Fire inhales . . . (tanka art)

It is a true joy to have a piece of tanka art accepted in Skylark. Sandi Pray is the new tanka art editor, and as all fans of contemporary haiga and tanka art know, Sandi is one of the most gifted creators of haiga and tanka art herself.  Here is my contribution:

 

Skylark Summer 2017, Volume 5, Issue 1

fire inhales

This tanka art selection is dedicated to Joy McCall, a poet who inspires us all.

~

Whispers and unmarked graves

These three senryu and the single kyoka were published in Prune Juice, A Journal of Senryu, Kyoka, Haibun and Haiga, Issue 21, March 2017. It is always such a joy to have a poem selected to appear in this important journal of senryu. While senryu are frequently amusing and clever, they can also be dark or serious.

 

1.

slave burial ground
. . . only whispers
and unmarked graves

 

2.

evening news –                                
the tragedies of life
our common thread

 

3.

winter thaw –
finding a way back
from heated words

 

4.                                                                                

morning doves
cooing their way
through the garden…
I, too, never saw
the neighbor’s cat

 

The first line of ‘us’

 

Gusts, Contemporary Tanka, one of my favorite print journals, arrived here in London this week. Edited by Kozue Uzawa, the journal is a publication of Tanka Canada. The tanka are placed on the page under a category heading such as “life,” “scent,” “moon,” or “relationships.” Many of my favorite tanka poets appear in this journal, and of course it’s always great to discover new poets or poets whose work I don’t know. The overall quality and standard is very high, and this makes for excellent reading and rereading.  I’m pleased to say that three of my tanka appear in Gusts, no. 25, Contemporary Tanka, Spring/Summer 2017. I hope you enjoy reading them.

 

 

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watching clouds                                                       
begin to drift
from your soft sable brushes –
you make the sky bluer
than blue, not grey

 

Screen Shot 2017-03-31 at 2.22.18 PM
the shivery silk                                                       
of your words
slips around me –
the first line of us
now written

 

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all that time waiting                                                  
to hear from you
I ascend the stairway
of a deserted station,
pale Freesias in hand

 

 

Screen Shot 2017-03-31 at 2.22.18 PM

 

These three tanka were written by Mary Kendall, (c) 2017,
Gusts, no. 25, Contemporary Tanka, Spring/Summer 2017

Your glazing brush … (a tanka)

 

your glazing brush

 Japanese Tokukawa Period 18th Century 

 

Ribbons, Winter 2017: Volume 13, Number 1
Journal of the Tanka Society of America
Edited by David Rice

 

Wild voices . . . an anthology by women poets and artists

 

It is very exciting to be part of a collection of poems and art by so many women I admire. Thanks to editor (and poet), Caroline Skanne, I have a haiku and three tanka included. The title and theme of “wild voices” was given to us to interpret in any way we chose. I urge those of you who love poetry to purchase a copy of this anthology for yourself and/or for a gift.

wild-voices-cover

 

Wild Voices, An Anthology of Short Poetry & Art by Women
edited by Caroline Skanne, February 2017

 

 

 

 

***book available:https://wildflowerpoetrypress.wordpress.com/current-titles/
This title is also available on amazon.com or amazon.co.uk

 

 Here are my poems that appear in this lovely anthology:

 

 

the softness
of a raspberry
on my tongue…
I remember our long
first kiss

 

 

wild honeysuckle
heady and sweet—
your hold
on me
just as strong

 

 

a softness of spring
flecked with apple blossoms ~
the morning you died
darkness swept in
lost and wild

 

 

 

foxglove—                                                                                
danger hidden
in such beauty

 

foxglove

Foxglove, also known as Digitalis purpurea

 

Fragrance of old books… (tanka)

Click on the link below if you care to hear me read this tanka:

 

fragrance-of-old-books

My thanks to editor, Marilyn Hazelton, for publishing this tanka in Red Lights, one of the best tanka journals around.