Daybreak (2)

 

Yes, this is the second time you’ve seen this picture in my blog. It was posted with a poem, Daybreak, in late August and now it reappears to accompany a second poem it also inspired, Daybreak II. A single picture on paper, on the screen or in the memory has a powerful, persuasive control of our imagination. This beautiful photo by my friend and photographer, Yolanda Litton, has done just that.

 

Early Morning at Bagnegrole (Photograph by Yolanda Litton)

Early Morning at Bagnegrole (Photograph by Yolanda Litton)

I’ve included an audio clip of me reading the poem. Click on the link below and wait a few seconds.

 

 

Daybreak  (2)

 

Waking up in at daybreak in the south of France
Is as if I were stepping into someone else’s life.

So far from my own home, this wistful morning fog
Rises slowly to reveal a house of soft honeyed stone.

The slope of a sharply pitched roof holds a tall chimney
Where the swifts are now resting after a long evening hunt.

Somewhere a rooster crows with the energy that only
The young can bring to a new day. Out of nowhere,

A soft gray cat tip-toes by, looks up at me and blinks
Its eyes in that inscrutable feline way and disappears.

I stand here leaning on the windowsill, wondering
What my life would be like had I been born here.

The smell of freshly brewed coffee wafts up from
The kitchen below. One lone church bell rings

Calling its faithful to prayer. But nature’s beauty
Is my religion, my serenity, my salvation, my Eden.

 

 

 

An Autumn Long Gone ~ a Reverie

An Autumn Long Gone ~ a Reverie  (prose poem)

 

An audio of me reading this prose poem can be heard by clicking the link below. It will take a few seconds for the sound to begin.

 

 

It was the year we lived in London, some 25 years ago, when autumn began like any other autumn. The fall, the changing, the color shifting, the soft breezes, the sporadic thick fog and the leaves dancing, even floating upward at times. What I hadn’t anticipated, being so far north for the first time, was how short the days grew. How dark it became earlier and earlier all during that autumn. The days were ‘closing in.’ That’s what they called it, and I loved that phrase. It brought a certain comfort of pulling heavy curtains closed and shutting out the darkness. It was a time for wearing coats and warm sweaters, and I dressed my son in practical English clothing and soft grey mittens while he ran ahead enjoying what was left of the day. He was only three, but he knew the delight in using what was left of the day’s sunlight. I learned to enjoy the simple pleasures around me that came with this quiet season. Victoria plums were my new delight. They appeared at the Greengrocer’s shop just as autumn set in, later replaced by apples—Bramley and Cox’s Orange Pippins, names that twirled on the tongue and tasted as good. Burning leaves were an unexpected, half-loved sensory pleasure. The smoke was pungent, but it brought back memories of childhood. I loved even the rasp of raking, bamboo or metal combs gathering leaves in sacred piles waiting their turn to be sacrificed in an autumnal pyre. In the English light, I found the colors were softer, quieter than the brilliance of New England woodlands. Each morning I left my son at school and then walked through Hampstead Heath. I found my own favorite route through woods and meadows up to the large ponds. Purchasing a single cup of tea that warmed my hands, I made my way to that empty bench that faced the pond. I thought about all the people it had held before. And every day without fail a lone Scottish piper played his bagpipes as if on cue. Each day I sat and listened. A world so far from my own. From where he stood near the peak of Parliament Hill, the mournful songs became a wordless chanting, charging the air with a lamentation to this closing season, every day briefer, softer than the day before.

Lost in Reverie (c) 2014 by Isotel, The Obvious and Hidden blog on WordPress (with her permission)

Lost in Reverie (c) 2014 by Iosatel, The Obvious and Hidden blog on WordPress (with his permission)

Anniversary Poem

Anniversary Poem

~ a poem for RDK on our 36th anniversary   Wedding_rings

Even now I can picture
walking into the old chapel
that September afternoon,
with everyone neatly gathered
and quietly waiting.

Already the sun had turned
its warm autumnal face;
its oblique angle hinting
that change would come.

An infinite circle of gold,
rings delicately engraved
from you to me,
from me to you.
September 3, 1978.

Vows were shared.
Rings exchanged.

Some expected sonnets,
but sonnets were never read.
Our vows were simple,
our love was there.

All we needed was a promise
to love, honor and be there
for one another.

Always.
And we have.

 

Daybreak (1)

I have included an audio clip of me reading the poem, Daybreak. To hear it, simply click on the link below and wait a few seconds for it to begin.

 

 

Early Morning at Bagnegrole (Photograph by Yolanda Litton)

Early Morning at Bagnegrole (Photograph by Yolanda Litton)

Daybreak

The garden at daybreak.
Before the sun dares
to unveil the dawn.

Clouds and birds.
Dew glimmering
on grass.

Stillness.

Blurred trail of bats
filing into the attic
for rest.

Clouds bloom.
Birds now singing.
Morning shadows lead the way.

 

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My thanks to friend and photographer, Yolanda Litton, for her beautiful photograph from the south of France. Seeing it inspired this poem after bringing back memories of my own travel to Provence.

Meadow Song

 

 

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This poem began in a meadow up in the Scottish Highlands while my husband and I were visiting the ruins of a castle. He went inside to explore further, but I chose to stay behind and linger in the beautiful summer fields. As you have probably experienced yourself, this frequently leads the imagination to so many new places. It also presents an opportunity for a simple sensory awareness meditation. Just standing there looking and listening is a spiritual act in itself.

The challenge for me in this poem was to use a repeating word (“listen”) to create both mood and cadence in the lines. The decision to complete the poem with a repeating line (or couplet) was a very different way to close my own lyrical love song to nature.

[Note: the following two paragraphs were added here several months later when the poem was published by Dagda Publishing Company.]

On 3 March 2015, Dagda Publishing Company, a publisher of poetry and literature based in Nottingham, UK, featured this poem in their blog. It was a real honor to have had my poem chosen by this excellent publisher. This is what they had to say about the poem:

Today’s featured poem, and the first one in March, is this one from Mary Kendall. Inspired by a trip to Scotland, this piece has a naturalistic theme to it, and we feel is just perfect for this time of year, as we start to escape the cold and dark of winter and crawl toward summer and longer days. Musing upon the sounds of nature and imagining a song being sung by the choir of trees, flowers and the meadow itself, this piece has a touch of magical realism to it, of there being something fantastical just behind the ordinary and everyday. A poem full of the wonder of nature and the sense of being away from the familiarity of one’s normal life, we hope you enjoy this poem by Mary Kendall.

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An audio clip of me reading this poem is included below. Click on the link below to hear it. It will take a few seconds to begin.

Meadow Song

Have you ever been a few thousand miles from somewhere,
standing in meadow of sweet grass or barley and thistles,
bright pink bells of foxglove swaying in the wind,
and then you stop, just standing still and listening;
listening to the wind song of the leaves and grasses.

I asked them to tell me the words they sang to those
who stopped to listen. They heard me and replied,
but I could not understand what it was they said.

I waited and waited until the wind resumed its blowing,
the grasses their gentle whispering;
the leaves sang loudest of all, and I listened.
I listened the while.

I listened until the song ended,
and then I went on my way.
So far from home.
So far from home.

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Back to Edinburgh

Back to Edinburgh
 Here is my reading of the poem, Back to Edinburgh:
 

 

 Back to Edinburgh

We walk through the hidden streets of this city,
The second day of spring and the wind gusts hard.
People stop and wince, cupping their ears for warmth.
The news said blustery winds up to 25 mph,
And
it feels as if we might tumble down the street.

Looking for simple woolen hats to pull down
Over our frigid heads, we stop at a Royal Mile shop. 

I select gray, and you opt for black. I am grateful
That your good felt hat is safe back at the hotel.

The street is so rich in history that it feels as if
It could reach out and grab us by the arms,
Pulling us down a small wynd or narrow close
That has
 a story to share,

And in the late afternoon gloaming,
We might be wind swept and turned around
Into some other time.

It could happen you know.