On Rewriting a Poem

 

{Sometimes old poems ask to be reworked. This is a small example of just that.}

 

 

                                  

On Growing Old Together, A Love Poem

 

Will you scatter me over water
or throw me to the winds,
letting me float away?

 

Will your ashes mingle                                                                                       
with mine one day
when you too are gone . . .

              Ashes to ashes . . .

 

Will you take my hand again
and hold me close against the wind?
Will your eyes always smile with mine?

              Dust to dust . . .

 

Will our hearts travel as one
no matter where that might be?
Will our love be forever?

              Two stars together.

 

 

 

November 2025

 

This is a love poem written for my husband. We met in 1974, fifty-one years ago. This poem originally appeared on this blog in 2015, but I was never really happy with the ending. It never felt “right” to me. Those of you who are writers will know the feeling. You will know that some poems are meant to pop up again for you to rework it until it really is complete, and this is what I have done.

 

Growing older together has been a gift to both of us. We have shared so much and grown so much. Love is the one constant in the equation we call life. This poem is dedicated to my beloved husband and to all who have loved and been loved.

 

 

I’ve recorded myself reading the poem should you care to listen. Just click on the button below and give it a half a minute to begin. 

 

Ritchie and Mary, 1976

Voices in the Wind

This is an old poem that was originally posted in the early days of this blog, back in 2015. My writing lately has come to a standstill, but rereading things written a while ago is often a way to trigger a creative response. (Let’s hope it works.)

The poem was written when we were living in London for a spring term with university students who were studying abroad. Wonderful memories of that group who are now fully grown and probably leading interesting lives.

We live in Chapel Hill, North Carolina in a beautiful rural development that is filled with gardens and trees. Our single acre plot is divided into flowers, vegetables, invading weeds and cultivated trees. The back half of our acre is woodland and beyond that runs a small railroad track that is used for a daily single train that carries coal to the university nearby. Sounds are important. In winter we can hear a distant passenger train at night. In summer it’s blocked by all the greenery. Chapel Hill is truly verdant as is the nearby town of Hillsborough. Our trees are a mixture of hardwoods (oak, hickory, beech and evergreens (mostly loblolly pines but a few small cedars and hollies). Our beautiful Camellias bring winter color and our small (hand-dug) pond delights us with frogs serenading one another. Southern summers are never quiet. Katydids and Cicadas sing during the hottest part of the year, and all sorts of songbirds visit as we work in the garden or sit on the screened porch.

One of my favorite parts of living here is listening to the trees blow. Whether a storm is coming or not, the very tall trees have a life of their own as they blow and move. It is quite often a very sacred sound.

The trees today brought to mind this ten year old poem for me to reread (and now, to repost).

Questions was originally published on this blog on June 19, 2015.
Ten years ago and still the same questions arise.

I hope you enjoyed reading this “oldie” today.

Rough edges … (tanka)

.

rough edges worn down
on well-trodden paths,
each cobblestone
a reminder of how far
we’ve travelled

.

.

Published in Eucalypt 29, Winter 2020

ghosting myself . . . (tanka)

 

 

Ribbons 16:3 (fall 2020)

 

 

 

ghosting myself
by looking away . . .
     the mirror                        
no longer a friend
I care to see

 

 

 

(c) Mary Kendall, 2020

 

 

Note: This pretty hand mirror was crafted in Germany and sold on Etsy.com.

Tanka No. 2: pale pink petals

Here’s the second tanka published in
Gusts no. 32, Fall/Winter 2020

 

 

pale pink petals
scattered on the desk
one by one the days
of isolation pass,
each fading to nothing

 

 

 

 

forgetfulness

 

 

forgetfulness—

soft feathers drift out

of a poultry truck

 

~ ~

 

Published in Frogpond vol. 43:3 fall 2020

 

Frogpond is the journal of the Haiku Society of America