Two (winning) haiga

I don’t enter many poetry contests, but I do love to see what entries win or place in contests/competitions I enjoy and admire. There is always so much to learn from other writers, of course, and it is always an inspiration to see what others produce.

One competition I really wanted to enter was the Fourth Annual Jane Reichhold Memorial Haiga  Competition, which is co-hosted by Failed Haiku and Prune Juice, two of the very finest Senryu journals around. It is divided into two groups: the Traditional (i.e., with original drawn art) Category (judged by Ron C. Moss) and the Photographic/Mixed Media Category (judged by Steve Hodge). My two entries were in the second category using photographs I had taken. One was left untouched and the other was embellished by some art programs I enjoy using on my iPad.

Imagine my surprise when I found out one of my entries won First Place in the Photographic/Mixed Media Category and the other one got an Honorable Mention! Yes, I was over the moon. It’s a double honor indeed. All the other entries selected in both categories were wonderful. I really can’t imagine how an editor selects one over another, but they do. My thanks to editor, Steve Hodge for selecting both of my haiga in this competition. I am deeply honored. Thanks also to Mike Rehling and Brent Goodman who edit Failed Haiku and Prune Juice.

I’ve included the comments of the editor because it’s always great to hear someone else’s interpretation and response to a poem.

 

 

 

 

All we left unsaid . . .

 

 

Two senryu and one haiga are in the July issue of Failed Haiku.

 

 

Failed ​Haiku, A Journal of English Senryu

Volume 4, Issue 43

July 2019

 

 

 

 

abandoned nest

four blue eggs

but no answers

 

~

 

vagrant fog

     a distant train

            slows the night   

 

 

 

 

~

 

pale lichens on stone . . . (two haiga)

Prune Juice, A Journal of Senryu, Kyoka, Haibun and Haiga,
Issue 26 – November 2018

 

~

 

photography by Mary Kendall
Highgate Cemetery, London

 

 

Photograph by Mary Kendall,
Blackwood Farm, Hillsborough, North Carolina

 

~

 

My deepest thanks to Steve Hodge, editor. This was his last issue as editor of Prune Juice. It has been a joy and a wonderful learning experience working with Steve as an editor. 

 

Cover art by Chase Gagnon (c) 2018

 

Here is the link to the full issue of this amazing journal. It includes the amazing prize winners of the Jane Reichhold Memorial Haiga Competition for 2018 (edited by Steve Hodge and Michael Rehling), pdf:   pj-26-rev

 website:  https://prunejuice.wordpress.com

 

 

 

 

 

 

 

 

Wild apple (some senryu)

Three senryu and one haiga appeared in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue 25, July 2018.

 

wild apple–
one bite is all
it took

 

inertia–
a thin coat of dust
on his burial urn

 

cloud cover–
darkness brewing
in daddy’s words

 

 

the sudden diagnosis haiga

 

My thanks to editor, Steve Hodge.

 

Screen Shot 2018-09-28 at 12.32.04 PM

Cover Art: Happy Monk by Jerry Dreesen

 

Chopping carrots…

 

failed haiku: A Journal of English Senryu, Volume 3, Issue 32

 

one haiku:

chopping carrots –
with each decisive cut
I think of you

 

and two pieces of tankart:

belladonna

 

 

an alligator glides by

 

 

Haiku and  Tankart are by Mary Kendall, (c) 2018

best journal and pen

As if on cue . . . (Senryu/Tankart)

 

Painted in Waterlogue

 

Published:  Failed Haiku, a Journal of English Senryu, Volume 3, Issue 31,
July 2018

Guest editors: Lori A. Minor and Chase Gagnon
Primary editor: Michael Rehling

 

 

Note: I’d like to thank my dear friend, Christine M. Kalke for her permission to use her beautiful photograph that was taken in Scandinavia during one of her visits. The digital art work was done by me. 

Noon… (a haiga)

 

 

 

 

 

Published in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue, 24, Spring 2018

 

 

Chopsticks . . . (a haiga)

 

 

 

Published in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue, 24, Spring 2018

 

Note on the art work for this haiga: When we lived in London in 2017, I was enjoying the beautiful Christmas windows at Fortnum and Mason. You can see what is obviously a part of a window display in this haiga but superimposed on it is a reflection of the buildings that were on the opposite side of the street.  It was pure luck (since I’m not much of a photographer and usually only use my iPhone) that the sun was right and I caught this interesting juxtaposition. Obviously it was perfect for pairing with a verse and this senryu seemed to fit the bill.

 

Cold snap! (haiga)

 

 

Cold snap!

 

This Haiga was published in Prune Juice, A Journal of Senryu, Kyoka, 
Haibun and Haiga, Issue 23, November 2017.

Note on the photo: I took this picture on a beautiful, sunny winter day in Greenwich Park, Greenwich, London. Greenwich Park is one of the beautiful Royal Parks that make city living a joy. The frost on the leaves and grass and the bright sunlight were just exquisite that morning.

Battered boards … (haiga)

 

battered boards

This Haiga was published in Prune Juice, A Journal of Senryu, Kyoka, 
Haibun and Haiga, Issue 23, November 2017

Note on the photo: In 2013 I visited Avignon, France, which is where this picture was taken of the outside of the Palais des Papes. It dates back to the 14th century.

Soaring alone (a haiga)

 

This Haiga was published in Failed Haiku: A Journal of English Senryu, October 2017.

Painted in Waterlogue

The artwork was done using Waterlogue.

Looking inward (a haiga)

 

This Haiga was published in Failed Haiku: A Journal of English Senryu, October 2017.

 

looking inward

 

 

 

In Memoriam: Maya Lyubenova

 

 

benediction tanka art

 

Last year I posted a request in a Face Book haiku/tanka writing group asking if anyone had a photo of Lily of the Valley that they were willing to share and allow me to use for a piece of tankart I was working on. A very quick response from the poet/photographer Maya Lyubenova gave me the perfect picture. I never really knew Maya. We’d never met, and we chatted only a few times on FaceBook in poetry groups and on Face Book Messenger. I was certainly a real fan of hers. Bulgarian by birth, Maya could compose gorgeous haiku in English. She could also pair her poems with her equally exquisite photographs to create haiga — visual poetry of the highest quality. I was touched by her generosity in allowing me to use the photo she had sent.

 

Only recently did I learn that Maya Lyubenova had passed away on December 30, 2016. Like so many, I mourn her loss as a person and as a poet and artist. I wish I had known her better, but I cannot change that. Her work still remains for us to look at, to study, to learn from and to be dazzled by … that will not end.

 

I’d like to dedicate my piece of tankart to Maya Lyubenova — our single connected piece of art. Thank you, Maya, for bringing so much beauty into this world. May you rest in peace.

 

 

Maya Lyubenova’s website:  

http://mayalyubenova.wixsite.com/maya-lyubenova

The link to her amazing haiga:  

http://mayalyubenova.wixsite.com/maya-lyubenova/haiga

 

 

Cloud watching (a haiga)

cloud watching haiga 2

 

Published in Prune Juice, A Journal of Senryu, Kyoka,
Haibun and Haiga, Issue 22, July 2017

Fire inhales . . . (tanka art)

It is a true joy to have a piece of tanka art accepted in Skylark. Sandi Pray is the new tanka art editor, and as all fans of contemporary haiga and tanka art know, Sandi is one of the most gifted creators of haiga and tanka art herself.  Here is my contribution:

 

Skylark Summer 2017, Volume 5, Issue 1

fire inhales

This tanka art selection is dedicated to Joy McCall, a poet who inspires us all.

~

A haiga for poets

Do you like word play as much as I do? I’m a hopeless ‘punner,” and this senryu/haiga allowed me to have a little fun. I hope you like it, too. 

 

 

This haiga was published in Prune Juice, A Journal of Senryu, Kyoka, Haibun and HaigaIssue 21, March 2017.

 

Watching my hair dance . . . (haiga)

Using a photo I took and two different art programs on my iPad, a new picture appeared that was perfect for this senryu.

This haiga was published in:
Failed Haiku, A Journal of English Senryu, Issue 16, April 2017

 

 

 

 

Unforgettable…

 

I’ve had two haiku and one haiga included in the newest edition of Wild Plum, a haiku journal, 3:1 Spring & Summer 2017.

 

unforgettable—
the taste of zinfandel
on your lips

 

 

forgiveness
the new year’s moon
lights the way

 

 

mourning-haiga

 

March brings lots of wonderful poetry journals. Another favorite of mine is
Wild Plum, a haiku journal, 3:1 Spring & Summer 2017. The journal is edited by Gabriel Sawicki. This journal is based in Poland, and it has a very international group of readers and contributors. The haiga editor is Maria Tomczak. I hope you will go to their journal directly and read it in full. It’s a very beautiful journal (lovely cover art by Azi Kuder. I’ve added a link at the bottom of this posting.

 

screen-shot-2017-03-04-at-4-33-14-pm

 

Here’s a link to the complete version of this  lovely haiku journal:

screen-shot-2017-03-04-at-4-55-05-pm

Bare branches . . . (a haiga)

When it rains, it pours, or so the saying goes. This month I feel so fortunate to have so many things included in two of my favorite senryu journals, Failed Haiku and Prune Juice. 

 

This haiga was published in Failed Haiku: A Journal of English Senryu, Volume 1, Issue 11, November 2016. My thanks to Michael Rehling, editor of this fine journal.

 

bare-branches-haiga

 

I took this photo in Regent’s Park, London, England, in 2015.

 

 

On my pillow… (a haiga)

It’s an honor to have this haiga published in Prune Juice: A Journal of Senryu, Kyoka, Haibun and Haiga, Issue 20, November 16. My thanks to editor, Steve Hodge.

 

on-my-pillow-haiga-2015

 

This photo was taken by me in a small cafe in Edinborough, Scotland in March, 2013.

An Honorable Mention . . . (senryu)

chemotherapy

 

~ This poem/haiga is dedicated to all who have struggled with cancer. ~

~ ~

A wonderful surprise email told me that a haiga of mine had been selected as an “Honorable Mention, Mixed Media** Category” in the Jane Reichhold Haiga Contest sponsored by two wonderful senryu journals:

Failed Haiku, A Journal of English Senryu Volume 1, Issue 11, edited by Michael Rehling

Prune Juice – A Journal of Senryu, Kyoka, Haibun and Haiga, Issue 20, November 2016, edited by Steve Hodge

The Judges of the contest were: Kris Kondo, Ron C. Moss, Michele Root-Bernstein

Michele wrote the commentary on my haiga: 

 

With the sparest of words and imagery, this haiga lays bare the essence of life in the face of death. If the poem skirts the uncertain boundary between haiku and senryu, just as certainly the picture skirts the shadowlands of mortality, its single image illuminating the darkness with a pulsating light. So well integrated are text and image that the associative leap between the two has the power of metaphor: the shaved skull is the incubating egg, never mind the incongruity. Avoiding the maudlin and the sentimental, this haiga speaks simply, honestly, of the beauty to be found in the ordinary, ordinarily hidden from view.”

This competition was in honor of the late Jane Reichhold who was such a brilliant poet, teacher, editor and mentor to so many who write haiku, senryu, tanka and other small form poems. I never had the honor of meeting her, but her main book on haiku has been a bible for me and so many others.

**Mixed Media, which can be any combination of traditional and photographic, or computer generated images and text.

 

 

 

 

 

Grief (a haiga)

grief haiga kendall

 

Screen Shot 2016-08-31 at 11.39.35 AMThis haiga was published in Wild Plum, a haiku journal, 2:2 Fall & Winter 2016. 

My warmest thanks to the editors, Gabriel Sawicki and Maria Tomczak.

 

Looking back…

In Frameless Sky 4, editor Christine L. Villa paired my haiku/senryu with a another lovely photograph of Irena Iris Szewczyk. My thanks go to Irena Iris Szewczyk and to Christine L. Villa, editor of  Frameless Sky.

 

060


Words by Mary Kendall
Photograph by 
Irena Iris Szewczyk
Frameless Sky 4, Summer 2016

Two New Haiga

June has brought with it the publication of some excellent journals. I love being able to read through them and enjoy the poems. Some are haiku, haiga, senryu or haibun, and others are tanka, tanka art or tanka prose. Hours and hours of fine reading that will stretch into the whole month of June.

I’ve been fortunate to have a number of small poems published this month. I’ll post these by type and by publication over the next week. Today I will begin with two haiga that were published in the newest issues of cattails, the publication of the United Haiku and Tanka Society.

 

Lilac haiga

 

 

poet's walk

Both haiga were published in the May 2016 edition of cattails, collected works of the United Haiku and Tanka Society.

 

Train Whistle (a haiga)

train whistle haiga

 

My Train Whistle haiga was published in the April 2016 issue of Failed Haiku: A Journal of English Senryu, edited by Michael Rehling.

~ ~ ~

Please view the whole issue of this wonderful journal:       http://www.haikuhut.com/FailedHaikuIssue4.pdf

 

 

Silk Strands, a New Haiga

Fall's Footprints

This haiga appeared on Daily Haiga on March 23, 2016.  I would like to thank my dear friend, Sheppy Vann, for allowing me to use her beautiful photograph for this piece.

Here is the link to the original:  http://www.dailyhaiga.org/haiga-archives/1805/-fall-s-footrpints-by-mary-kendall-usa

 

 

silk thread**

Haiga #3 (a senryu)

This is #3 of the three photo haiga published in the March issue of faileD haikU, a Journal of English Senryu, Volume 1, Issue 3, edited by Michael Rehling. A bit of nursery rhyme whimsy in this one.

daydreamer 1

 

divider purple

 

Note: this beautiful photo is in the public domain free use category. The senryu is by Mary Kendall.

Haiga #2 (a senryu)

As mentioned in the last posting, I had three photo haiga  published in the March issue of faileD haikU, a Journal of English Senryu, Volume 1, Issue 3, edited by Michael Rehling. This is #2.

Kendall migraine 2 haiga

 

dot dot dot

Note:  Both the photo and senryu are by Mary Kendall.

Haiga #1 (a senryu)

I had three photo haiga  published in the March issue of faileD haikU, a Journal of English Senryu, Volume 1, Issue 3, edited by Michael Rehling. The journal is only the third issue, but it’s become enormously popular…with good reason.

For this first one, I’d like to thank my dear friend and photographer, Yolanda Litton, for the collaborative use of her wonderful picture with my senryu.

I talk to the birds haiga

 

I will post the other two haiga separately.

The first blossom of spring…

What a joy it is to open a journal–online or in print–and find your own work included among poems by poets you admire greatly. March 1st has been a special day since several wonderful publications all appeared on the same day. I’ll post separately for each journal, since I am hoping that you will go directly to the journal and read the work of the other poets that are included.

The first one is a very lovely journal, Wild Plum – a haiku journal, edited by Gabriel Sawicki who lives in Poland. This is volume 2, issue 1.  https://wildplumhaiku.wordpress.com

A feature I love is that the new isssue downloads as a pdf file to enjoy now as well as later:  https://wildplumhaiku.files.wordpress.com/2016/02/wild-plum-spring-summer-2016.pdf

I have two pieces included in this issue:

The first is a haiku on page 45:

 

Screen Shot 2016-03-01 at 6.42.58 PM

and the second piece is a Haiga (page 11) using a photo I took from our flat in London looking out at the twilight sky of Bedford Square Gardens:

 

Winter light 2 Haiga

 

I hope readers will come to realize that meditation is very natural and we often do it without trying, especially at times such as studying a beautiful sky and clouds. Those moments are very centering, and you find yourself breathing more slowly and feeling more relaxed. I hope my Haiga conveys that to you.

 

snow on branch blue sky

Night Music (haiga)

 

night music haiga

 

This photo haiga was created by me as a response to a prompt: ZENITH. This is one day in NaHaiWriMo (National Haiku Writing Month) on Facebook during the month of February.

Migraine (haiga)

Published in cattails, January 2016:

Kendall migraine haiga 1

haiku and photography by Mary Kendall (c) 2016

The Gleaners

The Gleaners

This beautiful photo was taken by a friend, Patti Hardee Donnelly. Patti is a Middle School Language Arts Teacher at the same school I retired from. Each grade level does regular community service, and the activities are varied. Last month, Patti took her Middle School Advisory to spend an afternoon of gleaning sweet potato fields. As they were working through the fields, Patti took this photograph. She very kindly let me ‘borrow’ it for this haiga.

The concept of gleaning is an ancient one. So long as people have planted fields of crops, others have followed in their wake to glean whatever food might be left behind. It doesn’t matter if the vegetables are picture perfect, so much as they provide food for those who are without. Taking a group of middle class students who are in no danger of starving is a very purposeful way of both doing community service and providing a life lesson to the students. The gleaned sweet potatoes do end up on dinner tables of people who are happy to have healthy, fresh produce. The students who do the gleaning, perhaps for the first and last time of their lives, surely learn a lot about the facts of poverty and hunger. They learn a lesson in simple compassion. How often do most of us come face to face with the pain of hunger? The answer for the majority of Americans is ‘rarely.’

Here in the United States, we have just celebrated Thanksgiving, a time in which we feast and share our meal with those we love. Soon our thoughts will move on to Christmas, Hannukah, Kwanza, winter solstice, New Year’s and a whole period of seasonal gift giving, sharing food and good spirit. Let’s stop for just a minute and think about all we are fortunate to have–we who go to bed in a comfortable place after having had adequate meals. For December, I’m going to spend some time thinking about the concept of gleaning, both the physical and metaphorical. Having borrowed Patti’s beautiful photo and ‘gleaned’ it for my haiga, I hope I can find other ways to give back to the world.

Thank you, Patti Hardee Donnelly, for allowing me to use this picture, but thank you also for teaching your students about the importance of compassion and service to others. I will always celebrate and salute teachers like you who make a real difference in so many lives.

 

the gleaners

Jean-François Millet (1814-1875)
Gleaners, also called, The Gleaners
1857
Oil on canvas
H. 83.5; W. 110 cm
© RMN-Grand Palais (Musée d’Orsay) / Jean Schormans

 

 

My Mother’s Voice…a poem of loss

Today, my favorite haiga was published in a favorite journal, Gnarled Oak. It is a lovely home for this haiga. Here it is along with the link to Gnarled Oak (check out all the great poetry in this journal). The editor, James Brush, releases one poem a day, a custom I love. It’s always a joy to see what each day holds. My thanks goes to James for accepting this piece.

My Mother’s Voice

 

My Mother's Voice haiga

 

.

beautiful border for blog

 

This haiga was originally posted on this blog on June 14, 2015.

Love Poems: After Forty Years (more tanka this week and a haiga, too)

In my last posting, I mentioned that this was a week of poems being published. Last time it was two tanka in Ribbons, this time it is two other tanka…and one haiga in a very beautiful and favorite journal of mine: hedgerow: a journal of small poems. Editor Caroline Skanne produces this publication weekly (it goes out on Friday afternoon, a highlight of the week for so many of us). This issue is #55. I’ll provide a link to the journal at the end of this posting so you can go and read all the other wonderful poems and visit mine. I’m so proud to be included with so many excellent poets.

My two tanka here are love poems. My husband and I were married in 1978, but we’ve been together for forty years. Where does the time go?

After Forty Years

you take my hand
when we walk together…
the last leaves
nearly
gone

.

a single glance
from your grey eyes
shifts
my world—
the earthquake of you

.

The haiga published in hedgerow #55 originally appeared in this blog. I am thrilled to have it officially published in an edited journal of this caliber.  Here it is.

Meditation Haiga (glass table)

I hope you all enjoy these poems. If you have a favorite, let me know.

When you have time, please visit the journal these were published in:

hedgerow #55, posted on November 13, 2015:  https://hedgerowpoems.wordpress.com/2015/11/13/55/

red pen2

Ripe Apricot (a haiga)

This haiga was just published in a new haiku anthology, “Behind the Tree Line”, the first anthology of Wild Plum journal.  To be included is an honor. My thanks to the editor, Gabriel Sawicki, who has published this anthology and who also publishes Wild Plum Journal. This was my first attempt at using art software to alter a photo into something new. (Yes, I need a lot of practice!!)

 

 

apricot haiga brush

 

 

.

Summer Poem 2 ~

.
dragonfly wings

My thanks to my dear friend and photographer, Yolanda Litton for allowing me to use her beautiful picture of the Provençal countryside.

Pearl ~ a haiga

One of my earliest postings on this blog was of a haiku on a pearl. Having begun creating haiga, a combination of a haiku and a piece of art or a photograph. I reworked this poem, and this is the result. It is now finally finished. I only wish I could give full attribution to the original photographer, but I could find none after searching for quite a long time. I did alter the color to suit this poem. My thanks to all fine arts photographers who always inspire.

.

Pearl Haiga

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On Growing Older…

On my pillow haiga 2015

Summer Poem 1~

Here in the southern part of the USA, thunder and lightning are not uncommon in summer. Days can be very hot and humid, and late afternoon lightning storms often break up the quiet of the day. Rain, when it comes, often fails to bring relief but instead adds to the high humidity. Still, there are times when just listening to the thunder and seeing the clouds grow thick and dark overhead becomes a magical experience. My friend, Jeanna Clever List, took this photograph while her family was on vacation on the coast of North Carolina. Its drama and beauty is truly exceptional.

My thanks, Jeanna, for allowing me to use your beautiful photograph to complete my haiga.

 

 

1-Sky Drums Haiga 2015 Jul 2, 2015, 2-56 PM 1244x960

fallen petals… (haiga)

My Mother's Voice haiga

Two Small Poems

Two poems of mine were just published in the May 2015 issue of ‘cattails,’ the lovely online publication of the United Haiku and Tanka Society. I am truly honored once again by being included in the company of such excellent poets. My thanks to all of the editors, and especially to the main editor, an’ya.

Cattails

The first is a haiga.  My thanks to my good friend, Debbie Nemer Suggs who gave me permission to use her lovely photo (c) 2015 with my haiku.

haiga fiddlehead

~

and the other poem is a haiku:

Rosehips by Midori

Rosehips by Midori

petals fall—
we gather rosehips thinking
only of tea

​~

Photo by Tanya of Lovely Greens Blog

Photo by Tanya of Lovely Greens Blog

faded beauty…

faded beauty haiga

Spring Equinox (haiga)

spring equinox kendall haiga

Haiga by Mary Kendall

This was written for a prompt on the spring equinox for a favorite small poem poetry group I belong to called “seize the poem.” I’m enjoying creating this mix of haiku and photography, and I think I finally got the words correctly balanced on the picture, so I’m sharing it here as well. The photo is my own taken in the sculpture garden of the Rodin Museum in Paris this month.

Sky the color of hyacinths…

waves swell then break

~ ~

I’m still very new as a haiku poet, so it is with caution that I’ve ventured out to try an actual haiga. A haiga combines art and a haiku. Since I lack all painterly skills, I’m combining my haiku with a photo that I love. I’ve done this in a slightly similar way on my blog with tanka and some autumn haiku. However, I consider this to be my very first true haiga.

~~

What is Haiga?  

Haiga is a Japanese concept for simple pictures combined with poetry, usually meaning haiku. In Basho’s time, haiga meant a brushed ink drawing combined with one of his single poems handwritten as part of the picture. In our day and age, haiga can be watercolor paintings, photographs or collages with a poem of any genre that is integrated into the composition. Sometimes the poem is handwritten or it can be computer generated, depending on the artist’s taste.”  (This definition of haiga is by the poet, Jane Reichhold on her website,  Ah Ha! Poetry.)

~~

Note on Photograph:

This beautiful photograph is by an Icelandic photographer known to me only as KariK on Flickr. It was posted and thus copyrighted in (c) 2011. It has been posted thousands of times online and almost never with an attribution to him. By doing a ‘backward’ image search I was able to find him on flickr. His photographs, most of nature, are magnificent.  This is what he wrote for this particular picture (translated from Icelandic):

Reykjanestá:  This location is unique for the fact that there can see the ocean ridge walk on 1 and, Mid-Atlantic Ridge, which separates the prefabricated North America and Europe.

KariK, (c) 2011