was how short the days grew. How dark it became earlier and earlier all during that autumn. The days were ‘closing in.’ That’s what they called it, and I loved that phrase. It brought a certain comfort of pulling heavy curtains closed and shutting out the darkness. It was a time for wearing coats and warm sweaters, and I dressed my son in practical English clothing and soft grey mittens while he ran ahead enjoying what was left of the day. He was only three, but he knew the delight in using what was left of the day’s sunlight. I learned to enjoy the simple pleasures around me that came with this quiet season. Victoria plums were my new delight. They appeared at the Greengrocer’s shop just as autumn set in, later replaced by apples—Bramley and Cox’s Orange Pippins, names that twirled on the tongue and tasted as good. Burning leaves were an unexpected, half-loved sensory pleasure. The smoke was pungent, but it brought back memories of childhood. I loved even the rasp of raking, bamboo or metal combs gathering leaves in sacred piles waiting their turn to be sacrificed in an autumnal pyre. In the English light, I found the colors were softer, quieter than the brilliance of New England woodlands. Each morning I left my son at school and then walked through Hampstead Heath. I found my own favorite route through woods and meadows up to the large ponds. Purchasing a single cup of tea that warmed my hands, I made my way to that empty bench that faced the pond. I thought about all the people it had held before. And every day without fail a lone Scottish piper played his bagpipes as if on cue. Each day I sat and listened. A world so far from my own. From where he stood near the peak of Parliament Hill, the mournful songs became a wordless chanting, charging the air with a lamentation to this closing season, every day briefer, softer than the day before.

Lost in Reverie (c) 2014 by Isotel, The Obvious and Hidden blog on WordPress (with her permission)

Lost in Reverie (c) 2014 by Iosatel, The Obvious and Hidden blog on WordPress (with his permission)

Four Autumn Haiku


Today is the first day of autumn, and for my writing practice in the next few weeks I’ll begin a series of autumn or fall poems. This is my favorite season, my soul season. I’ve done a few different types of haiku ranging from traditional 17 syllables to a poem in a single line. Do you have a favorite?

1.

biting into a Victoria plum, such guilty pleasure

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2.

spent blossoms–
the last swallowtail
sips alone

best swallowtail pic

3.

soup 1

the season’s first soup
almost ritually cooked
stirs our senses

4.

sweet windfall apples…
bruised memories
autumn of long ago

fallen apples

Modern English language haiku are not always seventeen syllables. A haiku can be many things, but always it is a brief poem with a strong image that evokes a season and a moment of time captured simply in lyrical language. Scroll to the bottom of today’s blog to find a list of essential qualities of haiku.

The following list from the wonderful journal, Heron’s Nest, lists important qualities that make a haiku.

 Here are some qualities we find essential to haiku:

  • Present moment magnified (immediacy of emotion)
  • Interpenetrating the source of inspiration (no space between observer and observed)
  • Simple, uncomplicated images
  • Common language
  • Finding the extraordinary in “ordinary” things
  • Implication through objective presentation, not explanation: appeal to intuition, not intellect
  • Human presence is fine if presented as an archetypical, harmonious part of nature (human nature should blend in with the rest of nature rather than dominate the forefront)
  • Humor is fine, if in keeping with “karumi” (lightness) – nothing overly clever, cynical, comic, or raucous
  • Musical sensitivity to language (effective use of rhythm and lyricism)
  • Feeling of a particular place within the cycle of seasons

The First Coyote

The First Coyote

Shadowed by trees, it was alert,
Watching those on the porch.
Tall, thin, a knife sharp gaze,
This coyote knew its way around.

The startled man cradled the cat
And called the nervous dogs back
Inside the house, far away from
This lurker in the evening woods.

Was it waiting for a squirrel or
Rabbit? You couldn’t tell this far
Away, yet clearly it was patient
And after tonight’s dinner.

How else could it survive
If not for foraging here and
There, waiting for a quick
Capture, meat for a day or two.

This was the first coyote seen
In the neighborhood, and now
I open the window late at night
To listen to it sing to the moon.

 

Heartwood

A friend and former teaching colleague of mine, Patti Hardee Donnelly, is a superb photographer whose work I’ve long admired. A small offshoot of her photography has been her finding small HEARTS in many forms in nature and in life. I am often surprised, frequently amused, and always delighted by what Patti comes across in her daily life. This summer she posted this beautiful picture of an old tree stump she came across very early one morning on her daily run. I was mesmerized by the beauty of it, the color and texture and most of all by the image I saw within the heart. I know that if I had been walking that path that morning, I would have totally missed this beautiful creation of nature.

Thank you, Patti, for your amazing photo and talent. It immediately inspired me to write this poem, which is dedicated to you.

I’ve recorded an audio of me reading this poem. To hear it, simply click on the link below. It will take a few seconds before it begins.

 

Heartwood (photo by Patti Hardee Donnelly © 2014)

 

Heartwood
                        ~for Patti Hardee Donnelly

 

This heartwood is no more
Than a bit of grey crackling,
More a silvered wood fungus

Than what was once the lifeline
Of a tree, an umbilical hotline
From the sun to the leaves

Down to roots fastened in earth.
Now this aging heart of wood
Reveals elegant scalloped wings,

An angel dancing, a floor
Made of rough pine straw
Softening her delicate steps.

In the silence of morning,
I glimpsed an angel,
But you found her heart.