Beauty in Broken Pieces

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New Note as of March 11, 2016: This poem has just been published on a favorite online journal called Ekphrastic: Writing and Art on Art and Writing. A link to the journal:  http://www.ekphrastic.net/ekphrastic/beauty-in-broken-pieces-by-mary-kendall

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Readers of this blog don’t always notice its subtitle: One Poet’s Practice. I like to practice. I like to experiment. All poets do. Without stretching the mind, you fall into the pattern of repetition. Each poem starts sounding like the last or the next.

I have been writing a lot in short form poetry–haiku, haiga, tanka, and other small poems. Today, in an effort to go in a completely different direction, I offer you a very long, rambling poem–quite unlike me, I know. It is called “Beauty in Broken Pieces,” inspired by a lovely photograph taken in Dublin, Ireland by India Leigh Lassiter, herself a talented writer as well as photographer. Thank you, India, for allowing me to use your picture as a starting point for this poem.

 

To hear me read this poem, please click on the link below (give it a minute to load):

 

India blue spiral

Blue Spiral, Dublin, Ireland (c) 2015 photograph by India Leigh Lassiter

 

Beauty in Broken Pieces…

 

 

Perhaps it was once a deep blue vase,
holding seven pale pink peonies
freshly cut one May morning…

the silence shattered
suddenly when
she lost her balance,

grabbed
the oval table

and together
crashed down,

one in splintered pieces,
the other dazed
watching the water
slowly spread
under the petals.

Or perhaps…

it was packed away in a doctor’s study,
an old cabinet filled with bottles…
cobalt blue bottles with faded labels,
the dark blue hinting of hidden secrets,
dangers that lay in long-dried residue
of those bottles that were shattered
and thrown upon a fire
that raged for hours,
flaring up in vivid hues
of acid green
and mustard yellow,
tipped with amber,
azure and moon,
the air once heavy
with poison
and dreams.

Or…maybe

there was no story.

Do you believe the whole really is bigger
than the sum of its parts?
And please, don’t let’s forget
there is always
perspective.

Large things are large,
but small things
are also large
if seen
close
up.

 

It is lovely, this small mosaic
made of glass in shades of blue,

blue so dark,
it might still hold the sound
of the ocean from the sand
that washed up and back
over and over

dancing on the ocean floor

before it became
the glass
we see…

for what is glass
but sand
and fire,

beach
and
star?

even
a simple
spiral
mosaic
in shades
of blue, pearl and silver
might hold the deep bass song
of the darkling ocean,
the glimmering
whispers
of clouds
above,

patterns spiraling through nature
like our thoughts about beauty,
reality or memory’s truth

Fibonacci gave it his name,
the Greeks gave it meaning
with their golden ratio…
it exists everywhere
… a simple nautilus shell,
the sunflower’s seed head
that turns to the sun,
and following its cue, the pinecone,
the hurricane, even the galaxy, the cosmos

and here with this Irish glass spiral
we come full circle of woman
with camera, snapping
a photo, capturing
the balance of
silvery bits
and pearl
to blue
done
just
so
.

 

 

goniatite-fossil-pasieka

goniatite-fossil

 

Fly me to the moon…haiku for the season

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Full Moon of the Winter Solstice (c) 2010 Martin Liebermann

 

As I post this, it is the morning of the winter solstice of 2015. Where I live in Chapel Hill, North Carolina, the winter solstice officially happens tonight at 11:49 pm, EST. Wherever YOU are, it will happen at a different hour or perhaps the same. Readers of this blog come from all over the world–one of the joys in blogging is seeing the list of countries of readers–and I love imagining the moon going through its magical phases for each of you. Tonight, the solstice. Later this week, a full moon. What more could we want?

 

 

 

These are some of my earliest haiku:

 

WINTER MOON HAIKU

First published on Poets Online (c) Mary Kendall

Later used as lyrics in “Winter Moon” by Paul Carey, a piece for women’s chorus in (c) 2011.

 

night snow
boughs dreaming
of first blossoms

 

Fog filled woods~
even the winter moon
has lost its way

 

a winter walk
footprints
tell no tales

 

the blue moon
silently closes the door
upon the year

 

 

Pale Ghosts…

photo by jim clark, American Beech Trees

American Beech Trees, (c) Photograph by Jim Clark

It was a very exciting moment last week for me to open up the latest issue of Moonbathing, a journal of women’s tanka, and see one of my own tanka included. To be in the company of so many very talented tanka poets is a highlight of my year.

Published by poet and editor, Pamela A. Babusci, Moonbathing is a journal that showcases the many sides of tanka. The poems cover a wide variety of experiences, emotions and subjects…and all written by talented women poets.

Here is my tanka:

IMG_0868

 

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Moonbathing is edited and published by Pamela A. Babusci

 

 

Beech Leaves by Walter Reeve

American Beech Leaves, (c) Photo by Walter Reeves

Kamakura Beach 1333: Artist’s choice in Rattle’s Ekphrastic Challenge

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I am both speechless and honored by the selection of my poem, “Kamakura Beach, 1333” as the artist’s choice of the October ekphrastic challenge by Rattle, one of the finest contemporary poetry journals. The artist/photographer is Ana Prundaru. My thanks go to Ana for selecting my poem for this challenge. I am deeply touched by her very thoughtful and generous comments.

 

Artist's Comments.jpg

To read the poem or listen to the audio on Rattle, here is the link:

http://www.rattle.com/poetry/kamakura-beach-1333-by-mary-kendall/

Note: there is an audio of me reading the poem on the Rattle page but I’ll include it here as well:

~

Kamakura Beach, 1333                                          

 

The sea washed scarlet that night.

The tide rushed in—swelling and breaking—washing
all traces out to sea on the waves of Kamakura Beach.

You know nothing of this, you who long for adventure
and pleasure—youth who search desperately for meaning
in lives that are too rich, too busy, and still so poor.

Your small boats arrive in early evening, the carmine sunset
at your back, and you quickly gather driftwood, tinder, and
fallen black pine branches to burn. You light the fire.

A trail of smoke begins funneling up to the starry sky.
The fire burns hot and one by one, you feed it twigs, boughs,
pine cones bursting into streams of sparks and wild flames.

And in your wanton rambling, one girl grows silent—she alone
hears the hallowed chanting, the cries of battle, the shrieks
of arrows piercing skulls, the stench of life exiting too abruptly.

She wanders over shallow rocks, her hand touching stone,
knowing the pain hidden in the silence of eight hundred years.
The rest of you are unaware…you laugh too loudly, move

too fast, not noticing the shifting colors of the setting sun.
Listen and you will hear the shogun cries of warriors and farmers
that once shook the sacred sands of Kamakura Beach.

Can you smell the fierce fires, the burning buildings,
the blazing rafters crashing and lighting the darkening sky?
Can you hear the screams of those buried here long ago?

Time slipped by like swifts at dusk darting in the fading sky.
The fire raged on and on, and lives were ravished in a
single breath. It was our fate to die on Kamakura Beach.

With Samurai mind and clean, sharp blows, the sacred sword
was swift. One by one, we died…each of us choosing honor,
this bleak beach now strewn with bones, bodies and blood.

You who come to visit—feel the cool churning lapis blue water,
and see the late sun boldly brush red on sand, water and waves.
Remember us—we who lie buried on Kamakura Beach.

Let your fires roar, let them spark in comets to the stars.
Under the dark night skies long written in indigo and ink,
we will walk together here on Kamakura Beach.

Morning tide will come—swelling and breaking—washing
your presence out to sea— remembering our final night,
a night of fire and blood, bone and bodies on Kamakura Beach.

The sea washed scarlet that night.

 

~

Here is the broadside link:

Click to access EAOct2015.pdf

Rattle also posted a download of a broadside that includes poem and picture side by side. It is so beautifully done with the shadows of the boat creating a subtle image under the poem. Very appropriate to this particular poem, I think.

 

Swallows: Three Haiku

Today, on Ekphrastic: writing and art on art and writing,  as part of their 20 poem challenge, I have three haiku to go with a gorgeous picture of swallows.

To read the poems and see the art in the original publication, please click on this link:

http://www.ekphrastic.net/ekphrastic/swallows-by-mary-kendall

The artwork is  “Swallows” by Benjamin Chee Chee

Ekphrastic 2 Swallows

 

(1)

frail beauty—

scissoring the sky

on indigo wings

 

(2)

 

hope . . . soaring on wingless winds

 

(3)

 

taking leave—

gathering courage

as you fly

 

pocket_watch_buried_in_the_shallow_beach_AFR-IJ-14804

 

My thanks to editor, Lorette C. Luzajic, for including these haiku.

 

Drifting Along…

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Today I feel a deep pride and happiness that a poem that has taken 15 years to complete has been published in one of my favorite poetry journals–The Whirlwind Review. This journal has a focus poetry following a spiritual path, and the current issue has a theme of journeying. That made it a perfect place to submit this poem, Drifting Along. My deepest thanks goes to editor, Jill Jepson, herself a writer I greatly admire.

New Zealand is a land far away from my own, but it is a spiritual homeland of sorts. After visiting there in July 2000, a twenty-five year silence in my writing of poetry ended after a spiritual experience I had on South Island. The beauty of the country and the kindness and friendliness of the people made this a trip I will never forget.

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The link to the poem:  http://www.writingthewhirlwind.net/Kendall.html

Audio:  If you care to listen to me read this poem (and I hope you will–this is one of my most favorite poems), click on the link below. Give it a few seconds to load.

.glowworms 1

Drifting Along

.                            Visiting Waitomo Caves, New Zealand

There are moments when I wonder if one day
I will drift too far, too deep into my mind,
a world where fragmented thoughts,
memories and feelings might be lost forever.

The last trip.
A one-way ticket.

Traveling halfway around the world, we are
in New Zealand, the land of Aotearoa,
‘the land of the long white cloud.’ Driving
south, we arrive in the Maori heartland.

From Rotorua with its dizzying sulfuric scent,
we hike past brilliant springs, steaming lakes
and hot, bubbling mud pools where it seems
as if the underworld might hover just below
the surface of this ancient thermal valley.

One morning we go to see Pōhutu Geyser.
After a while, I wander from the path only to be
unexpectedly splashed by a small spurt of water
that was invisible until I came too close.

The Maori guide tells me that I’ve been blessed
by the spirits. Brushing off the still warm spray
of water, I hope she is right. I want to believe.

Driving through this world of rolling green
volcanic hills, we finally reach the Waitomo Caves.
As we wait for our boat, I feel a pulse in the land—
I know we are standing on sacred ground.

With our inner clocks all timed out, we begin
the dark journey into the heart of the cavern
Skimming silently through the still waters,
the young boatman leads us far into the blackness
of a cave that tunnels in so far, we lose all light
and sense of where we are. Our eyes now adjust
to this obsidian underworld, and it seems that
we have begun to cross into unending nighttime.

Everyone in the boat is silent. To be this close
to the infinite expanse of darkness,
to transcend time and self—this is a place
for stillness…and so it is.

With only the lapping of water against the boards,
the boat slips along. Although we came here
knowing what was hidden in this hollow, no one
is prepared for the full beauty of what is there.

I look up and see endless strings of glowworms—
glowworms hanging so high up, they become
numberless strands of summer stars—pale green fires
in these underground heavens whose ghostly translucence
leaves me feeling as if I am asleep somewhere,
not wanting to wake up from this ethereal place
in which I float between two worlds.

The boat glides quietly in the gentle sway of water,
and it is then that I begin to fear we have drifted too far.

I can remember no way back.

No signposts.
No markers.
No trail of crumbs.

glowworms 3 glowworms-at-waitomo map of NZ

My thanks to the New Zealand Tourist Bureau for the magnificent pictures shown above.