A few poems in Anthologies in 2022

Three of my poems appeared in various poetry anthologies in 2022:

~

 

a brief sigh
as your scan is finished –
far above us
sunlight edges its way
through swift moving clouds

Tanka Society of America 2022 Anthology

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in a pile on the floor
sand, swimsuits, towels
and a single sea star . . .
how did such beauty slip
unseen into my life

Linda Jeanette Ward Anthology 2022
(An anthology in memory of the late tanka poet,
Linda Jeanette Ward.)

~

 

broken ice on the river –
fragmented memories
now rise up

British Haiku Society
Members’ Anthology 2022
Theme: “Water”

~

Sky151

I want to sing…

 

My thanks to Michael McClintock, editor of the Tanka Café in Ribbons, the Journal of the Tanka Society of America. The prompt was poems of spring and summer. Here is mine:

 

I want to sing

 

 

 

 

Two New Haiga

June has brought with it the publication of some excellent journals. I love being able to read through them and enjoy the poems. Some are haiku, haiga, senryu or haibun, and others are tanka, tanka art or tanka prose. Hours and hours of fine reading that will stretch into the whole month of June.

I’ve been fortunate to have a number of small poems published this month. I’ll post these by type and by publication over the next week. Today I will begin with two haiga that were published in the newest issues of cattails, the publication of the United Haiku and Tanka Society.

 

Lilac haiga

 

 

poet's walk

Both haiga were published in the May 2016 edition of cattails, collected works of the United Haiku and Tanka Society.

 

Gusts ~ Tanka #2

Screen Shot 2016-04-15 at 12.02.35 PM

 

missa-solemnis_6900

 

 

Missa Solemnia Mss

Marching on…

 

Two tanka and one haiku were published
in  A Hundred Gourds 5:2 March 2016

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~~~

A Hundred Gourds 5:2 March 2016
http://www.ahundredgourds.com

Another Love Poem…

 

 

tuileries chairs

Photograph (c) 2010 by Patti Chronert

 

Another Love Poem…

If you’d like to hear me read this poem, please click on the link below. Wait a few seconds for it to load. I hope you enjoy both listening and reading this love poem.

 

 Another Love Poem…

~ To my husband and partner of forty years ~

 

We walked along in the Tuileries
alone among the chestnut trees,

morning sky of crisp pale gold
so many paths we have strolled,

and still we wander, just us two,
my heart never very far from you.

We stop to sit and watch the birds
green park chairs, unspoken words,

plain sparrows chirp, so unadorned
no beauty lost, no beauty mourned.

Simple thoughts are often most true—
no man was ever loved more than you.

 

 

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Heart Stone by Mary Kendall

 

 

 

 

 

 

 

 

 

 

 

Summer’s End

Photo by Gary Brichford, (c) 2015

                                                Photo by Gary Brichford, (c) 2015

Today’s poem is a slight detour down the road that leads to summer’s end. I’ve chosen to present an acrostic poem, a form I always enjoyed using when writing with children during my years of teaching. Acrostic poems are delightful and often funny, but as shown here, they can be serious and even tender.

You can hear me read the poem if you click on the link below and patiently wait a few seconds for the recording to begin.

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Summer’s End

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Sunflowers bloom tirelessly all summer long

Unwavering in their deep devotion to the sun

Multiplying day by day, the fields grow yellow

Making everyone stop to look

Elegant with their tall, swaying stalks

Regretting nothing, they give themselves to this season

Surrendering ripe seeds to the redbirds and finches that gather round

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Photo by Betty Risotto, (c) 2015

Photo by Betty Rizotti, (c) 2015

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Even summer must come to a close

No one is ever spared the final moment

Depleted of seed, sunflowers begin to bow their heads in sleep

Photo by Jan Monson, (c) 2015

     Photo by Jan Monson, (c) 2015

Photo by Gary Birchford

Photo by Gary Birchford, (c) 2015

Photo by Gary Brichford, (c) 2015

Photo by Gary Brichford, (c) 2015

Photo by Gary Brichford, (c) 2015

Photo by Gary Brichford, (c) 2015

Several photographers are responsible for the beautiful sunflower photographs in this blog. The two with the goldfinches are shared by Betty Rizzoti (middle right photo) and Jan Monson (middle left photo). Many thanks to each of them for these great captures. All the rest of the photographs are by Gary Birchford whose photographs, when posted on FaceBook last month, inspired this poem as a goodbye to summer. Thank you Gary for your ever generous heart in allowing me to use these pictures.
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Photo by Gary Brichford, (c) 2015

Photo by Gary Brichford, (c) 2015

One final note: Gary Brichford took this set of sunflower pictures from an interesting source. They were on the side of a major highway in central North Carolina as part of a government project. Please see the picture below for details. Isn’t it great to know that our Department of Transportation is involved in Pollinator Habitats. What better place could they find. Imagine how many people drive past and smile at the ever beautiful sunflowers.

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Photo by Gary Brichford, (c) 2015

                             Photo by Gary Brichford, (c) 2015

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Summer Poem 1~

Here in the southern part of the USA, thunder and lightning are not uncommon in summer. Days can be very hot and humid, and late afternoon lightning storms often break up the quiet of the day. Rain, when it comes, often fails to bring relief but instead adds to the high humidity. Still, there are times when just listening to the thunder and seeing the clouds grow thick and dark overhead becomes a magical experience. My friend, Jeanna Clever List, took this photograph while her family was on vacation on the coast of North Carolina. Its drama and beauty is truly exceptional.

My thanks, Jeanna, for allowing me to use your beautiful photograph to complete my haiga.

 

 

1-Sky Drums Haiga 2015 Jul 2, 2015, 2-56 PM 1244x960

June Haiku 2

weathered wood—

memories of youth

drifting away

 

 

Old Boat ~ Photograph by Mike Keville, (c) 2015

Old Boat ~ Photograph by Mike Keville, (c) 2015

The theme of old, worn wood (see June Haiku 1) continues in this poem. Amazing how beautiful things retain their magic despite age.

My thanks to photographer, Mike Keville, for allowing me to use his gorgeous boat photograph for this haiku. The textures and colours of this photo inspire many poems.

June Haiku 1

weathered clapboards–

does the old barn ever dream

of being a tree?

Barn in Spring Creek, Tennessee ~ Photograph (c) 2015  by Michael Todd

Barn in Spring Creek, Tennessee ~ Photograph (c) 2015 by Michael Todd

Note:  My thanks to Michael Todd for allowing me to use his beautiful photograph of an old barn in Spring Creek, Tennessee. Pictures like this are always such an inspiration.

Two Small Poems

Two poems of mine were just published in the May 2015 issue of ‘cattails,’ the lovely online publication of the United Haiku and Tanka Society. I am truly honored once again by being included in the company of such excellent poets. My thanks to all of the editors, and especially to the main editor, an’ya.

Cattails

The first is a haiga.  My thanks to my good friend, Debbie Nemer Suggs who gave me permission to use her lovely photo (c) 2015 with my haiku.

haiga fiddlehead

~

and the other poem is a haiku:

Rosehips by Midori

Rosehips by Midori

petals fall—
we gather rosehips thinking
only of tea

​~

Photo by Tanya of Lovely Greens Blog

Photo by Tanya of Lovely Greens Blog

Irisation: A Lesson

Photography © 2015 by Farnaz Mojab Soheili

Photography © 2015 by Farnaz Mojab Soheili

A Lesson

For just one moment
the sky stopped time,
and we gazed upward
to where an angel
lit the clouds
like a row of pure white candles,
and the flames flickered
in many hues
and spoke to us in sweet silence,
reminding us that life is brief,
a momentary blur.

A lesson we forgot.

hands of time

Note: My thanks go to my friend, Farnaz Mojab Soheili, for allowing me to use her wonderful photograph of this magnificent cloud rainbow that appeared for just a moment. As a teacher who was with a group of fourth grade students on the playground, the cloud phenomenon was pointed out to her by a student. She looked up in time to see it shift into this beautiful formation. A rainbow in the clouds is called iridescence or irisation:  “When parts of clouds are thin and have similar size droplets, diffraction can make them shine with colours like a corona. In fact, the colours are essentially corona fragments. The effect is called cloud iridescence or irisation, terms derived from Iris the Greek personification of the rainbow…. Iridescence is seen mostly when part of a cloud is forming because then all the droplets have a similar history and consequently have a similar size.”

[http://www.atoptics.co.uk/droplets/irid1.htm]

Irises

The Starry Night

The Starry Night by Vincent Van Gogh, 1889, Museum of Modern Art, NYC

                       The Starry Night by Vincent Van Gogh, 1889, Museum of Modern Art, NYC

The Starry Night

It is silent tonight.

In the ever flowing
river of the night,
a boat of darkness

sails by
as wave upon wave
of stars flow,

then crest,
then
fall,

and silently subside,
consumed by another wave
until nothing is left,

just flickering light
of celestial glowworms
that hang

in the cave of night—
languid star strands
from the heavens.

The moon
could tell stories
if it chose.

It is silent tonight.

Van Gogh Moon

In Luxembourg Gardens, Paris

Chairs in Luxembourg Gardens, Paris by Mary Kendall

Chairs in Luxembourg Gardens, Paris by Mary Kendall

In Luxembourg Gardens, Paris     

A stairwell of shadows invites us to sit.
Empty chairs bask in the late spring sun,

Waiting for readers who choose to sit,
slipping into the borrowed lives of books.

Waiting for lovers to pull two chairs aside,
stealing time away from the world.

Waiting for an old man with a limping dog,
passing time away from his silent rooms.

Waiting for the widow who longs for the sun,
savoring the warmth like a delicate embrace.

Waiting for the disheveled girl who waits,
sipping a café crème with a guarded look.

Waiting for a businessman to eat his lunch,
savoring silence, no rumble of demands.

Waiting for the grandpère missing his children,
wondering what it is they do continents away.

Waiting for weary tourists who sit and rest,
whispering in languages you don’t speak.

Waiting for a tumble of clouds to sweep the sky
just as this sweet day slips into the waiting night.

Time passes.
People pass.
Memories pass.

Another day will come.

Forget Me Not…

Forget-Me-Not by SarahharaS1 (c)2013

                                       Forget-Me-Not by SarahharaS1 (c) 2013

~

Don’t Forget Me When I’m Gone

~~

Don’t forget me when I’m gone.
I’ll be there thinking about you.

Don’t forget me in my silence.
I’ll bring you back a poem. 

Don’t forget me when you’re sad.
I’ll be ready to understand your tears.

Don’t forget me when life is good.
I’ll be happy to laugh along with you. 

Don’t forget me if the glass breaks.
I’ll be there to sweep up the shards. 

Don’t forget me when you doubt.
I’ll listen to your words spill out.

Don’t forget me in the dark.
I’ll bring you a small violet star.

Don’t forget me when I leave.
I’ll return. I always will

Forget-Me-Not, photograph by Flowers HD.com

Forget-Me-Not, photograph by Flowers HD.com

Spring Equinox (haiga)

spring equinox kendall haiga

Haiga by Mary Kendall

This was written for a prompt on the spring equinox for a favorite small poem poetry group I belong to called “seize the poem.” I’m enjoying creating this mix of haiku and photography, and I think I finally got the words correctly balanced on the picture, so I’m sharing it here as well. The photo is my own taken in the sculpture garden of the Rodin Museum in Paris this month.

Meadow Song

 

 

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This poem began in a meadow up in the Scottish Highlands while my husband and I were visiting the ruins of a castle. He went inside to explore further, but I chose to stay behind and linger in the beautiful summer fields. As you have probably experienced yourself, this frequently leads the imagination to so many new places. It also presents an opportunity for a simple sensory awareness meditation. Just standing there looking and listening is a spiritual act in itself.

The challenge for me in this poem was to use a repeating word (“listen”) to create both mood and cadence in the lines. The decision to complete the poem with a repeating line (or couplet) was a very different way to close my own lyrical love song to nature.

[Note: the following two paragraphs were added here several months later when the poem was published by Dagda Publishing Company.]

On 3 March 2015, Dagda Publishing Company, a publisher of poetry and literature based in Nottingham, UK, featured this poem in their blog. It was a real honor to have had my poem chosen by this excellent publisher. This is what they had to say about the poem:

Today’s featured poem, and the first one in March, is this one from Mary Kendall. Inspired by a trip to Scotland, this piece has a naturalistic theme to it, and we feel is just perfect for this time of year, as we start to escape the cold and dark of winter and crawl toward summer and longer days. Musing upon the sounds of nature and imagining a song being sung by the choir of trees, flowers and the meadow itself, this piece has a touch of magical realism to it, of there being something fantastical just behind the ordinary and everyday. A poem full of the wonder of nature and the sense of being away from the familiarity of one’s normal life, we hope you enjoy this poem by Mary Kendall.

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An audio clip of me reading this poem is included below. Click on the link below to hear it. It will take a few seconds to begin.

Meadow Song

Have you ever been a few thousand miles from somewhere,
standing in meadow of sweet grass or barley and thistles,
bright pink bells of foxglove swaying in the wind,
and then you stop, just standing still and listening;
listening to the wind song of the leaves and grasses.

I asked them to tell me the words they sang to those
who stopped to listen. They heard me and replied,
but I could not understand what it was they said.

I waited and waited until the wind resumed its blowing,
the grasses their gentle whispering;
the leaves sang loudest of all, and I listened.
I listened the while.

I listened until the song ended,
and then I went on my way.
So far from home.
So far from home.

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