Without Light ~ A Tanka Sequence

My very first tanka sequence was published in RIBBONS: Journal of the American Tanka Society, Winter 2016: Volume 12, Number 1. My thanks to editor, David Rice, for suggesting to me that these three tanka would work best in a sequence.

 

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Haiku…in Brass Bell

Another joy and honor this week–my first time having haiku appear in Brass Bell, a publication that is edited by the incomparable Zee Zehava. This issue was done with International Women’s Day (on March 8) in mind. In the editor’s own words:

 

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I urge you to visit Brass Bell (also here on WordPress) and subscribe to it. Be sure to read the back issues for some excellent poetry.

My three haiku in this issue are below:

 

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If you have a favorite, please do let me know. I’m always curious what readers think or respond to.

 

CallaGold

 

 

 

 

 

 

 

My Attic is Full

AUDIO COMES TO MY BLOG!

It’s time to try something new on my blog now that I’ve reached the one year anniversary. I’m adding an audio version of this poem, “My Attic is Full.”

 

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This week’s poem was written in 2011 for a friend I worked/taught with, Jean Sotelo Coene. Somehow we got to talking about cleaning attics and about all the treasures hidden up there and how hard it was to part with things. Jean mentioned her grandmother’s handbag and all the stories it held and that was it…a tiny seed of a poem was planted. I don’t know how those things come to be while others never take hold. I wrote the poem and gave it to Jean as a little present. I love to gift poems to just one person. For that reason, no one has read the poem except for each of us.

Today I was going through some lovely photos from a trip to Cornwall in 2013. [See Bedford Square +2, my travel blog for the whole story of that visit if interested.] We had visited a small manor house, Lanhydrock. [http://www.nationaltrust.org.uk/lanhydrock/] Part of our wanderings allowed access to the attic. Of course it was beautifully staged as were all the rooms in the house, but seeing these pictures this morning was too hard to resist. I worked on the poem today, changing words here and there, adding in a whole stanza and then deleting it. In the end, I liked the first version best. Only a few words are different from the one I handed to Jean.

This poem is dedicated to the memories of all grandmothers who gave us so many wonderful stories to listen to, to dream about, and to share.

To hear the audio, simply click below. I am not much of a professional reader so please bear with me.

 

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My Attic is Full

The attic needs cleaning. It seems so simple,
but it isn’t easy to throw old things away.
There is always the worry we might forget
those we loved, the ones crossed over.

Old boxes hold memories and clothing.
Do you hear the stories held in the silence?
A flowery print dress of soft lawn cotton
holds the story of when it was freshly laundered
and worn in the days of the mid-summer sun.

An old leather purse might tell you where
she went and what she wore.
Inside, a handkerchief delicately edged
in tatted lace is tucked away.

How often she must have clutched it
in her hand to wipe away tears or sneezes,
stifle laughter or mop her brow.
Even now the linen is redolent of old
damask roses from the flower garden.

Beyond the piled boxes of her belongings
are clothes from her husband so long mourned.
She kept them up here all those years,
the only way to keep him near.

Don’t you wonder how often she came up
into this dark attic, pulled the light string,
unfolded a crisp white shirt
and held it to her nose, eyes tightly closed
longing for the scent
that had faded from his pillow?

Lovely tatted edging-22maids-of-honor22-by-mary-konior.jpg

Lovely tatted edging-22maids-of-honor22-by-mary-konior.jpg

Two Tanka slip into Ribbons

I’ve had the good fortune of having two tanka published in RIBBONS, the journal of the Tanka Society of America: Ribbons–Spring/Summer–2015, Volume 11, Number 2.

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lost in the pages

of a book my mother loved–

a sly narrator

speaks volumes of truth

while skirting the end

 

Tanka Cafe, Ribbons–Spring/Summer, Volume 11, Number 2, 2015

 

what I thought was a bird

flew past

casting no shadow–

I wonder

if you are near

 

Ribbons–Spring/Summer, Volume 11, Number 2, 2015

 

It is always a thrill for any poet to open up a journal and find her/his  own poem nestled in among those of gifted writers. The truly excellent online journals of poetry in both tanka and haiku are really schools of learning for me. I go there to read, to fall in love with poems, and to learn from the very best writers. There is no better way to learn. Read, read, write. So, on the rare occasion, one of my poems makes it into those pages (paper or virtual), my heart is filled with joy.

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June Haiku 2

weathered wood—

memories of youth

drifting away

 

 

Old Boat ~ Photograph by Mike Keville, (c) 2015

Old Boat ~ Photograph by Mike Keville, (c) 2015

The theme of old, worn wood (see June Haiku 1) continues in this poem. Amazing how beautiful things retain their magic despite age.

My thanks to photographer, Mike Keville, for allowing me to use his gorgeous boat photograph for this haiku. The textures and colours of this photo inspire many poems.

Once

Old home in Eland, North Carolina, photograph by Gary Brichford (c) 2015

Old home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

Once

The door is ajar, waiting for someone to come in,
But no one comes now except for you, you who
Climbed through overgrown grasses circling the house.

Wanderers like you come sometimes, looking for things
They once knew, remembering those they have lost, and
Places that they once loved, places they called home

Once this was home. Families lived here, died here.
Brides moved in and babies came, some were lost,
But most grew into fine young folk. Wars came, and

With them a generation of men might disappear. Yes,
Sickness came but so did love. Life was full then. Every
Home is made of lumber and nails, people and dreams.

Once the fire would have been lit on short winter days,
Keeping us warm, the heat drying wet wool mittens and
Mended socks. Flames burning so hot that our cheeks

Grew red while ice-cold winds knocked on the walls.
Flames burned down to chalky ashes during the night,
While we slept two to a bed and sometimes three.

Father was up early to stir the embers, add hickory logs,
Small broken branches and sticks the children gathered.
From this, he coaxed new flames to burn again all day.

You stand here now today, a cold Saturday in March,
Camera in hand, waiting to capture something, but
What that is you don’t know. Not much is left to share.

Once there were so many stories about the families—
Brothers, sisters, cousins, uncles and aunts. Their
Stories are gone for good but once they were here.

Without warning, memories of your own childhood
Rush into these walls, so real you can almost feel them,
They come so fast—an unasked for surprise.

If you listen hard enough, you hear children laughing
At the three young pups who are worrying the chickens,
And momma running out to chase them with her broom.

But it’s the inside of the house that pulls you back.
Looking up at broken rafters, you study the timbers:
Was it was fire or ice that brought down the roof?

Look hard and you might see momma sitting there near
The fire, the flames giving her light to do her mending.
Here she would sit and work. Sometimes she sang,

Her voice a clear soprano, ours a mix of everything else.
Daddy might take down pawpaw’s fiddle, and begin
Tuning it slowly string-by-string, note-by-note.

If you were the lucky one that day, he might ask you
To rosin the bow for him. Those were the good days
When they’d play our favorite songs or hymns.

But the best part was always the last, when they played
Old timey tunes, foot tapping music we loved.
We’d start dancing together, our shoes pounding hard

Like wild thunder on the old wooden floorboards.
It would echo so loud, we’d dance even faster
And then, exhausted, we finally had to stop.

A small redbird perches up on the open eaves,
Straw in its beak. It is nesting here in the house.
Can you hear its mate singing an ode to early spring?

If you listen to the silence, you might hear the whispers.
Or maybe it’s nothing, lost memories, old stories and
Wind blowing through the open roof, the broken floor.

~ ~ ~

Old Home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

Old Home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

Photographs by Gary Brichford © 2015

Note of Thanks to Gary Brichford, I am honored that you’ve allowed me to use your beautiful photographs of this old house that still stands in Efland, North Carolina. Your pictures make the past so real. Many thanks, my friend.

Old Home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

Old Home in Efland, North Carolina, photograph by Gary Brichford (c) 2015

 

 

cardinal nesting

Remembering Winter Wash Days

Laundry Day  by Andrew Wyeth

Laundry Day
by Andrew Wyeth

How many of you readers remember the scent of clothes and sheets dried outside in summer? That fragrance is something you never forget. All the fabric softeners in the world can’t duplicate it. In our busy world clothes dryers are something we all use. I can’t imagine hanging clothes out to dry at my stage of life. However, while we are living in London, our flat has a nice washer/dryer combination unit. British machines are very difference from American ones. This one is smaller and takes much, much longer to run a cycle. The dryer often leaves clothes slightly damp. Luckily the flat is well equipped and we have two small folding laundry hangers where I can hang things out to finish drying. I don’t mind doing this at all. It reminds me of my childhood when we always hung laundry outside out of necessity. Even in cold, cold weather.

The following poem was written a few years back for a prompt on PoetsOnline (see http://www.poetsonline.org) about laundry. While several poets chose the metaphorical allusions of hanging one’s laundry out or dirty laundry, the prompt evoked in me a sharp image of having to scramble to pull half-frozen clothing off the line before the snow came.

laundry in winter

ON WINTER WASH DAYS

On winter wash days, those on the cusp
of warmth, we hung out the clothes
with numb fingers, feeling the curtain
of clouds closing in.

Those were the days when the sun
often hid, and the cold never left at all.

Fabric froze hard, and dresses
and shirts grew solid and stiff.
Rows of sheets, towels and clothes
waved wildly, like pages of a book
flapping in the wind.

In late afternoon, we took it all down,
clothespins snapping shut as each piece
was pulled, placed in the wicker
basket and taken inside.

The darkness closed in early
those mid-winter days, the
evening star sometimes rising
before the icy moon.

(c) 2009, Mary Kendall

wicker laundry basket

Burnt Toast

Marcel Proust had his fragrant shell-shaped madeleine and linden flower tea. I have my burnt toast.

How often have you found that a simple smell can carry you back in time or far away? It happens to all of us, the sense of smell being strongly linked to evoking memories. Scientists can now prove this through brain scans, but artists and psychiatrists have long noted how taste and smell work with long-past memories far more than other senses. Proust says it so eloquently:

“When from a long distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.”

For Proust, it wasn’t simply the beautiful shape of the madeleine, but the smell and taste of the madeline dipped in the linden flower tea that brought back a flood of memories.

lovely madeleines and tea

The other morning as I waited for two eggs to boil, I made some toast. It was lovely whole grain bread bought in a farmer’s market here in London. I cut the slice a bit unevenly, and I think it was this that caused the bread to stay down too long in the toaster. I smelled it before I noticed the smoke. The bread was burnt. Feeling annoyed that I hadn’t caught this in time, I grabbed a knife and began to scrape the charred layer from the toast. You can guess where I am going with this, can’t you? In a split second or two a long forgotten memory came flooding back from my early childhood. The poem, “Burnt Toast” was written later in the week. Interestingly, as I wrote each draft, I imagined the smell of the burnt toast over and over.

burning toast

Burnt Toast

I burnt the toast.
The butter knife
rasped across
the too dark toast.
Sooty crumbs
flurried down
into the sink,
and the smell
of blackened bread
brought back memories
of momma doing this,
scraping the bad away.

Hazel eyes twinkling,
she’d tell us the burnt part
would whiten our smiles,
and we’d always laugh
at this silly joke,
never quite sure
if it might not be true.

But one lost slice
was one less meal,
and she was unwavering.
We would never
know the hunger
that hovered close by.

Even to this day,
I have a strange fondness
for slightly charred bits of food,
my mother always standing there,
at the edges of my memory.

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A Simple Love Poem

snail clock

Since my last posting, my husband and I have flown across the Atlantic and are settling into the faculty flat in Winston House, Bedford Square, London. Quite a beautiful place to live for four months ago. Some of my readers know all about this because they followed my travel blog (Bedford Square + 2), which will continue on a non-Word Press platform. If you are curious, you can find it through this link: http://marykendall2.blogspot.co.uk

We lived here two years ago, spending the spring term and following it with five weeks on the continent. This time ’round we will be here for four months. The flight was, for once, not too bad way back in coach class. The pilot surprised us all by taking off exactly on time and arriving at Heathrow Airport 50 minutes early. For real.

Jet-lag is something that seems to get worse with age, and both of us fell fast asleep at 10 pm on New Year’s Eve. At the stroke of midnight we both woke to what sounded like an awful ruckus. It took only a few seconds to figure out it was the fireworks along the Thames. From our windows we couldn’t see the fireworks directly. What we did see was the sky turning beautiful shades of pink, green, purple, white…and flashes of sparkling white rockets. By sticking my head out the window I figured out that I could see some of the fireworks and those were dazzling enough to me in my exhausted state.

(we didn't see this from our window, but the sky was quite similar)

(we didn’t see this from our window, but the sky was quite similar)

After about 12 minutes of this sound and light show in this ancient city, my husband quickly fell back to sleep while I remained wide awake for an hour. It gave me some quiet time to make a cup of tea, sit down in the darkened living area and think about our many visits to the UK and to London in particular.

Our first trip to London and England was back in 1977 when we were young and energetic enough to walk absolutely everywhere. Another summer we spent about a month in London following a month in Oxford where R. did research, and I enjoyed exploring parks, museums, shops, streets. In 1989, we brought the first group of students over on this Honors London program sponsored by my husband’s university. We lived in Hampstead that year, and we loved it. Our son was in nursery school, so I made friends of some spectacular women. The Heath was there for daily walks and our local library was next door to the Keats house. After we checked out our books, my little son and I would go sit in the garden of the Keats House and read stories together. It didn’t ever get better than that for me. Sometimes simple acts or simple gestures are better than anything.

In 2013, we returned to London and were housed in beautiful Winston House that now is home for this London Honors program. It was a very wonderful time for us and for the students. We’ve kept in touch with many of them. And now, in 2015, we are unexpectedly back again for four months. A new group of students will arrive on January 10th, and the term will have begun.

I will continue my travel blog if anyone is interested. Since this blog is devoted to my poetry writing practice, I thought I’d begin the new year with an old poem. I published it in 2013 in my Bedford Square + 2 blog as a Valentine’s gift to my husband. Since his teaching and research have given us both so many wonderful stays in this beautiful country, I’d like to share a very simple love poem I wrote for him. Love is not tied to a single day or week or year, and sometimes simple things like strolling in a beautiful place help you reaffirm your love and relationship.

couple walking arm in arm

If you might like to listen to me reading the poem, simply click on the link below. It takes a few seconds to begin.

 

Taking Your Arm

I took your arm for the first time in so many years.
Was it the cold damp air that made me reach out?
Was it the need to feel safe in the noisy city streets?

Slipping my fingers into the crook of your arm,
the warmth of your soft wool coat was comforting.
I felt grounded and balanced by your strength.

Through the busy London streets we walked,
much of it in silence, a silence built on
knowing that words aren’t always necessary.

I glanced down at our booted feet. Our steps
kept time, first left, then right, left, then right,
finding the rhythm of these unknown streets.

my new pen 1

For RDK, London, February 14, 2013
Originally published on Bedford Square + 2
http://marykendall2.blogspot.co.uk/2013/02/a-simple-valentine-for-one-i-love.html

 

Due North: A Winter Poem

Due North © 2014 by Isotell

Due North © 2014 by Iosatel

There are nights in the winter
once the leaves have fallen away,
when sometimes I wake in the dark,
hearing the distant, plaintive sound

of a single train a few miles away
as it crosses over a country road
or maybe it’s to warn off deer
that pause too long on the track.

The train travels due north,
and in the blackness of the night
the train’s dark sounding
brings back fragmented images
of my childhood life up north.

North, where winter’s silver skies
are layered in clouds most
of the year, and where snow
begins to fall early and deep.

North, where my family lived
in the rust belt of Lake Erie,
where strong winds raced across
the lake with bone-chilling cold.

The lake effect meant snowstorms
that went on for hours, even days
on end. Times when all of us gathered
together happily, knowing school
would be cancelled the next day.
Night was peaceful back then.

In the morning, we’d make our
way through the thigh high snow
and help shovel the walk, leaving
tall tunnels of snow on either side.

Our boots would crunch on frozen
snow, fingers painfully cold, but
that never stopped us from a snowball
fight or playing king of the mountain,
or sledding, tumbling, rolling in snow,

or making lovely snow angels
all over the yard. Those were the
carefree days of childhood, when
we didn’t worry about time or the
future or much of anything.

And for a while the thick snow
continued to fall, covering the tracks
of cars, birds and anything else
that dared to wander outside
on those interminable winter days.

Now, no longer in the north,
I lie in bed remembering such
simple times, times of being together
as we coasted down the snow hills,
all six of us tucked in tightly together

until halfway down when the toboggan
shifted and just after the pull to the left,
we capsized, all of us scattered down the hill,
laughter ringing out so loud as we fell,
each of us ready to give it a go again.

Tobagganing in the Snow

Tobagganing in the Snow

My thanks to the photographer, Iosatel, for use of the photograph, Due North, which appeared on his blog, The Obvious and the Hidden, 03/11/2014