Snow angel . . . (haiku)
Category Archives: Mary Kendall poetry
The faded notes … (two tanka)
Ephemerae, a new journal of hakai, Volume 1A, April 2018 has just been published in the U.K. I am honored to have two tanka included in this first edition. Edited by Shrikaanth K. Murthy, there are over 160 fine poets included from around the world.
returning again
to the faded notes
scribbled in margins
I search for traces
of who you really were
…
reflected
in a bookshop window
sun glinting behind
your image imposed
over mine
Both tanka (c) 2018 Mary Kendall
Twisted in shame … (two tanka)
Skylark Tanka Journal 6:1, Summer 2018:
Two tanka
old walking stick—
once it was
a branch
that stretched
to the sky
. . .
all those years spent
twisted in shame –
cultivating old world roses
but still ignoring
the thorns
A beautiful walking stick made in the traditional manner.
Sipping skinny lattés
Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue, 24, Spring 2018:
two senryu and one kyoka published
pulling a single
strand of silken thread …
her undoing
…
sipping skinny lattés
they march against
world hunger
…
a slight limp
on cold and rainy days
how easy it is
to fall out of step
with myself
Orb Weaver Web / Photo by Robert Potts/Getty Images
Noon… (a haiga)
Published in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue, 24, Spring 2018
Chopsticks . . . (a haiga)
Published in Prune Juice, Journal of Senryu, Kyoka, Haibun & Haiga, Issue, 24, Spring 2018
Note on the art work for this haiga: When we lived in London in 2017, I was enjoying the beautiful Christmas windows at Fortnum and Mason. You can see what is obviously a part of a window display in this haiga but superimposed on it is a reflection of the buildings that were on the opposite side of the street. It was pure luck (since I’m not much of a photographer and usually only use my iPhone) that the sun was right and I caught this interesting juxtaposition. Obviously it was perfect for pairing with a verse and this senryu seemed to fit the bill.
A Poet in Time 