Some Thoughts on Turning to Myth: Looking back at “The First Lamentation of Demeter ~ (Poetry and Myth)”

A Note to My Readers:

Here it is January 2026. My blog has been quiet this year for a number of reasons too long to list.  But the most obvious reason is that of a block or mental ‘resistance’ to writing. Last year in 2024,  I turned to sharing a few older poems of mine that I love. It was a good reminder to me of why I loved writing.

Today, WordPress showed me my latest stats. I rarely look at these anymore, but one thing I notice each time I see an update is that some of the poems I wrote relating to classical myths seem to be accessed the most. I wonder if, in this sad and tumultuous world and country (mine being the USA), we turn to mythology to find answers to timeless questions that appear and reappear over a lifetime. Who are we and why are we here? What is it we are looking for? What really matters? I am now 79.  Those questions and many more have come up time and time again, and the answers have been quite varied over eight decades. What do you, dear reader, think? Why do we cling to myths and tales from long ago and from cultures we know only though history books, literature or art? I’d love to know what you think.

To honor some of these poems, I’m going to post my two Lamentations of Demeter, one at a time. To save some work, I’ll post the whole original poet from my blog. I hope you find some meaning in each of them or perhaps a way to think of something beyond our wild world of today.

 

 British Museum GR 1885.3-16.1 (Terracotta C 529), AN34724001

British Museum GR 1885.3-16.1 (Terracotta C 529), AN34724001

 

Here is the original 2014 posting:

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I’ve been looking over my writing notebooks written a while back but unread by anyone other than myself or my husband. The myths of Demeter and her daughter, Persephone, fascinate many including me. For a number of reasons these myths seem to appeal especially to women. Many of the great living women poets have written brilliant poems about Persephone (e.g., Louise Glück and Eavan Boland). The story is timeless.

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In today’s poem I’ve written a Lamentation of Demeter. Demeter, the goddess of the harvest and grains, is often referred to as the mother-goddess since she represents fertility on earth. Her importance is indisputable. When she mourns for her missing daughter, Persephone (who has been abducted by Hades and taken down into the underworld by force) the seasons stop. Things stop growing and the earth begins to die before Persephone’s father, Zeus, intervenes.  You know the story, but it is worth re-reading if you haven’t read any mythology for a while.

Demeter statue in front of my gym in Hillsborough, North Carolina

Demeter statue in front of my gym in Hillsborough, North Carolina

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So what is a lamentation? The Oxford English Dictionary defines it simply: “The passionate expression of grief or sorrow; weeping.” Anyone who has grieved knows instinctively what it is to lament the loss of someone who is dearly loved. The feeling is painful and deep, and I think this resonates within us all. Demeter mourned her daughter’s abduction to a point where the earth nearly perished. This poem begins with her not yet knowing all that has happened. I picture her as a mother desperate to know what has happened to her child.

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This is one of two lamentations of Demeter I’ve written. The second will follow at some point.

Demeter

Demeter

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To listen to an audio recording of me reading this poem, click on the link below and wait a few seconds for it to begin:

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The First Lamentation of Demeter

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How is it that I don’t know where she has gone?

        I warned her.

I told her time and time again not to trust them,
that there were those who so longed for her
they would stop at nothing.

        And who was right?

Like all girls her age, she could be headstrong,
believing her own mother too old
to understand those yearnings.

         I warned her.

Last night I watched the dog star rise up.
Its magnificent beams were like beacons
that might lead me to my lost child.

        Why is it the stars are silent?

O, Sirius, your brilliant rays reach down
to us and yet your silence is puzzling.
Surely you saw where she went, my only child.

        Will no one tell me where my Persephone has gone?

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Grief-Statue

A tiny fawn, dead… (Ukraine tanka)

Published in Kokaku, Summer/Fall 2022

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a tiny fawn dead
by the side of the road –
I close my eyes & imagine
all those children lost
in Ukraine strikes

~

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Image by meineresterampe from Pixabay

So many bodies in Bucha…

 

This is the first of two tanka published in:

 

Gusts No. 36 Contemporary Tanka  
fall/winter 2022

 

 

 

so many bodies in Bucha,
even more mass graves
are dug and quickly filled
. . . no mourners, no prayers
at the gravesite today

 

 

 

ukraine-gc49e105c4_640

Some Poems for Ukraine

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 Two tanka recently published in Red Lights,
Volume 18, no. 2, June 2022

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with ruins, rubble
and death on the news,
we learn their names—
Mariupol & Lviv,
Bucha and Donbas

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image after image of
bombed out buildings and corpses –
far away in my corner, prayers
& more prayers that you will
always rise from the ashes

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ukraine-gc49e105c4_640

Image by bookdragon from Pixabay

Bitter wind

 

I am delighted to have one tanka and two haiku in the latest issue of Presence:

 

Presence, Issue 67, July 2020

 

 

bitter wind
the maple’s heart
still frozen

 

~

 

once so innocent
we had to make up sins
. . . first confession

 

 

~

 

I tried to bury
those memories
for so long…
the raw scent
of freshly plowed earth

 

 

 

 

 

 

 

Two (winning) haiga

I don’t enter many poetry contests, but I do love to see what entries win or place in contests/competitions I enjoy and admire. There is always so much to learn from other writers, of course, and it is always an inspiration to see what others produce.

One competition I really wanted to enter was the Fourth Annual Jane Reichhold Memorial Haiga  Competition, which is co-hosted by Failed Haiku and Prune Juice, two of the very finest Senryu journals around. It is divided into two groups: the Traditional (i.e., with original drawn art) Category (judged by Ron C. Moss) and the Photographic/Mixed Media Category (judged by Steve Hodge). My two entries were in the second category using photographs I had taken. One was left untouched and the other was embellished by some art programs I enjoy using on my iPad.

Imagine my surprise when I found out one of my entries won First Place in the Photographic/Mixed Media Category and the other one got an Honorable Mention! Yes, I was over the moon. It’s a double honor indeed. All the other entries selected in both categories were wonderful. I really can’t imagine how an editor selects one over another, but they do. My thanks to editor, Steve Hodge for selecting both of my haiga in this competition. I am deeply honored. Thanks also to Mike Rehling and Brent Goodman who edit Failed Haiku and Prune Juice.

I’ve included the comments of the editor because it’s always great to hear someone else’s interpretation and response to a poem.

 

 

 

 

Life

Two tanka were published in

 

Eucalypt Issue 27, 2019

 

 

miscarriage—
the very word
betrays
the promise
of hope

 

 

 

 

persimmon sun
dips low and sets –
moonlight on the bed
where I was born
& where my father died

 

 

 

Dove photo by Merlune

 

 

 

Black feathers . . . (two tanka)

 

 

 

Skylark, Tanka Journal 12,
Winter 2018 (6:2)

 

 

 

black feathers

scattered

under a bush—

the unspoken truth

gone forever

 

 ~

 

 

in an old book

a letter, ‘address unknown’

a million miles away

a new star is born,

another dies

 

 

pale lichens on stone . . . (two haiga)

Prune Juice, A Journal of Senryu, Kyoka, Haibun and Haiga,
Issue 26 – November 2018

 

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photography by Mary Kendall
Highgate Cemetery, London

 

 

Photograph by Mary Kendall,
Blackwood Farm, Hillsborough, North Carolina

 

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My deepest thanks to Steve Hodge, editor. This was his last issue as editor of Prune Juice. It has been a joy and a wonderful learning experience working with Steve as an editor. 

 

Cover art by Chase Gagnon (c) 2018

 

Here is the link to the full issue of this amazing journal. It includes the amazing prize winners of the Jane Reichhold Memorial Haiga Competition for 2018 (edited by Steve Hodge and Michael Rehling), pdf:   pj-26-rev

 website:  https://prunejuice.wordpress.com

 

 

 

 

 

 

 

 

innocence . ..

 


This tanka is dedicated it to all who have dealt with the trauma
of childhood sexual abuse.

 

 

 

he believed

himself omnipotent…

the innocence

of so many children

dissolved in a moment

 

 

 

Photograph by Circe Denyer

Eucalypt: A Tanka Journal,
Issue 25, 2018

It’s a great honor to have had this tanka published in Eucalypt. My thanks to editor, Julie Anne Thorndyke for selecting this particular poem.

 

 

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Hospice window (a haiku)

My first time in this journal.

 

Haiku Canada Review, October 2018

 

 

hospice window

cherry blossoms

fade and fall

 

heart in pink

Only four . . . (two tanka)

 


Published in Ribbons, Spring/Summer 2018: Volume 14, Number 2

 

 

the squeak

of the old swing . . .

only four when carefully taught

to keep that secret

to myself

 

 

This tanka was published in the Tanka Café of Ribbons

 

 

the little girl’s doll

marred by lipstick

scrawled on her face

. . . maybe this time 

mother will notice

 


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As if on cue . . . (Senryu/Tankart)

 

Painted in Waterlogue

 

Published:  Failed Haiku, a Journal of English Senryu, Volume 3, Issue 31,
July 2018

Guest editors: Lori A. Minor and Chase Gagnon
Primary editor: Michael Rehling

 

 

Note: I’d like to thank my dear friend, Christine M. Kalke for her permission to use her beautiful photograph that was taken in Scandinavia during one of her visits. The digital art work was done by me. 

Winter light…(haiku)

 

 

 

a wooden cross

hangs askew

. . . winter light

 

 

Modern Haiku, Volume 49.2, Summer 2018

 

 

 

 

 

A child’s grave … (Tanka Art)

a child's grave

 

Also appearing in Skylark, a Tanka Journal, Volume 5, Issue 2, Winter 2017 is this piece of Tanka Art. The photograph was taken by me in the cemetery of Holy Trinity Church (where William Shakespeare is buried) in Stratford-Upon-Avon, UK in 2015.

 

Soaring alone (a haiga)

 

This Haiga was published in Failed Haiku: A Journal of English Senryu, October 2017.

Painted in Waterlogue

The artwork was done using Waterlogue.

Faded numbers… (haiku)

 

faded numbers
tattooed on your arm
I slip back in silence
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~Mary Kendall~


Published in Presence 58 July 2017
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Back story on this tanka. In 1972 I visited friends in Israel. As a tourist, I was eager to see the historical sites, one of which was Masada, site of a group suicide where a Jewish community was surrounded by Roman soldiers. The Jews chose suicide rather than be taken as captives. As I stood high up on the hilly site with other visitors, it was very, very quiet. It was after all a sacred place. An older man stood next to me, and I happened to glance at him also looking out at where the soldiers would have been waiting, hoping to starve out the isolated Jewish community. I noticed on his arm, faded numbers–numbers, of course, indicating he’d been captive in a Concentration Camp. The poignancy of him being there has stayed with me for over forty years. Never again, please Lord, shall we do such things to our fellow men.

Both pictures are from travel sites to and in Israel. Masada is located in the Judean desert, very close to the Dead Sea. Visiting these sites is like stepping back two thousand years. I am so grateful for having had this opportunity to visit.

Dark pebbles… (a tanka)

 

 

tanka moonbathing 16

 

Note: Published by poet and artist, Pamela L. Babusci, Moonbathing is a journal of women’s tanka.

Orion stands watch… (tanka)

If you choose to hear this tanka read aloud, simply click on this link:

 

orion-stands-watch

I am so pleased to be published for the first time in Red Lights. Edited by Marilyn Hazelton, Red Lights is one of the quality tanka journals.

A flash of gold…(tanka)

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moonbathing-15

 

It is always an honor to have a poem appear in Moonbathing, A Journal of Women’s Tanka.
Issue 15
Fall/Winter 2016

Edited by Pamela A. Babusci

The hidden depths of sorrow

Another pairing of a tanka of mine with a stunning photography by Irena Iris Szewczyk that was published in Frameless Sky 4 (Summer 2016). I am amazed at how perfectly they matched…a big thank you to Christine L. Villa, editor of Frameless Sky for her excellent work and to Irena Iris Szewczyk for her beautiful photograph.

This link below is of me reading this tanka:

 

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