Some Thoughts on Turning to Myth: Looking back at “The First Lamentation of Demeter ~ (Poetry and Myth)”

A Note to My Readers:

Here it is January 2026. My blog has been quiet this year for a number of reasons too long to list.  But the most obvious reason is that of a block or mental ‘resistance’ to writing. Last year in 2024,  I turned to sharing a few older poems of mine that I love. It was a good reminder to me of why I loved writing.

Today, WordPress showed me my latest stats. I rarely look at these anymore, but one thing I notice each time I see an update is that some of the poems I wrote relating to classical myths seem to be accessed the most. I wonder if, in this sad and tumultuous world and country (mine being the USA), we turn to mythology to find answers to timeless questions that appear and reappear over a lifetime. Who are we and why are we here? What is it we are looking for? What really matters? I am now 79.  Those questions and many more have come up time and time again, and the answers have been quite varied over eight decades. What do you, dear reader, think? Why do we cling to myths and tales from long ago and from cultures we know only though history books, literature or art? I’d love to know what you think.

To honor some of these poems, I’m going to post my two Lamentations of Demeter, one at a time. To save some work, I’ll post the whole original poet from my blog. I hope you find some meaning in each of them or perhaps a way to think of something beyond our wild world of today.

 

 British Museum GR 1885.3-16.1 (Terracotta C 529), AN34724001

British Museum GR 1885.3-16.1 (Terracotta C 529), AN34724001

 

Here is the original 2014 posting:

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I’ve been looking over my writing notebooks written a while back but unread by anyone other than myself or my husband. The myths of Demeter and her daughter, Persephone, fascinate many including me. For a number of reasons these myths seem to appeal especially to women. Many of the great living women poets have written brilliant poems about Persephone (e.g., Louise Glück and Eavan Boland). The story is timeless.

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In today’s poem I’ve written a Lamentation of Demeter. Demeter, the goddess of the harvest and grains, is often referred to as the mother-goddess since she represents fertility on earth. Her importance is indisputable. When she mourns for her missing daughter, Persephone (who has been abducted by Hades and taken down into the underworld by force) the seasons stop. Things stop growing and the earth begins to die before Persephone’s father, Zeus, intervenes.  You know the story, but it is worth re-reading if you haven’t read any mythology for a while.

Demeter statue in front of my gym in Hillsborough, North Carolina

Demeter statue in front of my gym in Hillsborough, North Carolina

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So what is a lamentation? The Oxford English Dictionary defines it simply: “The passionate expression of grief or sorrow; weeping.” Anyone who has grieved knows instinctively what it is to lament the loss of someone who is dearly loved. The feeling is painful and deep, and I think this resonates within us all. Demeter mourned her daughter’s abduction to a point where the earth nearly perished. This poem begins with her not yet knowing all that has happened. I picture her as a mother desperate to know what has happened to her child.

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This is one of two lamentations of Demeter I’ve written. The second will follow at some point.

Demeter

Demeter

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To listen to an audio recording of me reading this poem, click on the link below and wait a few seconds for it to begin:

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The First Lamentation of Demeter

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How is it that I don’t know where she has gone?

        I warned her.

I told her time and time again not to trust them,
that there were those who so longed for her
they would stop at nothing.

        And who was right?

Like all girls her age, she could be headstrong,
believing her own mother too old
to understand those yearnings.

         I warned her.

Last night I watched the dog star rise up.
Its magnificent beams were like beacons
that might lead me to my lost child.

        Why is it the stars are silent?

O, Sirius, your brilliant rays reach down
to us and yet your silence is puzzling.
Surely you saw where she went, my only child.

        Will no one tell me where my Persephone has gone?

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Grief-Statue

Soaring voices (three tanka)

Photo by stein egil liland: https:::www.pexels.com:photo:mountain-under-aurora-borealis-9636388:

~ ~ ~

Three tanka published in
Gusts No. 37 Contemporary Tanka, Canada,
Spring/Summer 2023  

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I grow old now
and dream of a journey
I will never take
. . . the aurora borealis
dances, but does it sing?

~

the emptiness
of losing a friend—
never understanding
what I did or
what you felt I did

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such soaring voices
      pure soprano & alto notes
in a boys’ choir
each singer’s gift destined
to change course

~ ~ ~

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Notes:

(1) All tanka by Mary Kendall © 2023
(2) Photo by stein egil liland
      https///www.pexels.com/photo/mountain-under-aurora-borealis-9636388/.jpg

Catching Up with Ribbons (tanka)

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Ribbons, the journal of the Tanka Society of America is a favorite of all tanka poets. It’s always an honor to have poems accepted for publication. Here are some from the last two issues.

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Ribbons Winter 2023: Volume 19, Number 1

 

crisp golden leaves
ready themselves for flight
. . . I was just five
when you walked out
and left us all behind

 

Also, in Ribbons’ Tanka Hangout:

winter winds
wildly whip limbs
boughs & branches –
come closer and hear
my heart hum along

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Plus a collaboration with Christine L. Villa–her beautiful art and my tanka that was inspired by it:

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WINTER RIBBONS Mary Kendall thinner font

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Ribbons Fall 2022: Volume 18, Number 3

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the unmistakable scent
of ripe Anjou pears –
remembering
his low voice as he read
Verlaine aloud

lovely yellow pear

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‘Tanka Studio’ in Ribbons Fall 2022

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speaking in an even tone
that gives nothing away,
your inscrutable gaze
was always a challenge
for me to decipher

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All poems (c)by Mary Kendall

Scent of beeswax

I am still catching up with published poetry. Blithe Spirit is the publication of the British Haiku Society. They selected two haiku and two tanka of mine to publish in the winter issue.

Blithe Spirit Fall/Winter Issue 2022

 

1.

brevity
the ripeness
of a pear

 2.

children
fragile as blossoms
learning to let go

3.

fragrant spices, each
with a story to tell,
a bit of this, dash of that
     my pen moves as if
propelled by a stranger
 

4.

scent of beeswax
melting as we draw
invisible designs
on our pysanky eggs—
forgotten childhood

 

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Stinging nettles

 

 

 

stinging nettles –
things that were said
I can’t forget

 

 

The Heron’s Nest
Volume XXIV, Number 4: December, 2022

 

 

 

The last plum blossom, etc. (a mix of tanka and haiku)

The lovely New Zealand journal, Kokaku, published two haiku and two tanka in their fall issue: Kokaku #37, 2022.

Kokaku #37,  2022

evening web –
the last plum blossom
caught fast

       ***

corner flower shop –
if only our lives were
arranged so well

       ***

quick twists and turns
of rutting deer ~
another season passes
adrift in colours
of passion and promise

       ***

This tanka appeared on my blog last month but was from this issue (37):

a tiny fawn dead
by the side of the road –
I close my eyes & imagine
all those children lost
in Ukraine strikes

 

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