Daybreak (2)

 

Yes, this is the second time you’ve seen this picture in my blog. It was posted with a poem, Daybreak, in late August and now it reappears to accompany a second poem it also inspired, Daybreak II. A single picture on paper, on the screen or in the memory has a powerful, persuasive control of our imagination. This beautiful photo by my friend and photographer, Yolanda Litton, has done just that.

 

Early Morning at Bagnegrole (Photograph by Yolanda Litton)

Early Morning at Bagnegrole (Photograph by Yolanda Litton)

I’ve included an audio clip of me reading the poem. Click on the link below and wait a few seconds.

 

 

Daybreak  (2)

 

Waking up in at daybreak in the south of France
Is as if I were stepping into someone else’s life.

So far from my own home, this wistful morning fog
Rises slowly to reveal a house of soft honeyed stone.

The slope of a sharply pitched roof holds a tall chimney
Where the swifts are now resting after a long evening hunt.

Somewhere a rooster crows with the energy that only
The young can bring to a new day. Out of nowhere,

A soft gray cat tip-toes by, looks up at me and blinks
Its eyes in that inscrutable feline way and disappears.

I stand here leaning on the windowsill, wondering
What my life would be like had I been born here.

The smell of freshly brewed coffee wafts up from
The kitchen below. One lone church bell rings

Calling its faithful to prayer. But nature’s beauty
Is my religion, my serenity, my salvation, my Eden.

 

 

 

An Autumn Long Gone ~ a Reverie

An Autumn Long Gone ~ a Reverie  (prose poem)

 

An audio of me reading this prose poem can be heard by clicking the link below. It will take a few seconds for the sound to begin.

 

 

It was the year we lived in London, some 25 years ago, when autumn began like any other autumn. The fall, the changing, the color shifting, the soft breezes, the sporadic thick fog and the leaves dancing, even floating upward at times. What I hadn’t anticipated, being so far north for the first time, was how short the days grew. How dark it became earlier and earlier all during that autumn. The days were ‘closing in.’ That’s what they called it, and I loved that phrase. It brought a certain comfort of pulling heavy curtains closed and shutting out the darkness. It was a time for wearing coats and warm sweaters, and I dressed my son in practical English clothing and soft grey mittens while he ran ahead enjoying what was left of the day. He was only three, but he knew the delight in using what was left of the day’s sunlight. I learned to enjoy the simple pleasures around me that came with this quiet season. Victoria plums were my new delight. They appeared at the Greengrocer’s shop just as autumn set in, later replaced by apples—Bramley and Cox’s Orange Pippins, names that twirled on the tongue and tasted as good. Burning leaves were an unexpected, half-loved sensory pleasure. The smoke was pungent, but it brought back memories of childhood. I loved even the rasp of raking, bamboo or metal combs gathering leaves in sacred piles waiting their turn to be sacrificed in an autumnal pyre. In the English light, I found the colors were softer, quieter than the brilliance of New England woodlands. Each morning I left my son at school and then walked through Hampstead Heath. I found my own favorite route through woods and meadows up to the large ponds. Purchasing a single cup of tea that warmed my hands, I made my way to that empty bench that faced the pond. I thought about all the people it had held before. And every day without fail a lone Scottish piper played his bagpipes as if on cue. Each day I sat and listened. A world so far from my own. From where he stood near the peak of Parliament Hill, the mournful songs became a wordless chanting, charging the air with a lamentation to this closing season, every day briefer, softer than the day before.

Lost in Reverie (c) 2014 by Isotel, The Obvious and Hidden blog on WordPress (with her permission)

Lost in Reverie (c) 2014 by Iosatel, The Obvious and Hidden blog on WordPress (with his permission)

Four Autumn Haiku


Today is the first day of autumn, and for my writing practice in the next few weeks I’ll begin a series of autumn or fall poems. This is my favorite season, my soul season. I’ve done a few different types of haiku ranging from traditional 17 syllables to a poem in a single line. Do you have a favorite?

1.

biting into a Victoria plum, such guilty pleasure

253871

2.

spent blossoms–
the last swallowtail
sips alone

best swallowtail pic

3.

soup 1

the season’s first soup
almost ritually cooked
stirs our senses

4.

sweet windfall apples…
bruised memories
autumn of long ago

fallen apples

Modern English language haiku are not always seventeen syllables. A haiku can be many things, but always it is a brief poem with a strong image that evokes a season and a moment of time captured simply in lyrical language. Scroll to the bottom of today’s blog to find a list of essential qualities of haiku.

The following list from the wonderful journal, Heron’s Nest, lists important qualities that make a haiku.

 Here are some qualities we find essential to haiku:

  • Present moment magnified (immediacy of emotion)
  • Interpenetrating the source of inspiration (no space between observer and observed)
  • Simple, uncomplicated images
  • Common language
  • Finding the extraordinary in “ordinary” things
  • Implication through objective presentation, not explanation: appeal to intuition, not intellect
  • Human presence is fine if presented as an archetypical, harmonious part of nature (human nature should blend in with the rest of nature rather than dominate the forefront)
  • Humor is fine, if in keeping with “karumi” (lightness) – nothing overly clever, cynical, comic, or raucous
  • Musical sensitivity to language (effective use of rhythm and lyricism)
  • Feeling of a particular place within the cycle of seasons

Back to Edinburgh

Back to Edinburgh
 Here is my reading of the poem, Back to Edinburgh:
 

 

 Back to Edinburgh

We walk through the hidden streets of this city,
The second day of spring and the wind gusts hard.
People stop and wince, cupping their ears for warmth.
The news said blustery winds up to 25 mph,
And
it feels as if we might tumble down the street.

Looking for simple woolen hats to pull down
Over our frigid heads, we stop at a Royal Mile shop. 

I select gray, and you opt for black. I am grateful
That your good felt hat is safe back at the hotel.

The street is so rich in history that it feels as if
It could reach out and grab us by the arms,
Pulling us down a small wynd or narrow close
That has
 a story to share,

And in the late afternoon gloaming,
We might be wind swept and turned around
Into some other time.

It could happen you know.