Water Song
Water, the color of night,
so very still
not even a wave
breaks the glass surface.
Fear is sometimes
like this, submerged
so far it is hidden
from the conscious self,
safely buried
and unable to rise
to the top again.
Dark thoughts swim
against the current
of common sense, but
they meet no resistance
that far down.
Narcissus, 1912 by John William Waterhouse
Persephone’s abduction by Hades is swift, violent and over so quickly that no one hears her scream except for Hecate, a goddess who helps Demeter find out where she has gone. Could there be anything worse for a mother than to lose a child? Demeter’s grief is profound. This is the Second Lamentation of Demeter.
The Abduction of Persephone, Hans Von Aachen, 1587
To hear me read this poem, please click on the link below and wait a few seconds for it to begin.
The Second Lamentation of Demeter
The earth groaned, then opened briefly.
That’s all it took.
He appeared out of nowhere
Like a wild flume of fire,
The flickering golden chariot with
Four black stallions at full gallop.
He sprang upon her so quickly
That when the earth closed back
Upon itself like a wound healed over,
All that was left was a circlet of flowers
That she and the daughters of Oceanus
Had been stringing together. Irises, roses,
Violets, hyacinths, and the faded blossoms
Of sweet narcissus plucked by her hand.
The scar in the earth and grasses torn apart
Were all that told the story.
I always knew he watched her…
I sensed when he was around.
Clouds gathered overhead,
Shadows clothing him in darkness,
Hades,
To whom sunlight is a stranger.
My sweet Persephone is gone now,
Gone with him.
O, horror…
My sweet child is his.
Persephone’s abduction is well represented in art. It is my personal opinion that one need look no further than the magnificent sculpture done by Bernini in 1622. The details of the hands and arms as well as the force and resistance between their two bodies is powerful. Persephone’s tear stained cheek tells us more than any words can.
Gian Lorenzo Bernini, The Abduction of Persephone, 1622, Galleria Borghese in Rome
(detail)
(detail)
British Museum GR 1885.3-16.1 (Terracotta C 529), AN34724001
I’ve been looking over my writing notebooks written a while back but unread by anyone other than myself or my husband. The myths of Demeter and her daughter, Persephone, fascinate many including me. For a number of reasons these myths seem to appeal especially to women. Many of the great living women poets have written brilliant poems about Persephone (e.g., Louise Glück and Eavan Boland). The story is timeless.
In today’s poem I’ve written a Lamentation of Demeter. Demeter, the goddess of the harvest and grains, is often referred to as the mother-goddess since she represents fertility on earth. Her importance is indisputable. When she mourns for her missing daughter, Persephone (who has been abducted by Hades and taken down into the underworld by force) the seasons stop. Things stop growing and the earth begins to die before Persephone’s father, Zeus, intervenes. You know the story, but it is worth re-reading if you haven’t read any mythology for a while.
Demeter statue in front of my gym in Hillsborough, North Carolina
So what is a lamentation? The Oxford English Dictionary defines it simply: “The passionate expression of grief or sorrow; weeping.” Anyone who has grieved knows instinctively what it is to lament the loss of someone who is dearly loved. The feeling is painful and deep, and I think this resonates within us all. Demeter mourned her daughter’s abduction to a point where the earth nearly perished. This poem begins with her not yet knowing all that has happened. I picture her as a mother desperate to know what has happened to her child.
This is one of two lamentations of Demeter I’ve written. The second will follow at some point.
Demeter
To listen to an audio recording of me reading this poem, click on the link below and wait a few seconds for it to begin:
The First Lamentation of Demeter
How is it that I don’t know where she has gone?
I warned her.
I told her time and time again not to trust them,
that there were those who so longed for her
they would stop at nothing.
And who was right?
Like all girls her age, she could be headstrong,
believing her own mother too old
to understand those yearnings.
I warned her.
Last night I watched the dog star rise up.
Its magnificent beams were like beacons
that might lead me to my lost child.
Why is it the stars are silent?
O, Sirius, your brilliant rays reach down
to us and yet your silence is puzzling.
Surely you saw where she went, my only child.
Will no one tell me where my Persephone has gone?
Weaving Light 6 (c) 2012 by Karen McRae
1:
dusk winds weave
seed pods in silken strings
spirits dancing
2:
morning’s breath
slips by so silently
a shiver of frost
3:
perhaps a portent
of what winter will bring
this woven white light
4:
just as a cloud forms
and suddenly dissipates
so a thought begins
Weaving Light 13 (c) 2012 by Karen McRae
These beautiful photographs of Goat’s-beard seed heads are by the very talented Karen McRae. They appear on her blog: The Frayed Edges of Waking August 12, 2012 by Karen McRae) http://drawandshoot.me/2012/08/12/the-frayed-edges-of-waking/
Many thanks, Karen, for allowing me to use your breathtaking photos that inspired these four small poems.
~ Mary ~
Weaving Light 11 (c) 2012 by Karen McRae
I’m not sure where this poem came from. It just happened. I was thinking about the sad loss of butterflies this summer and what that might mean to our environment, our gardens, our enjoyment of nature. Somehow, from that line of thought to the poem…well, how does one explain where things are born? I hope you enjoy this poem.
An audio of me reading this poem is available at the link below. Give it a few seconds to begin.
When a Heart Breaks
Did you ever consider a heart is like a chrysalis?
Perfectly wrapped round and round, silken strands
layered one upon the other, locked together
in a solid embrace of fragile fibers.
This is what the heart is.
When a heart breaks, no one picks through
the fibers trying to separate the strands.
Yet it can be undone so easily.
Words can unravel it so quickly that it spins
like a frenzied top, leaving behind a trail
of weakened strings, no longer useful to anyone.
Swan Feather, Moscow by Veronika K. Ko (c) 2013
If you care to listen to me read the poem, just click on the link below and wait a few seconds for it to begin:
Icarus II
The hardest part was letting you go,
knowing that once you sailed so high
it would be impossible not to try again.
With each pass you made, you soared
higher, more effortlessly; sweet-scented
beeswax noticeable as the air grew warmer.
Arms outstretched as if embracing the sun,
you changed course and flew even closer
before you shifted abruptly, a quick turning
of wings, now fighting the unexpected wind
with young muscles tensed and determined
to hold the course.
The descent was swift.
A feather fell
and then another.
A Poet in Time 