Brass Bell Contributions

Here are several of my contributions in Brass Bell:

Brass Bell October 2022 / Theme: kitchen haiku

teatime
just water and leaves
you and me 

Brass Bell September 2022 / Theme: homeplace

buffalo, new york
we all laugh & tumble off
the long toboggan again

 

Brass Bell August 2022 / Theme: water

icy rain—
somehow this ache
just won’t leave

washed up
without a song
moon shell

 

Brass Bell July 2022 / Theme: sound

lyrics long forgotten
the melody always
in my mind

 

Brass Bell is published on the first day of every month. This delightful haiku journal is beautifully curated by editor/writer, Zee Zehava and can be found here: http://brassbellhaiku.blogspot.com. Writers are from around the world and some of the finest haiku/senryu writers appear on these pages.

 

 

Winter birds

 

Presence #72, Spring 2022

.

winter birds crack seeds
& feast on blocks of suet –
my long morning is spent
polishing old pieces
of silver we rarely use

.

.

Screen Shot 2022-10-04 at 3.07.18 PM

Photo by Stauffers of Kissel Hill

Life as we knew it . . . (Tanka)

 

 

GUSTS: Contemporary Tanka 33 (Tanka Canada)

 

 

life as we knew it
vanished in quarantine,
yet tiny helicopters
of maple seeds will twirl
& spin again one day

 

 

 

 

Maple tree ‘helicopter’ seeds photo by Casey Tree.org

The sudden way . . .

Blithe Spirit is the Journal of the British Haiku Society. Two of my tanka and one haiku were published in Volume 27, Number 23 (2017). I am most grateful to be part of this issue.

 

old shoes –
the challenge
of moving on

Screen Shot 2017-09-17 at 4.04.58 PM

plum blossoms—
watching you
struggle for so long
I remember how brief
a season is

stopping to study
fritillaries, tulips
and jonquils –
the sudden way
you take my hand

 

IMG_4621 (1)

 

(c) 2017, Mary Kendall
Blithe Spirit, Volume 27, Number 23 (2017)

Mask Maker

Who are we really? We can present ourself to the world in many ways, and we do. It’s been quite a while since I posted a longer poem on my blog, so today I offer you a poem called “Mask Maker.” It was written to an ekphrastic prompt on Rattle a few months back, but it was not selected. The two winning poems were brilliant and should have been chosen.

.
What’s great about writing to a good prompt is how an image can pull all sorts of ideas from us. The prompt was a picture of several sets of hands modeling in clay. I toyed with the idea for quite some time and discarded two other poems until I settled on the one that grew into this poem.

 

 

 

Mask Maker

 

Do you like this mask, the one I made

so carefully, molding it to the contours

of my face so it looks just like me?

 

I wear it day after day, occasionally

slipping it off and refashioning it a bit.

It changes as I change.

 

I was four when I made the first mask—

out of mud from the bare earth in the yard.

It blocked my fear, and hid my thoughts.

 

I was invisible to the world, hidden behind

this new cover. No one noticed when I wore it,

so I kept it on, and it protected me.

 

Once it nearly shattered during that long fall

down the stairs that he never spoke about.

Dazed, I woke up and checked the mask.

 

It was the one thing that hadn’t been hurt.

After that I knew I needed it to keep me safe,

to keep me quiet, to keep me out of the way.

 

When I closed my eyes, I could imagine it was

no longer a mask but just me, unseen by him.

It made me look like a normal girl, a good girl.

 

After many years and many masks, I became

quite good at molding a mask so flawlessly thin,

so delicate, transparent as a butterfly wing.

 

It was easy to slip on, and no one could tell

what was real and what was not, even up close.

It worked, and that’s all I ever wanted.

 

There is a small secret I learned from making

masks and wearing them day and night:

You must believe it’s you and not a mask.

 

It is you, but a different you, a you that won’t

cry out or tell secrets or even cringe too much

when unexpected blows come (and they do).

 

Close your eyes now. Imagine yourself this

way—in control and protected from the world,

safe from everything you fear, hidden far away

 

behind this lovely mask where you can watch

what’s going on, where you can be vigilant,

and where you are the real you only you can see.

 

 

 

 

Words grow muted . . . (a tanka)

 

 

 

 

words grow muted
and hearing diminished –
I begin to tiptoe
along the lonely curve
of inner silence

 

arp-sculpture

Title Unspecified, by Jean “Hans” Arp (French, b. German), 1950s

 

This tanka was published in The Ekphrastic Review: writing and art on art and writing on September 13, 2016. The journal is edited by Lorette C. Luzajic as part of the Ekphrastic 20 Challenge.

 

To visit the site, please click on this link:  http://www.ekphrastic.net/ekphrastic/a-tanka-by-mary-kendall