freedom is never cheap

Poem for my Father, a  Soldier

                                                            (for Jan Ciosmak, d. 1955)

Only 20 when you left home,
Fleeing the war in Europe.
Leaving behind all you knew,
Leaving behind your parents,
And your eight sisters.
You, the only son.

Coming to a country, but not
Knowing the language or customs.
Not having any waiting friends.
That took courage.

When you told your family
That you were leaving, knowing
They’d never see you again
Or you them,
What went through your mind?

Did your mother weep uncontrollably?
Did your father pat you on the back?
Did your family urge you to flee?
Did they fear invaders and death?
No stories came down to us,
And so no stories now remain.

Time passes.

All I remember is being told
How you fled the big war in Europe,
Only to be conscripted here
To fight in your new country,
The US Army calmly taking you,
You who were already uprooted
And leading you back
Over the ocean, back over the sea.
I’m sure the irony was not lost on you.

This time you wore Army khaki.
Did you wear it proudly?
A brand new uniform all crisply pressed,
Thick leather boots ready for
The fields and the trenches.
A soldier now, they said.

They prepared you well, it seems.
You survived the trenches, and 
You survived Meuse-Argonne.

Did you understand the French?
Was English now your tongue? Did
Your ears yearn to hear the consonant
Rich language of your first home?

Time passes.

What was it like standing hidden
In earthen trenches, the acrid air,
The bullets spent, shell casings underfoot?
How many other boys suddenly
Grew into men in those French fields?

I picture you there, not knowing,
Wondering how your family was.
And you, all alone.

Could you understand enough
To hear someone’s dying words
Or maybe to learn the story about
A young family waiting back home?
Did you share your own promises
And hopes or were you silent?

Time passes.

And then it stopped.
On the eleventh hour of the eleventh day
Of the eleventh month,
all fighting stopped.
Sudden and eerie silence.
What was it like to realize
You were now safe, and
Had your life ahead of you?

A life. Your life.
You had it free and clear.
You were one of the lucky ones.
Why you but not them?
Did you grieve during the dark
Nights of all the loss you’d seen?
Or did you push it all deep inside
Letting it exist in its own private place?

The price of freedom is so dear.
The loss of soldiers, so much life
And stolen youth. The veterans
Who made it back in pieces,
Who were never the same,
Could never be the same.
No one left unmarked.

Yes, the price of freedom is so very dear.
A price paid over and over in so many wars.

Time passes.

Long after you died, and I was finally grown,
I found your Army papers that said only
That you were honorably discharged
And had fought in those famous battles
In such faraway, strange places.

The places you lost your youth
And became a seasoned veteran,
A man of courage, a solider who was
One of the lucky ones. I hope you wore
Your uniform proudly, knowing that you
Were one of so many brave men.
French, English, Polish, American,
The list goes on for the victors.
But I mourn all who were lost.
On all sides.
So many mothers wept, and it continues
Even today. The loss is great,
But freedom is never cheap.

We who sit and write these poems,
Read those books, watch those movies
About wars, any wars, all wars,
Must always remember those who
Fought, those who served.

Those who died.
Those who survived.
They all served.
They all sacrificed.

Let those scarlet poppies bear witness
To the blood shed by all who have gone to war.

Let the trenches remain closed,
Let the flowers grow so that farmer’s
Fields remain at peace,
Remain at peace forever.

Time passes.
War passes.
Courage remains.

 

 

 

Note: I’m now 78, but my much older father fought in WWI in France, shortly after emigrating to the United States of America. I barely knew him. I never knew his story. But he had his story just as we all do. Why he left Poland and his family while so young is not recorded. No one is left to answer those questions. The one certainty is that he did his civic duty when called. He fought in one of the bloodiest battles in France. It’s nearly impossible to imagine all he saw, did, witnessed. 

 

Below are a few photos I found alongside some excellent articles in the New York Times on the Battle of the Meuse-Argonne.

 

 

 

 

 

Some Poems for Ukraine

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 Two tanka recently published in Red Lights,
Volume 18, no. 2, June 2022

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with ruins, rubble
and death on the news,
we learn their names—
Mariupol & Lviv,
Bucha and Donbas

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image after image of
bombed out buildings and corpses –
far away in my corner, prayers
& more prayers that you will
always rise from the ashes

.

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Image by bookdragon from Pixabay

Dark morning & wild winds

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Kokako #36, Spring 2022

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 It’s always a joy to have the New Zealand poetry journal, Kokako, publish some of my poetry.  For their spring issue, they chose a one-line haiku and two tanka. I hope you enjoy them.

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seabirds drift on thermals—night becomes day

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~~~

cassia, lady slippers,
dutchman’s breeches, rue –
my garden becomes
the one circle of friends
I find it hard to leave

.

 ~~~

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dark morning
filled with wild winds
that blow the birds awake
      & by the crows’ swift,
and sharp reply 

A gathering basket . . . (tanka)

 

 

 

a gathering basket
filled with rosehips & hazels –
why is it so hard
to put back all the bits
and pieces you left behind?

 

 

 

Published in GUSTS: Contemporary Tanka 33 (Tanka Canada)

 

 

Nature dawn rosehips by Kasie Schlagel

Tanka No. 1: Lapis lazuli . . .

Three tanka published in the winter edition of Gusts, Contemporary Tanka, the journal of Tanka Canada. It’s always a huge thrill to be included in this special journal of tanka. I’ll offer them one at a time.

Gusts no. 32, Fall/Winter 2020

lapis lazuli, delft blue
and French ultramarine . . .
the blueness of blue
in these tired veins
just won’t let go

Chokecherry

 

 

the slow hiss
and sudden pop
of a pinecone in fire—
admitting the mistake
is a first step

 

*

 

had you lived
we’d almost be twins,
two sisters
so close in time
we nearly touched

 

*

 

this urge
to turn and walk away
     chokecherry

 

 

Mary Kendall (c) 2020

Kokako 32, 2020, a journal of the New Zealand Poetry Society
My thanks to the editors of Kokako for publishing all three poems.

 

 

Snow melt (haiku)

 

The Heron’s Nest
Volume XXII, Number 1: March 2020

 

snow melt

a trickle of caribou

comes to an end

 

 

Widowhood

 

Published in FROGPOND, Volume 43:1, Winter 2020:

 

 

 

 

widowhood

day blurs into evening

into night . . .

 

 

 

 

This poem is dedicated to my dear sister-in-law, Paulett Brylinski, who lost her beloved husband, Jimmy, in December 2017. Watching her learn to cope and live with grief has taught me so much about courage and love.

 

Woods Hole, MA – 3/30/14

 

 

 

Haiku Holiday turns 40

 

The North Carolina Haiku Society hosts an all-day meeting on the last Saturday of each April. This year marked the 40th year of these days called “Haiku Holiday.” Each of the past 40 years has been hosted by one wonderful poet and woman, Jean Earnhardt

on Bolin Brook Farm, an old farmstead that has been in her family for 12 generations. Can you imagine opening up your home and garden annually to a large group of poets? Jean does so graciously and with a welcoming, inclusive attitude. Thank you, Jean!

 

“In honor of the 40th anniversary of Haiku Holiday, we read 40 haiku by current and past members of the North Carolina Haiku Society. Crystal Simone-Smith selected the poems and published them as a broadside.”  (Dave Russo, the NCHS website Editor)

 

The Broadside is so beautiful, and it’s an honor to be part of this. My two haiku are listed below. My thanks to Crystal for selecting this to be included.

 

Haiku Holiday, NCHS, 2019

40 Years, 40 Haiku: A Broadside

 

 

dandelion—

more and more invisible

as I grow old

 

 

our country’s story

ever evolving

. . . fallen blossoms

 

 

Both haiku by Mary Kendall (c) 2019

 

War memorial (a haiku)

As Memorial Day approaches, thoughts of all who have sacrificed for our country come to mind. There have been so many wars, so many skirmishes, so many of our service people posted to regions far away from their homeland. The work they do in times of war or in conflict is something that requires a level of courage I don’t have. Yet we can all pay them our deepest respects and honor those who have died as well as those who came home. They have made this country what it is.

 

This haiku was published in Frogpond 42.1, Winter 2019 (Haiku Society of North America)

 

 

war memorial

blue dragonflies

loop in tandem

 

 

 

 

 

 

 

 

 

Loneliness . . . (three tanka)

Blithe Spirit, Journal of the British Haiku Society,
Volume 28 Number 4, November 2018

 

Three tanka were published in Blithe Spirit this past November:

 

 

 Snow Landscape by Hans Braxmeier

 

 

winter woodland

bereft of birdsong 

           with your passing 

even clear days

are shadowed

 

 

Photo by Frantisek Krejci

 

 

together so long

we seem to finish

one another’s  sentences,

fluent in the pauses

of each other’s mind

 

 

 

Universe by Gerd Altmann

 

loneliness

comes and goes,

dancing around

my mind

with two left feet

 

 

 

 

 

finding a way back . . . (four Senryu)


Part 2:
Prune Juice, A Journal of Senryu, Kyoka,
Haibun and Haiga,
Issue 26 – November 2018

 

 

Four Senryu:

 

 

reproach –
finding a way back
from heated words

 

~

 

 

 

overanalyzing–
the smell of wood smoke
on the wind

 

~

 

 

 

winter walk
learning to negotiate
what can’t be seen

 

~

 

 

the house
where I was born
weeds & more weeds

 

 

 

          Photograph by Marina Shemesh

pale lichens on stone . . . (two haiga)

Prune Juice, A Journal of Senryu, Kyoka, Haibun and Haiga,
Issue 26 – November 2018

 

~

 

photography by Mary Kendall
Highgate Cemetery, London

 

 

Photograph by Mary Kendall,
Blackwood Farm, Hillsborough, North Carolina

 

~

 

My deepest thanks to Steve Hodge, editor. This was his last issue as editor of Prune Juice. It has been a joy and a wonderful learning experience working with Steve as an editor. 

 

Cover art by Chase Gagnon (c) 2018

 

Here is the link to the full issue of this amazing journal. It includes the amazing prize winners of the Jane Reichhold Memorial Haiga Competition for 2018 (edited by Steve Hodge and Michael Rehling), pdf:   pj-26-rev

 website:  https://prunejuice.wordpress.com

 

 

 

 

 

 

 

 

Hospice window (a haiku)

My first time in this journal.

 

Haiku Canada Review, October 2018

 

 

hospice window

cherry blossoms

fade and fall

 

heart in pink

Frayed feathers . . . (a haiku)

 

Acorn: A Journal of Contemporary Haiku (issue 41), October 2018:

 

 

 

frayed feathers
beneath the dogwood tree


silence

bird-feather-13486506267nW

 

 

 

 

Rain patter . . .(3 tanka)

 

Three tanka published in one my very favorite journals.

 

 

GUSTS No. 28, Contemporary Tanka
(fall/winter 2018)

 

 

pounding rains

& the peonies are lost –

how did I miss

your pallor, your reticence

that last day?

 

 

turning from pale gold

to dusky violet

our last embrace

so certain

so final

 

 

rain patter

on windows –

just when it seems

the darkness is over

it all begins again

 

 

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Wild apple (some senryu)

Three senryu and one haiga appeared in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue 25, July 2018.

 

wild apple–
one bite is all
it took

 

inertia–
a thin coat of dust
on his burial urn

 

cloud cover–
darkness brewing
in daddy’s words

 

 

the sudden diagnosis haiga

 

My thanks to editor, Steve Hodge.

 

Screen Shot 2018-09-28 at 12.32.04 PM

Cover Art: Happy Monk by Jerry Dreesen

 

No looking back… (tanka)

 

Moonbathing, A Journal of Women’s Tanka, Issue 18, Spring/Summer 2018

 

 blue-black mussels
torn from harbor rocks
fill the worn rusty pail –
there was no looking back
when I left you

 

 

 

Screen Shot 2018-06-13 at 5.52.55 PM

 

A child’s grave … (Tanka Art)

a child's grave

 

Also appearing in Skylark, a Tanka Journal, Volume 5, Issue 2, Winter 2017 is this piece of Tanka Art. The photograph was taken by me in the cemetery of Holy Trinity Church (where William Shakespeare is buried) in Stratford-Upon-Avon, UK in 2015.

 

A wash of deep blue . . . (haiku)

This poem was selected as an Editor’s Choice (EC) – Haiku in cattails by Geethanjali Rajan, haiku editor of this journal, whose comments are given here:

 

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Published: cattails: The Official Journal of the United Haiku and Tanka Society October 2017 Issue

 

 

The pale twilight

 

pale twilight 2.png

 

Tanka by Mary Kendall (c) 2017

The sudden way . . .

Blithe Spirit is the Journal of the British Haiku Society. Two of my tanka and one haiku were published in Volume 27, Number 23 (2017). I am most grateful to be part of this issue.

 

old shoes –
the challenge
of moving on

Screen Shot 2017-09-17 at 4.04.58 PM

plum blossoms—
watching you
struggle for so long
I remember how brief
a season is

stopping to study
fritillaries, tulips
and jonquils –
the sudden way
you take my hand

 

IMG_4621 (1)

 

(c) 2017, Mary Kendall
Blithe Spirit, Volume 27, Number 23 (2017)

Fallen trees . . . (two haiku)

 

 

 

 

 

 

Both haiku were published in the final edition of Wild Plum. I’m honored to be included.

Luna moth . . . (haiku)

 

Luna moth
this brief life
soon eclipsed

 

~Mary Kendall~

Published in Presence Issue 58, July 2017

luna moth

Luna Moth, photographer unknown

Faded numbers… (haiku)

 

faded numbers
tattooed on your arm
I slip back in silence
.

~Mary Kendall~


Published in Presence 58 July 2017
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Back story on this tanka. In 1972 I visited friends in Israel. As a tourist, I was eager to see the historical sites, one of which was Masada, site of a group suicide where a Jewish community was surrounded by Roman soldiers. The Jews chose suicide rather than be taken as captives. As I stood high up on the hilly site with other visitors, it was very, very quiet. It was after all a sacred place. An older man stood next to me, and I happened to glance at him also looking out at where the soldiers would have been waiting, hoping to starve out the isolated Jewish community. I noticed on his arm, faded numbers–numbers, of course, indicating he’d been captive in a Concentration Camp. The poignancy of him being there has stayed with me for over forty years. Never again, please Lord, shall we do such things to our fellow men.

Both pictures are from travel sites to and in Israel. Masada is located in the Judean desert, very close to the Dead Sea. Visiting these sites is like stepping back two thousand years. I am so grateful for having had this opportunity to visit.

In Memoriam: Maya Lyubenova

 

 

benediction tanka art

 

Last year I posted a request in a Face Book haiku/tanka writing group asking if anyone had a photo of Lily of the Valley that they were willing to share and allow me to use for a piece of tankart I was working on. A very quick response from the poet/photographer Maya Lyubenova gave me the perfect picture. I never really knew Maya. We’d never met, and we chatted only a few times on FaceBook in poetry groups and on Face Book Messenger. I was certainly a real fan of hers. Bulgarian by birth, Maya could compose gorgeous haiku in English. She could also pair her poems with her equally exquisite photographs to create haiga — visual poetry of the highest quality. I was touched by her generosity in allowing me to use the photo she had sent.

 

Only recently did I learn that Maya Lyubenova had passed away on December 30, 2016. Like so many, I mourn her loss as a person and as a poet and artist. I wish I had known her better, but I cannot change that. Her work still remains for us to look at, to study, to learn from and to be dazzled by … that will not end.

 

I’d like to dedicate my piece of tankart to Maya Lyubenova — our single connected piece of art. Thank you, Maya, for bringing so much beauty into this world. May you rest in peace.

 

 

Maya Lyubenova’s website:  

http://mayalyubenova.wixsite.com/maya-lyubenova

The link to her amazing haiga:  

http://mayalyubenova.wixsite.com/maya-lyubenova/haiga

 

 

Cloud watching (a haiga)

cloud watching haiga 2

 

Published in Prune Juice, A Journal of Senryu, Kyoka,
Haibun and Haiga, Issue 22, July 2017

Trying hard to hold on … (two tanka)

 

IMG_4495

Red Lights, Volume 13, No. 2, June 2017

 

 

peeling an orange

in one long strand –

trying hard to hold on

to all I remember

of those now gone

 

 

 

a wooden pew

empty and waiting . . .

colored light

from stained glass

cupped in my hands

 

My thanks to editor and poet, Marilyn Hazelton, who published these tanka in the most excellent Red Lights.

Unforgettable…

 

I’ve had two haiku and one haiga included in the newest edition of Wild Plum, a haiku journal, 3:1 Spring & Summer 2017.

 

unforgettable—
the taste of zinfandel
on your lips

 

 

forgiveness
the new year’s moon
lights the way

 

 

mourning-haiga

 

March brings lots of wonderful poetry journals. Another favorite of mine is
Wild Plum, a haiku journal, 3:1 Spring & Summer 2017. The journal is edited by Gabriel Sawicki. This journal is based in Poland, and it has a very international group of readers and contributors. The haiga editor is Maria Tomczak. I hope you will go to their journal directly and read it in full. It’s a very beautiful journal (lovely cover art by Azi Kuder. I’ve added a link at the bottom of this posting.

 

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Here’s a link to the complete version of this  lovely haiku journal:

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Wild voices . . . an anthology by women poets and artists

 

It is very exciting to be part of a collection of poems and art by so many women I admire. Thanks to editor (and poet), Caroline Skanne, I have a haiku and three tanka included. The title and theme of “wild voices” was given to us to interpret in any way we chose. I urge those of you who love poetry to purchase a copy of this anthology for yourself and/or for a gift.

wild-voices-cover

 

Wild Voices, An Anthology of Short Poetry & Art by Women
edited by Caroline Skanne, February 2017

 

 

 

 

***book available:https://wildflowerpoetrypress.wordpress.com/current-titles/
This title is also available on amazon.com or amazon.co.uk

 

 Here are my poems that appear in this lovely anthology:

 

 

the softness
of a raspberry
on my tongue…
I remember our long
first kiss

 

 

wild honeysuckle
heady and sweet—
your hold
on me
just as strong

 

 

a softness of spring
flecked with apple blossoms ~
the morning you died
darkness swept in
lost and wild

 

 

 

foxglove—                                                                                
danger hidden
in such beauty

 

foxglove

Foxglove, also known as Digitalis purpurea

 

Orion stands watch… (tanka)

If you choose to hear this tanka read aloud, simply click on this link:

 

orion-stands-watch

I am so pleased to be published for the first time in Red Lights. Edited by Marilyn Hazelton, Red Lights is one of the quality tanka journals.

Walking Away

Where do poems come from? Anyone who writes poetry asks that question and has that question asked of them by others who wonder how a poem comes to be. There are many articles and books on the subject, but still there is no single answer. Every poet writes differently and often in a lifetime writing patterns and habits might change, too.

To show you how oddly this can happen, I’ve decided to post a poem that appeared in my chapbook, Erasing the Doubt (published 2015 by Finishing Line Press). “Walking Away” is  a poem that has its own style, its own cadence and its own meaning. If I were to read this somewhere, I think I’d say it feels very much like an old fashioned poem, as if it echoes a voice from long ago. How did that happen? There is an unusual story behind this poem and how it came to be. It came to me as a whole poem when I was up late writing and suddenly became very, very tired. It appeared almost dreamlike to me. I typed it up quickly, read it once and went to bed. When I read it the next day, it didn’t feel or sound like me, but obviously I had written it. Strange indeed. This experience happened only once in my life.Was another poet speaking through me? Or was this merely a side freed from regular consciousness because of fatigue?

I’d love to hear your comments on this poem and what it means to you when you read it. Feel free to leave a message

I’ve recorded this poem if you care to listen as well as read. Just click on this link:

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Walking Away

 

When you go, where do you wander?
When you leave me, do you look back?
I sit here, book in hand, not reading.

           The wind blows fiercely through now.

 

They asked how long you had been silent,
And I answered with a lie, which
Was not the truth but might have been.

          The wind blows silently through now.

 

Did you hear me whispering to you?
Did you hear what I had to say? Or did
I turn away and only mouth the words?

          The wind blows piercingly through now.

 

Where do you go when you wander?
Tell me what you see. When you look
At me, I feel you walking away.

          Lamenting the darkness, the wind blows softly now.

 

 

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“Walking Away” was published in Erasing the Doubt by Mary Kendall (c) 2015, Finishing Line Press.

 

 

 

 

A flash of gold…(tanka)

img_2586

 

moonbathing-15

 

It is always an honor to have a poem appear in Moonbathing, A Journal of Women’s Tanka.
Issue 15
Fall/Winter 2016

Edited by Pamela A. Babusci

Words grow muted . . . (a tanka)

 

 

 

 

words grow muted
and hearing diminished –
I begin to tiptoe
along the lonely curve
of inner silence

 

arp-sculpture

Title Unspecified, by Jean “Hans” Arp (French, b. German), 1950s

 

This tanka was published in The Ekphrastic Review: writing and art on art and writing on September 13, 2016. The journal is edited by Lorette C. Luzajic as part of the Ekphrastic 20 Challenge.

 

To visit the site, please click on this link:  http://www.ekphrastic.net/ekphrastic/a-tanka-by-mary-kendall

 

Grief (a haiga)

grief haiga kendall

 

Screen Shot 2016-08-31 at 11.39.35 AMThis haiga was published in Wild Plum, a haiku journal, 2:2 Fall & Winter 2016. 

My warmest thanks to the editors, Gabriel Sawicki and Maria Tomczak.

 

The hidden depths of sorrow

Another pairing of a tanka of mine with a stunning photography by Irena Iris Szewczyk that was published in Frameless Sky 4 (Summer 2016). I am amazed at how perfectly they matched…a big thank you to Christine L. Villa, editor of Frameless Sky for her excellent work and to Irena Iris Szewczyk for her beautiful photograph.

This link below is of me reading this tanka:

 

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So many I loved now gone

In Frameless Sky 4, my tanka was set to this beautiful photograph of Irena Iris Szewczyk. My warmest thanks to Irena Iris Szewczyk and to Christine L. Villa, editor of Frameless Sky. I will be posting others from this fine video publication in the next week.

A link to me reading this tanka is given below:

 

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A Few Extra Notes:

Irena Iris Szewczyk is both a distinguished photographer and haiku poet. Irina blogs at Iris Haiku where she posts her photographs and her haiku:                                           http://iris-haiku.blogspot.com

Her artwork for Frameless Sky 4 can be seen here:  http://framelesssky.weebly.com/artwork.html

Christine L. Villa is editor of Frameless Sky. She is a distinguished poet herself. Her blog is called Blossom Rain and is located here:  http://blossomrain.blogspot.com

Frameless Sky can be found here: http://framelesssky.weebly.com

This inner fire …

My second tanka published this week in A Hundred Gourds:

 

1-1-A Hundred Gourds June 2016

 

A Hundred Gourds 5:3 June 2016

 

 

You departed…

One of the finest journals around for Japanese short form poetry has been A Hundred Gourds. The editors announced several months ago that the June issue would be the last issue. This is a great loss, but there is an amazing amount of work editors do to make a journal of this caliber work so well.  The tanka editor, Susan Constable, is one of the finest poets around, and her skill and advice as an editor is special. I know I have learned a great deal from her through our correspondence this past year. My thanks go to all the excellent editors of this journal. I am fortunate to have two tanka selected for this final issue of A Hundred Gourds. I will be posting them separately, one today and one tomorrow.

 

2-A Hundred Gourds 2 June 2016

A Hundred Gourds 5:3 June 2016

hospice…

The Heron’s Nest, Volume XVIII, Number 2: June 2016

 

1-hospice haiku

 

 

Compassion (a poem about depression)

Depression is not very pretty. Nor is it very kind. It has many faces, and it comes and goes as it pleases. It can affect almost anyone. If you are someone who has struggled with depression, you know it never goes away completely but hides, waiting for the right moment to reappear. It isn’t something to be lightly dismissed in yourself or in others who suffer from it. Who hasn’t seen the devastating effect it can have on a vulnerable person? I’ve struggled with it, and I’ve certainly known many others who were also affected by it.

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Watching someone you love battle depression is never easy. It isn’t easily “fixed,” even in this age of modern medicine. Therapy and medicines are there, and for some people they help so much, but for others, less so. Compassion, patience, unconditional love and presence are the lifelines we can offer…to someone else and to ourselves.

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To listen to me read this poem, please click on the link below. It will take a minute to begin.

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Compassion

 

Taking on your pain was something
I tried to do, like slipping on your
jacket, pushing an arm in and then
another, pulling it tight around myself,
hoping that by feeling what you do,
it would diminish your pain.

 

No matter how hard I tried, it wasn’t a fit.
Your depression fell around me in loose
folds, the sadness sagging around my heart.
Besides, it would leave you cold, open
to the fickle winds that blew your way.

 

 

Compassion was first published in Erasing the Doubt by Mary Kendall
(Finishing Line Press © 2015)

 

 

 

Gusts ~ Tanka #2

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Missa Solemnia Mss

Gusts ~ Tanka #1

Gusts Summer 2016

 

I’ve had the good fortune to have three of my tanka published in the latest issue of GUSTS,
NO. 23, Contemporary Tanka, Spring/Summer 2016 (Tanka Canada). This is the first time my work has appeared in this beautiful poetry journal, and I’m most grateful to the editor, Kozue Uzawa.

I’ve decided to post each tanka separately here on my blog.

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Brushing Your Hair

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Brushing Your Hair

In the last month you ask me a favor.
Will I brush your hair when you have passed?
You seem to want to greet whatever comes
looking your best. I give my promise.

Each day when I come home, I offer
to brush your hair, but you say no,
maintaining the independence
you have always shown.

Later, in hospice, I no longer ask.
I hold your hands, rubbing lotion in,
skin so fragile, like a butterfly wing.
It is time now to make the last ablutions.

I clean your face and brush your hair,
your sleeping eyes flicker
under paper-thin lids, pale blue veins
tracing their course across them.

I imagine your mother tenderly holding you,
stroking your cheek, watching you dream
in her arms—her newborn daughter
with milky breath.

Ninety-one years separate us, your two watchers.
One joyously bringing you into the world;
the other sitting silently in the dim-lit room,
keeping watch over you through the night.          

 

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The poem, “Brushing Your Hair” is from my chapbook, Erasing the Doubt (c) 2015, Finishing Line Press.

 

 

 

Charlotte’s Story: Haiku for Wilbur by Mary Kendall (ME, IN FICTION Poetry and Prose Series)

silverbirchpress's avatarSilver Birch Press

Charlottes-Web-Terrific-Garth-Williams1Charlotte’s Story: Haiku for Wilbur
by Mary Kendall

“My Words”

my words—
who knew what a story
we’d become?

“First Friend”

a friend—
something my kind
never knew

“The Unexpected”

new friend—
silken parachutes in spring wind
bestow surprises

“Silken Words”

silken words…
hearts woven together
in their own story

“Some Pig”

little did they know
how special you were—
some pig!

“Terrific”

a real friend
who accepted me as I am…
terrific!

“Radiant”

just knowing
you have a good friend…
this radiant heart

“I Told You”

out of nowhere
grows the best thing…
kindness of spirit

“Humble”

humble—
your kindness of heart
my friend

“The Fair”

harvest moon—
who knew how high
we’d fly?

“Templeton”

even a rat
can help a friend..
who knew?

“My Time”

time for rest
my voice a whisper
…alone now

“Good-bye”

no need to worry—
our memories will live on
in your heart

“Death”

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Pale Ghosts…

photo by jim clark, American Beech Trees

American Beech Trees, (c) Photograph by Jim Clark

It was a very exciting moment last week for me to open up the latest issue of Moonbathing, a journal of women’s tanka, and see one of my own tanka included. To be in the company of so many very talented tanka poets is a highlight of my year.

Published by poet and editor, Pamela A. Babusci, Moonbathing is a journal that showcases the many sides of tanka. The poems cover a wide variety of experiences, emotions and subjects…and all written by talented women poets.

Here is my tanka:

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Moonbathing is edited and published by Pamela A. Babusci

 

 

Beech Leaves by Walter Reeve

American Beech Leaves, (c) Photo by Walter Reeves

My Mother’s Voice…a poem of loss

Today, my favorite haiga was published in a favorite journal, Gnarled Oak. It is a lovely home for this haiga. Here it is along with the link to Gnarled Oak (check out all the great poetry in this journal). The editor, James Brush, releases one poem a day, a custom I love. It’s always a joy to see what each day holds. My thanks goes to James for accepting this piece.

My Mother’s Voice

 

My Mother's Voice haiga

 

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beautiful border for blog

 

This haiga was originally posted on this blog on June 14, 2015.

Transformation and the Ineluctable Signs of Ageing, prose poem by Mary Kendall (My Meta-Morphosis Series)

My thanks to Silver Birch Press for including my poem in this wonderful series. I have been enjoying reading all the poems posted, each so different from the others.

silverbirchpress's avatarSilver Birch Press

Takahashi_Biho-No_Series-Dragonfly_and_lotus-00034829-030804-F06
Transformation and the Ineluctable Signs of Ageing
by Mary Kendall

This is not my first transformation. No, it happened way back when—six decades and then some, and I find myself no longer who I thought I was just ten, twenty or even thirty years ago. Those were other lifetimes, times I lived through, times I felt so alive, enjoyed, loved, and times I remember, but those were lives I knew I had passed through completely.

I have the evidence.

Now, going further back in time—forty or fifty years ago, it all begins to change. It starts to slow down—slow—slow—slow—as if someone has put a finger out and touched the spinning world—and now it slows down enough as if I must to look for a place to rest.

This viewing backwards makes me dizzy—dizzy—dizzy enough to want to keep traveling back to the end, which in fact is the beginning, and…

View original post 500 more words

fallen petals… (haiga)

My Mother's Voice haiga

faded beauty…

faded beauty haiga

Wild Water ~ Three Tanka

wild water

 

Wild Water: Three Tanka

 

1.

throughout the long day

the wild water crashes

again and again—

memories of you silently

slip under water

 

 

2.

as evening comes

the tide begins to swell

in the empty sound,

one lone boat

longing to set sail

 

 

3.

foghorn rasping

deep and low—

a bleak song

of ships surrendering

to savage waves

 

 

Small Poems of Grief

Grief, by iosatel, (c) 2014, The Obvious and Hidden blog: http://theobviousandhidden.com/2014/11/04/grief/

Grief, by Iosatel, The Obvious and Hidden blog, (c) 2014

1.

only the bereaved know
they needn’t speak in whispers,

grief is never
completely silenced

 

2.

rush of water
a broken branch drifts by
what will be left?

 

3.

Unending days of darkness
that never let you forget.

 

4.

Saturated, as if the clouds
had wrung themselves out
all at once, watching what
would then ensue

 

5.

sitting at the window
watching the rain
despondent days
of unexhausted sadness
trying to let go

 

6.

forgetting you
was never an option

 

7.

grief exhausts
but holds on,
rain continues
to fall

 

8.

thirty-five years and still I mourn you,
sometimes waking and imagining you there

 

 

9.

darkness deepens
into the black of night

lightning signals
thunder cracks,

but it is the loss of you
who took your life
that makes me ask
why it had to be

 ~~~

My Note of Thanks to the photographer, Iosatel, for his beautiful picture, Grief, which was first posted on his blog, The Obvious and the Hidden on 4/11/14. This photograph is copyrighted (c) 2014 by the artist himself.